Canon SX510 vs Fujifilm GFX 100
The Canon PowerShot SX510 HS and the Fujifilm GFX 100 are two digital cameras that were announced, respectively, in August 2013 and May 2019. The SX510 is a fixed lens compact, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX510) and a medium format (GFX 100) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX510 HS and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX510 and the Fujifilm GFX 100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (209 percent) than the Canon SX510. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the SX510 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX510 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the SX510 gets 250 shots out of its NB-6LH battery, while the GFX 100 can take 800 images on a single charge of its NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SX510||104 mm||70 mm||80 mm||349 g||250||n||Aug 2013||249|
|2.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|3.||Canon SX430||104 mm||69 mm||85 mm||323 g||195||n||Jan 2017||299|
|4.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|5.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|6.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399|
|7.||Canon SX700||113 mm||66 mm||35 mm||269 g||250||n||Feb 2014||349|
|8.||Canon SX600||104 mm||61 mm||26 mm||188 g||290||n||Jan 2014||249|
|9.||Canon SX400||104 mm||69 mm||80 mm||313 g||190||n||Jul 2014||249|
|10.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|11.||Canon SX500||104 mm||70 mm||80 mm||341 g||195||n||Aug 2012||329|
|12.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|13.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|14.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|15.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|16.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|17.||Sony H200||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX510 was launched at a lower price than the GFX 100, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX510 features a 1/2.3-inch sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 5046 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 101.8MP, the GFX 100 offers a higher resolution than the SX510 (15.9MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.33μm for the SX510) due to its larger sensor. Moreover, the GFX 100 is a much more recent model (by 5 years and 9 months) than the SX510, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon SX510 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot SX510 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|12.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|13.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|14.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|15.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|16.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100 provides a better video resolution than the SX510. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. The SX510 and the GFX 100 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Canon SX510 and Fujifilm GFX 100 in connection with corresponding information for a sample of similar cameras.
|1.||Canon SX510||none||n||3.0 / 461||fixed||n||1/1600s||3.8||Y||Y|
|2.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|3.||Canon SX430||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|4.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|5.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|6.||Canon SX520||none||n||3.0 / 461||fixed||n||1/2000s||1.6||Y||Y|
|7.||Canon SX700||none||n||3.0 / 922||fixed||n||1/3200s||8.5||Y||Y|
|8.||Canon SX600||none||n||3.0 / 461||fixed||n||1/2000s||3.9||Y||Y|
|9.||Canon SX400||none||n||3.0 / 230||fixed||n||1/1600s||0.8||Y||Y|
|10.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|11.||Canon SX500||none||n||3.0 / 461||fixed||n||1/1600s||0.8||Y||Y|
|12.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|13.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||Y|
|14.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|15.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|16.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0||n||n|
|17.||Sony H200||none||n||3.0 / 460||fixed||n||1/1500s||0.8||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The SX510 has one, while the GFX 100 does not. While the built-in flash of the SX510 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX510 and the GFX 100 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX510 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the SX510 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX510 HS and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX510||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|3.||Canon SX430||-||mono / mono||-||-||-||2.0||Y||Y||-|
|4.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|5.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|6.||Canon SX520||-||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX700||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon SX600||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|9.||Canon SX400||-||stereo / mono||-||-||-||2.0||-||-||-|
|10.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon SX500||-||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|14.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|15.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|16.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|17.||Sony H200||-||mono / mono||-||-||-||2.0||-||-||-|
It is notable that the GFX 100 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX510 does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the SX510) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 100 is a recent model that features in the current product line-up of Fujifilm. In contrast, the SX510 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX510 was succeeded by the Canon SX520. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Which of the two cameras – the Canon SX510 or the Fujifilm GFX 100 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot SX510 HS:
- Ready to shoot: Has a lens built-in, whereas the GFX 100 requires a separate lens.
- More compact: Is smaller (104x70mm vs 156x144mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 100).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Advantages of the Fujifilm GFX 100:
- More detail: Has more megapixels (101.8 vs 15.9MP), which boosts linear resolution by 153%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 461k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1600s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (800 versus 250) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 5 years and 9 months of technical progress since the SX510 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the contest (31 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX510 and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX510 or the GFX 100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX510||..||+ +||..||..||4.5/5||4/5||Aug 2013||249|
|2.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|3.||Canon SX430||..||..||..||..||3.5/5||3.5/5||Jan 2017||299|
|4.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|5.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|6.||Canon SX520||..||+||..||..||3.5/5||3.5/5||Jul 2014||399|
|7.||Canon SX700||..||+ +||..||..||4/5||4/5||Feb 2014||349|
|8.||Canon SX600||..||+||..||..||4/5||4/5||Jan 2014||249|
|9.||Canon SX400||..||+||..||..||..||..||Jul 2014||249|
|10.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|11.||Canon SX500||..||+ +||..||..||4/5||4/5||Aug 2012||329|
|12.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|13.||Fujifilm GFX 50S II||..||..||..||87/100||..||..||Sep 2021||3,999|
|14.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|15.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|16.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|17.||Sony H200||..||..||..||..||3.5/5||3.5/5||Jan 2013||249|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon SX510 vs Fujifilm X-T1
- Canon SX510 vs Fujifilm XQ1
- Canon SX510 vs Nikon D2X
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- Canon SX510 vs Panasonic FZ200
- Canon SX510 vs Ricoh GR III
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- Fujifilm GFX 100 vs Olympus E-PL5
- Fujifilm GFX 100 vs Samsung NX1
- Fujifilm GFX 100 vs Sony RX100 III
Specifications: Canon SX510 vs Fujifilm GFX 100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX510||Fujifilm GFX 100|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-720mm f/3.4-5.8||Fujifilm G mount lenses|
|Launch Date||August 2013||May 2019|
|Launch Price||USD 249||USD 9,999|
|Sensor Specs||Canon SX510||Fujifilm GFX 100|
|Sensor Format||1/2.3" Sensor||Medium Format Sensor|
|Sensor Size||6.17 x 4.55 mm||43.8 x 32.9 mm|
|Sensor Area||28.0735 mm2||1441.02 mm2|
|Sensor Diagonal||7.7 mm||54.8 mm|
|Sensor Resolution||15.9 Megapixels||101.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||11648 x 8736 pixels|
|Pixel Pitch||1.33 μm||3.76 μm|
|Pixel Density||56.73 MP/cm2||7.06 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 4||X-Processor 4|
|Screen Specs||Canon SX510||Fujifilm GFX 100|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||461k dots||2360k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX510||Fujifilm GFX 100|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/1600s||1/4000s|
|Continuous Shooting||3.8 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX510||Fujifilm GFX 100|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX510||Fujifilm GFX 100|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||800 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
104 x 70 x 80 mm
(4.1 x 2.8 x 3.1 in)
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
|Camera Weight||349 g (12.3 oz)||1320 g (46.6 oz)|
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