Canon SX50 vs Sony NEX-C3
The Canon PowerShot SX50 HS and the Sony Alpha NEX-C3 are two digital cameras that were announced, respectively, in September 2012 and June 2011. The SX50 is a fixed lens compact, while the NEX-C3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX50) and an APS-C (NEX-C3) sensor. The Canon has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Sony Alpha NEX-C3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX50 and the Sony NEX-C3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-C3 can be obtained in three different colors (black, silver, pink), while the SX50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-C3 is considerably smaller (38 percent) than the Canon SX50. In this context, it is worth noting that neither the SX50 nor the NEX-C3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the NEX-C3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-C3 and their specifications in the Sony E-Mount Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|2.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|6.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|7.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|8.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|9.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|10.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399|
|11.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399|
|12.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX50 was launched at a lower price than the NEX-C3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Sony NEX-C3 an APS-C sensor. The sensor area in the NEX-C3 is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX50 has a native 4:3 aspect ratio, while the one in the NEX-C3 offers a 3:2 aspect.
With 16MP, the NEX-C3 offers a higher resolution than the SX50 (12MP), but the NEX-C3 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 1.53μm for the SX50) due to its larger sensor. However, the SX50 is a somewhat more recent model (by 1 year and 3 months) than the NEX-C3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-C3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-C3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Canon SX50 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Sony Alpha NEX-C3 are ISO 100 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-C3 offers substantially better image quality than the SX50 (overall score 26 points higher). The advantage is based on 2.4 bits higher color depth, 1 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|6.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SX50 provides a higher video resolution than the NEX-C3. It can shoot video footage at 1080/24p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the SX50 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-C3 relies on live view and the rear LCD for framing. That said, the NEX-C3 can be equipped with an optional viewfinder – the FDA-SV1. The adjacent table lists some of the other core features of the Canon SX50 and Sony NEX-C3 along with similar information for a selection of comparators.
|6.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The SX50 has one, while the NEX-C3 does not. While the built-in flash of the SX50 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The SX50 writes its imaging data to SDXC cards, while the NEX-C3 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Sony Alpha NEX-C3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|6.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
Both the SX50 and the NEX-C3 have been discontinued, but can regularly be found used on eBay. The SX50 was replaced by the Canon SX60, while the NEX-C3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon SX50 or the Sony NEX-C3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot SX50 HS:
- Better video: Provides higher definition movie capture (1080/24p vs 720/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Ready to shoot: Has a lens built-in, whereas the NEX-C3 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 3 months after the NEX-C3).
Arguments in favor of the Sony Alpha NEX-C3:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better image quality: Scores substantially higher (26 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.6 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (920k vs 461k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5.5 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x60mm vs 123x87mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (400 versus 315) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in June 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-C3 is the clear winner of the contest (12 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Sony NEX-C3 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SX50 or the NEX-C3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX50||3/5||+ +||72/100||4.5/5||4.5/5||Sep 2012||429|
|2.||Sony NEX-C3||3/5||+ +||74/100||4.5/5||4/5||Jun 2011||599|
|3.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon S120||..||+ +||..||4.5/5||4.5/5||Aug 2013||449|
|6.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|7.||Canon G15||4/5||+||76/100||4.5/5||4.5/5||Sep 2012||499|
|8.||Canon SX40||..||+||..||4.5/5||4/5||Sep 2011||429|
|9.||Canon SX30||3/5||+ +||..||3.5/5||4/5||Sep 2010||429|
|10.||Canon SX20||..||+ +||73/100||..||4/5||Aug 2009||399|
|11.||Canon SX10||..||+ +||..||..||4/5||Sep 2008||399|
|12.||Panasonic FZ150||3/5||+ +||76/100||4/5||4.5/5||Aug 2011||499|
|13.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-F3||4/5||..||74/100||4.5/5||4.5/5||May 2012||599|
|15.||Sony NEX-5N||3/5||+ +||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon SX50 vs Sony NEX-C3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Sony NEX-C3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Sony E mount lenses|
|Launch Date||September 2012||June 2011|
|Launch Price||USD 429||USD 599|
|Sensor Specs||Canon SX50||Sony NEX-C3|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.4 x 15.6 mm|
|Sensor Area||28.0735 mm2||365.04 mm2|
|Sensor Diagonal||7.7 mm||28.1 mm|
|Sensor Resolution||12 Megapixels||16 Megapixels|
|Image Resolution||4000 x 3000 pixels||4912 x 3264 pixels|
|Pixel Pitch||1.53 μm||4.78 μm|
|Pixel Density||42.74 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||720/30p Video|
|ISO Setting||80 - 6,400 ISO||100 - 12,800 ISO|
|Image Processor||DIGIC 5||BIONZ|
|DXO Sensor Quality (score)||47||73|
|DXO Color Depth (bits)||20.3||22.7|
|DXO Dynamic Range (EV)||11.2||12.2|
|DXO Low Light (ISO)||179||1083|
|Screen Specs||Canon SX50||Sony NEX-C3|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon SX50||Sony NEX-C3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.2 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon SX50||Sony NEX-C3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon SX50||Sony NEX-C3|
|Battery Life (CIPA)||315 shots per charge||400 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
110 x 60 x 33 mm
(4.3 x 2.4 x 1.3 in)
|Camera Weight||595 g (21.0 oz)||225 g (7.9 oz)|
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