Canon SX50 vs Pentax 645Z
The Canon PowerShot SX50 HS and the Pentax 645Z are two digital cameras that were revealed to the public, respectively, in September 2012 and April 2014. The SX50 is a fixed lens compact, while the 645Z is a DSLR. The cameras are based on a 1/2.3-inch (SX50) and a medium format (645Z) sensor. The Canon has a resolution of 12 megapixels, whereas the Pentax provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX50||Pentax 645Z|
|Fixed lens compact camera||Digital single lens reflex|
|24-1200mm f/3.4-6.5||Pentax 645 mount lenses|
|12 MP, 1/2.3" Sensor||51.1 MP, Medium Format Sensor|
|1080/24p Video||1080/60i Video|
|ISO 80-6400||ISO 100-204800|
|Electronic viewfinder (202k dots)||Optical viewfinder|
|3.0" LCD, 461k dots||3.2" LCD, 1037k dots|
|Swivel screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.2 shutter flaps per second||3 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|315 shots per battery charge||650 shots per battery charge|
|123 x 87 x 106 mm, 595 g||156 x 117 x 123 mm, 1550 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX50 and the Pentax 645Z are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is considerably larger (71 percent) than the Canon SX50. It is noteworthy in this context that the 645Z is splash and dust-proof, while the SX50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the 645Z is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SX50»||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||Canon SX50|
|Pentax 645Z«||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499||Pentax 645Z|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon SX60« »||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||Canon SX60|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449||Canon S120|
|Canon G1 X« »||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||Canon G1 X|
|Canon G15« »||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||Canon G15|
|Canon SX40« »||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429||Canon SX40|
|Canon 1100D« »||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||Canon 1100D|
|Canon G12« »||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499||Canon G12|
|Hasselblad X1D« »||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Leica SL« »||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||Leica SL|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ150« »||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||Panasonic FZ150|
|Pentax 645D« »||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995||Pentax 645D|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX50 was launched at a lower price than the 645Z, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 5032 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the 645Z offers a higher resolution than the SX50 (12MP), but the 645Z nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the 645Z is a somewhat more recent model (by 1 year and 6 months) than the SX50, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the 645Z has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax 645Z implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 645Z for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon SX50 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the 645Z offers substantially better image quality than the SX50 (overall score 54 points higher). The advantage is based on 5.7 bits higher color depth, 3.5 EV in additional dynamic range, and 4.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101||Pentax 645Z|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX40||1/2.3||12.0||4000||3000||1080/24p||..||..||..||..||Canon SX40|
|Canon 1100D||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82||Pentax 645D|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 645Z provides a faster frame rate than the SX50. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the SX50 has an electronic viewfinder (202k dots), while the 645Z has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon SX50 and Pentax 645Z in connection with corresponding information for a sample of similar cameras.
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Pentax 645Z||optical||Y||3.2||1037||tilting||n||1/4000s||3.0||n||n||Pentax 645Z|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120||none||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX40||202||n||2.7||230||swivel||n||1/3200s||10.3||Y||Y||Canon SX40|
|Canon 1100D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Hasselblad X1D||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Pentax 645D||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
One difference between the cameras concerns the presence of an on-board flash. The SX50 has one, while the 645Z does not. While the built-in flash of the SX50 is not very powerful, it can at times be useful as a fill-in light.The SX50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 645Z does not have a selfie-screen.
The Pentax 645Z has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX50 and the 645Z write their files to SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX50 only has one slot. The 645Z supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Pentax 645Z||Y||stereo||mono||Y||-||mini||3.0||-||-||-||Pentax 645Z|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX40||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX40|
|Canon 1100D||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Hasselblad X1D||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Pentax 645D||Y||stereo||none||-||-||none||2.0||-||-||-||Pentax 645D|
It is notable that the 645Z has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX50 does not feature such a mic input.
Studio photographers will appreciate that the Pentax 645Z (unlike the SX50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 645Z is a recent model that features in the current product line-up of Pentax. In contrast, the SX50 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX50 was succeeded by the Canon SX60. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So how do things add up? Is there a clear favorite between the Canon SX50 and the Pentax 645Z? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot SX50 HS:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with a built-in lens, while the 645Z requires a separate lens.
- More compact: Is smaller (123x87mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the 645Z).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Reasons to prefer the Pentax 645Z:
- More detail: Has more megapixels (51.1 vs 12MP), which boosts linear resolution by 106%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (54 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (5.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (4.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 461k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 2.2 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (650 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the 645Z is the clear winner of the contest (23 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX50 or the 645Z. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Pentax 645Z
- Canon 6D Mark II vs Canon SX50
- Canon SX50 vs Nikon D70s
- Canon SX50 vs Panasonic GF1
- Canon SX50 vs Panasonic LX100 II
- Canon SX50 vs Panasonic S1H
- Canon SX50 vs Sony A68
- Canon SX50 vs YI M1
- Canon T100 vs Pentax 645Z
- Fujifilm X70 vs Pentax 645Z
- Leica Q2 vs Pentax 645Z
- Leica S2 vs Pentax 645Z
Specifications: Canon SX50 vs Pentax 645Z
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Pentax 645Z|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-1200mm f/3.4-6.5||Pentax 645 mount lenses|
|Launch Date||September 2012||April 2014|
|Launch Price||USD 429||USD 8499|
|Sensor Specs||Canon SX50||Pentax 645Z|
|Sensor Format||1/2.3" Sensor||Medium Format Sensor|
|Sensor Size||6.17 x 4.55 mm||43.8 x 32.8 mm|
|Sensor Area||28.0735 mm2||1436.64 mm2|
|Sensor Diagonal||7.7 mm||54.7 mm|
|Sensor Resolution||12 Megapixels||51.1 Megapixels|
|Image Resolution||4000 x 3000 pixels||8256 x 6192 pixels|
|Pixel Pitch||1.53 μm||5.30 μm|
|Pixel Density||42.74 MP/cm2||3.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/24p Video||1080/60i Video|
|ISO Setting||80-6400 ISO||100-204800 ISO|
|Image Processor||DIGIC 5||PRIME III|
|DXO Sensor Quality (score)||47||101|
|DXO Color Depth (bits)||20.3||26.0|
|DXO Dynamic Range (EV)||11.2||14.7|
|DXO Low Light (ISO)||179||4505|
|Screen Specs||Canon SX50||Pentax 645Z|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||98%|
|Viewfinder Resolution||202k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||461k dots||1037k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon SX50||Pentax 645Z|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||2.2 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX50||Pentax 645Z|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon SX50||Pentax 645Z|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||650 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
156 x 117 x 123 mm
(6.1 x 4.6 x 4.8 in)
|Camera Weight||595 g (21.0 oz)||1550 g (54.7 oz)|
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