Canon SX50 vs Panasonic GM5
The Canon PowerShot SX50 HS and the Panasonic Lumix DMC-GM5 are two digital cameras that were officially introduced, respectively, in September 2012 and September 2014. The SX50 is a fixed lens compact, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX50) and a Four Thirds (GM5) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX50||Panasonic GM5|
|Fixed lens compact camera||Mirrorless system camera|
|24-1200mm f/3.4-6.5||Micro Four Thirds lenses|
|12 MP, 1/2.3" Sensor||15.8 MP, Four Thirds Sensor|
|1080/24p Video||1080/60p Video|
|ISO 80-6400||ISO 200-25600|
|Electronic viewfinder (202k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 461k dots||3.0" LCD, 921k dots|
|Swivel screen (not touch-sensitive)||Fixed touchscreen|
|2.2 shutter flaps per second||5.8 shutter flaps per second|
|315 shots per battery charge||220 shots per battery charge|
|123 x 87 x 106 mm, 595 g||99 x 60 x 36 mm, 211 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX50 and the Panasonic GM5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the SX50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (44 percent) than the Canon SX50. In this context, it is worth noting that neither the SX50 nor the GM5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the GM5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GM5 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX50»||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||Canon SX50|
|Panasonic GM5«||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||Panasonic GM5|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||Canon S120|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||Canon G1 X|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||Canon G15|
|Canon SX40« »||4.8 in||3.6 in||4.3 in||21.2 oz||380||n||Sep 2011||429||Canon SX40|
|Canon SX30« »||4.8 in||3.6 in||4.3 in||21.2 oz||370||n||Sep 2010||429||Canon SX30|
|Canon SX20« »||4.8 in||3.5 in||3.4 in||21.2 oz||..||n||Aug 2009||399||Canon SX20|
|Canon SX10« »||4.8 in||3.5 in||3.4 in||21.2 oz||..||n||Sep 2008||399||Canon SX10|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||Panasonic G7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||Panasonic GM1|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||Panasonic GX1|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||Panasonic GH2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX50 was launched at a lower price than the GM5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GM5 offers a higher resolution than the SX50 (12MP), but the GM5 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the GM5 is a somewhat more recent model (by 1 year and 11 months) than the SX50, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inch or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inch or 38.9 x 29.2 cm. The corresponding values for the Canon SX50 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GM5 offers substantially better image quality than the SX50 (overall score 19 points higher). The advantage is based on 1.8 bits higher color depth, 0.5 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX40||1/2.3||12.0||4000||3000||1080/24p||..||..||..||..||Canon SX40|
|Canon SX30||1/2.3||14.0||4320||3240||720/30p||..||..||..||..||Canon SX30|
|Canon SX20||1/2.3||12.0||4000||3000||720/30p||..||..||..||..||Canon SX20|
|Canon SX10||1/2.3||10.0||3648||2736||480/30p||..||..||..||..||Canon SX10|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GM5 provides a faster frame rate than the SX50. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GM5 offers a substantially higher resolution than the one in the SX50 (1166k vs 202k dots). The adjacent table lists some of the other core features of the Canon SX50 and Panasonic GM5 along with similar information for a selection of comparators.
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120||none||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX40||202||n||2.7||230||swivel||n||1/3200s||10.3||Y||Y||Canon SX40|
|Canon SX30||202||n||2.7||230||swivel||n||1/3200s||0.6||Y||Y||Canon SX30|
|Canon SX20||202||n||2.5||230||swivel||n||1/3200s||0.7||Y||Y||Canon SX20|
|Canon SX10||202||n||2.5||230||swivel||n||1/3200s||0.7||Y||Y||Canon SX10|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1||none||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
One difference between the cameras concerns the presence of an on-board flash. The SX50 has one, while the GM5 does not. While the built-in flash of the SX50 is not very powerful, it can at times be useful as a fill-in light.The SX50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GM5 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX50 and the GM5 write their files to SDXC cards. The GM5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX40||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX40|
|Canon SX30||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX30|
|Canon SX20||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX20|
|Canon SX10||Y||stereo||mono||-||-||none||2.0||-||-||-||Canon SX10|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
It is notable that the GM5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SX50 does not offer wifi capability.
Both the SX50 and the GM5 have been discontinued, but can regularly be found used on eBay. The SX50 was replaced by the Canon SX60, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon SX50 better than the Panasonic GM5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX50 HS:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/500s) to freeze action.
- Ready to shoot: Has a lens built-in, whereas the GM5 requires a separate lens.
- Longer lasting: Can take more shots (315 versus 220) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Advantages of the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (1166k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (921k vs 461k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5.8 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (99x60mm vs 123x87mm) and will fit more readily into a bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GM5 is the clear winner of the contest (16 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX50 or the GM5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark III vs Panasonic GM5
- Canon 4000D vs Panasonic GM5
- Canon 40D vs Canon SX50
- Canon 70D vs Canon SX50
- Canon RP vs Canon SX50
- Canon SX50 vs Leica V-LUX 2
- Canon SX50 vs Panasonic S1R
- Canon SX50 vs Pentax KP
- Canon SX50 vs Sony A7
- Canon T2i vs Panasonic GM5
- Nikon D610 vs Panasonic GM5
- Nikon D70 vs Panasonic GM5
Specifications: Canon SX50 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Panasonic GM5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Micro Four Thirds lenses|
|Launch Date||September 2012||September 2014|
|Launch Price||USD 429||USD 749|
|Sensor Specs||Canon SX50||Panasonic GM5|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.8 Megapixels|
|Image Resolution||4000 x 3000 pixels||4592 x 3448 pixels|
|Pixel Pitch||1.53 μm||3.77 μm|
|Pixel Density||42.74 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60p Video|
|ISO Setting||80-6400 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||DIGIC 5||Venus|
|DXO Sensor Quality (score)||47||66|
|DXO Color Depth (bits)||20.3||22.1|
|DXO Dynamic Range (EV)||11.2||11.7|
|DXO Low Light (ISO)||179||721|
|Screen Specs||Canon SX50||Panasonic GM5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||461k dots||921k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX50||Panasonic GM5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/500/s|
|Continuous Shooting||2.2 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX50||Panasonic GM5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon SX50||Panasonic GM5|
|Battery Life (CIPA)||315 shots per charge||220 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||595 g (21.0 oz)||211 g (7.4 oz)|
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