Canon SX50 vs Nikon D1H
The Canon PowerShot SX50 HS and the Nikon D1H are two digital cameras that were announced, respectively, in September 2012 and February 2001. The SX50 is a fixed lens compact, while the D1H is a DSLR. The cameras are based on a 1/2.3-inch (SX50) and an APS-C (D1H) sensor. The Canon has a resolution of 12 megapixels, whereas the Nikon provides 2.6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX50||Nikon D1H|
|Fixed lens compact camera||Digital single lens reflex|
|24-1200mm f/3.4-6.5||Nikon F mount lenses|
|12 MP, 1/2.3" Sensor||2.6 MP, APS-C Sensor|
|1080/24p Video||no Video|
|ISO 80-6400||ISO 200-800 (200-3200)|
|Electronic viewfinder (202k dots)||Optical viewfinder|
|3.0" LCD, 461k dots||2.0" LCD, 120k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|2.2 shutter flaps per second||5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|315 shots per battery charge||1200 shots per battery charge|
|123 x 87 x 106 mm, 595 g||157 x 153 x 85 mm, 1100 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Nikon D1H? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX50 and the Nikon D1H are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D1H is considerably larger (124 percent) than the Canon SX50. It is noteworthy in this context that the D1H is splash and dust-proof, while the SX50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the D1H is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D1H and their specifications in the Nikon Lens Catalog.
Concerning battery life, the SX50 gets 315 shots out of its NB-10L battery, while the D1H can take 1200 images on a single charge of its EN-4 power pack. As can be seen in the images above, the D1H has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX50»||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Nikon D1H«||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||4,499||-||Nikon D1H|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||-||Canon S120|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon T3|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D2X« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999||-||Nikon D2X|
|Nikon D2H« »||6.2 in||5.9 in||3.4 in||37.7 oz||2900||Y||Jul 2003||3,499||-||Nikon D2H|
|Nikon D1X« »||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||5,999||-||Nikon D1X|
|Nikon D1« »||6.2 in||6.0 in||3.3 in||38.8 oz||..||Y||Jun 1999||5,499||-||Nikon D1|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX50 was launched at a lower price than the D1H, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Nikon D1H an APS-C sensor. The sensor area in the D1H is 1221 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX50 has a native 4:3 aspect ratio, while the one in the D1H offers a 3:2 aspect.
Despite having a smaller sensor, the Canon SX50 offers a higher resolution of 12 megapixels, compared with 2.6 MP of the Nikon D1H. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 11.93μm for the D1H). However, it should be noted that the SX50 is much more recent (by 11 years and 7 months) than the D1H, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon SX50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX50 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Nikon D1H are 10 x 6.6 inch or 25.4 x 16.7 cm for good quality, 8 x 5.2 inch or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inch or 16.9 x 11.1 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Nikon D1H are ISO 200 to ISO 800, with the possibility to increase the ISO range to 200-3200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon SX50»||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Nikon D1H«||APS-C||2.6||2000||1312||-||-||-||-||-||Nikon D1H|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120« »||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon T3« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Leica V-LUX 4« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D2X« »||APS-C||12.2||4288||2848||-||22.1||10.9||476||59||Nikon D2X|
|Nikon D2H« »||APS-C||4.0||2464||1632||-||18.9||10.0||352||40||Nikon D2H|
|Nikon D1X« »||APS-C||5.9||3008||1960||-||-||-||-||-||Nikon D1X|
|Nikon D1« »||APS-C||2.6||2000||1312||-||-||-||-||-||Nikon D1|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
Many modern cameras are not only capable of taking still images, but can also record movies. The SX50 indeed provides movie recording capabilities, while the D1H does not. The highest resolution format that the SX50 can use is 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the SX50 has an electronic viewfinder (202k dots), while the D1H has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon SX50, the Nikon D1H, and comparable cameras.
|Canon SX50»||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Nikon D1H«||optical||Y||2.0||120||fixed||n||1/16000s||5.0||n||n||Nikon D1H|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120« »||-||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon T3« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T3|
|Leica V-LUX 4« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D2X« »||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Nikon D2H« »||optical||Y||2.5||211||fixed||n||1/8000s||8.0||n||n||Nikon D2H|
|Nikon D1X« »||optical||Y||2.0||120||fixed||n||1/16000s||3.0||n||n||Nikon D1X|
|Nikon D1« »||optical||Y||2.0||120||fixed||n||1/16000s||1.5||n||n||Nikon D1|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
One difference between the cameras concerns the presence of an on-board flash. The SX50 has one, while the D1H does not. While the built-in flash of the SX50 is not very powerful, it can at times be useful as a fill-in light.The SX50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D1H does not have a selfie-screen.
The SX50 writes its imaging data to SDXC cards, while the D1H uses Compact Flash cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Nikon D1H and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX50»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Nikon D1H«||Y||-||-||-||-||-||FW||-||-||-||Nikon D1H|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon T3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Leica V-LUX 4« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Nikon D2X« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2X|
|Nikon D2H« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2H|
|Nikon D1X« »||Y||-||-||-||-||-||FW||-||-||-||Nikon D1X|
|Nikon D1« »||Y||-||-||-||-||-||FW||-||-||-||Nikon D1|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
Studio photographers will appreciate that the Nikon D1H (unlike the SX50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX50 and the D1H have been discontinued, but can regularly be found used on eBay. The D1H was replaced by the Nikon D2H, while the SX50 was followed by the Canon SX60. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon SX50 and the Nikon D1H? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot SX50 HS:
- More detail: Offers more megapixels (12 vs 2.6MP) with a 109% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/24p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (461k vs 120k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with a built-in lens, while the D1H requires a separate lens.
- More compact: Is smaller (123x87mm vs 157x153mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D1H).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 11 years and 7 months of technical progress since the D1H launch.
Arguments in favor of the Nikon D1H:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (1200 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in February 2001).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (14 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Nikon D1H place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX50 or the D1H. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX50»||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Nikon D1H«||-||+ +||-||o||-||Feb 2001||4,499||-||Nikon D1H|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon S120« »||+ +||-||4.5/5||o||4.5/5||Aug 2013||449||-||Canon S120|
|Canon G1 X« »||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon T3« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon T3|
|Leica V-LUX 4« »||-||-||-||-||-||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D2X« »||-||+ +||-||o||-||Sep 2004||4,999||-||Nikon D2X|
|Nikon D2H« »||-||+ +||-||o||-||Jul 2003||3,499||-||Nikon D2H|
|Nikon D1X« »||-||+ +||-||o||-||Feb 2001||5,999||-||Nikon D1X|
|Nikon D1« »||-||+ +||-||-||-||Jun 1999||5,499||-||Nikon D1|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D vs Nikon D1H
- Canon SX50 vs Fujifilm X-A5
- Canon SX50 vs Nikon D600
- Canon SX50 vs Olympus E-P2
- Canon SX50 vs Olympus E-PL3
- Canon SX50 vs Panasonic FZ82
- Canon SX50 vs Sony A7 III
- Canon SX50 vs Sony A900
- Fujifilm X-E3 vs Nikon D1H
- Nikon 1 J5 vs Nikon D1H
- Nikon D1H vs Panasonic FZ150
- Nikon D1H vs Panasonic G6
Specifications: Canon SX50 vs Nikon D1H
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Nikon D1H|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-1200mm f/3.4-6.5||Nikon F mount lenses|
|Launch Date||September 2012||February 2001|
|Launch Price||USD 429||USD 4499|
|Sensor Specs||Canon SX50||Nikon D1H|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.7 x 15.6 mm|
|Sensor Area||28.0735 mm2||369.72 mm2|
|Sensor Diagonal||7.7 mm||28.4 mm|
|Sensor Resolution||12 Megapixels||2.6 Megapixels|
|Image Resolution||4000 x 3000 pixels||2000 x 1312 pixels|
|Pixel Pitch||1.53 μm||11.93 μm|
|Pixel Density||42.74 MP/cm2||0.71 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||no Video|
|ISO Setting||80-6400 ISO||200-800 ISO|
|ISO Boost||no Enhancement||200-3200 ISO|
|DXO Sensor Quality (score)||47||..|
|DXO Color Depth (bits)||20.3||..|
|DXO Dynamic Range (EV)||11.2||..|
|DXO Low Light (ISO)||179||..|
|Screen Specs||Canon SX50||Nikon D1H|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||96%|
|Viewfinder Resolution||202k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.0 inch|
|LCD Resolution||461k dots||120k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon SX50||Nikon D1H|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.2 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon SX50||Nikon D1H|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||Firewire|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon SX50||Nikon D1H|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||1200 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
|Camera Weight||595 g (21.0 oz)||1100 g (38.8 oz)|
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