Canon SX50 vs Fujifilm GFX 50R
The Canon PowerShot SX50 HS and the Fujifilm GFX 50R are two digital cameras that were officially introduced, respectively, in September 2012 and September 2018. The SX50 is a fixed lens compact, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX50) and a medium format (GFX 50R) sensor. The Canon has a resolution of 12 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX50 and the Fujifilm GFX 50R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (46 percent) than the Canon SX50. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the SX50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|2.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|7.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|10.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|11.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|12.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399|
|13.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399|
|14.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|15.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|16.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|17.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX50 was launched at a lower price than the GFX 50R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 5086 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50R offers a higher resolution than the SX50 (12MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 6 years) than the SX50, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon SX50 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|2.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|14.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|15.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|16.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 50R provides a faster frame rate than the SX50. It can shoot movie footage at 1080/30p, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the SX50 (3690k vs 202k dots). The adjacent table lists some of the other core features of the Canon SX50 and Fujifilm GFX 50R along with similar information for a selection of comparators.
|2.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|4.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|8.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|14.||Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|15.||Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
One difference between the cameras concerns the presence of an on-board flash. The SX50 has one, while the GFX 50R does not. While the built-in flash of the SX50 is not very powerful, it can at times be useful as a fill-in light.The SX50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX50 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX50 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the SX50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|4.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|8.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|14.||Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|15.||Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
It is notable that the GFX 50R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SX50 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the SX50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the SX50 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX50 was succeeded by the Canon SX60. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Which of the two cameras – the Canon SX50 or the Fujifilm GFX 50R – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot SX50 HS:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the GFX 50R requires a separate lens.
- More compact: Is smaller (123x87mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50R).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 12MP), which boosts linear resolution by 106%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/30p versus 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 202k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 461k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 6 years of technical progress since the SX50 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R is the clear winner of the contest (27 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX50 or the GFX 50R. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX50||3/5||+ +||72/100||4.5/5||4.5/5||Sep 2012||429|
|2.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|3.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|5.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|6.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|7.||Canon S120||..||+ +||..||4.5/5||4.5/5||Aug 2013||449|
|8.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon G15||4/5||+||76/100||4.5/5||4.5/5||Sep 2012||499|
|10.||Canon SX40||..||+||..||4.5/5||4/5||Sep 2011||429|
|11.||Canon SX30||3/5||+ +||..||3.5/5||4/5||Sep 2010||429|
|12.||Canon SX20||..||+ +||73/100||..||4/5||Aug 2009||399|
|13.||Canon SX10||..||+ +||..||..||4/5||Sep 2008||399|
|14.||Fujifilm GFX 50S||..||..||85/100||5/5||4.5/5||Sep 2016||6,499|
|15.||Hasselblad X1D II||..||..||..||4/5||4/5||Jun 2019||5,750|
|16.||Leica Q2||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|17.||Panasonic FZ150||3/5||+ +||76/100||4/5||4.5/5||Aug 2011||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Canon SX50 vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Fujifilm GFX 50R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Fujifilm G mount lenses|
|Launch Date||September 2012||September 2018|
|Launch Price||USD 429||USD 4,499|
|Sensor Specs||Canon SX50||Fujifilm GFX 50R|
|Sensor Format||1/2.3" Sensor||Medium Format Sensor|
|Sensor Size||6.17 x 4.55 mm||44.0 x 33.0 mm|
|Sensor Area||28.0735 mm2||1452 mm2|
|Sensor Diagonal||7.7 mm||55 mm|
|Sensor Resolution||12 Megapixels||51.1 Megapixels|
|Image Resolution||4000 x 3000 pixels||8256 x 6192 pixels|
|Pixel Pitch||1.53 μm||5.33 μm|
|Pixel Density||42.74 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/24p Video||1080/30p Video|
|ISO Setting||80 - 6,400 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 5||X Processor Pro|
|DXO Sensor Quality (score)||47||..|
|DXO Color Depth (bits)||20.3||..|
|DXO Dynamic Range (EV)||11.2||..|
|DXO Low Light (ISO)||179||..|
|Screen Specs||Canon SX50||Fujifilm GFX 50R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||461k dots||2360k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX50||Fujifilm GFX 50R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||2.2 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX50||Fujifilm GFX 50R|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX50||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||400 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||595 g (21.0 oz)||775 g (27.3 oz)|
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