Canon SX50 vs T5
The Canon PowerShot SX50 HS and the Canon EOS Rebel T5 (labelled Canon 1200D in some countries) are two digital cameras that were revealed to the public, respectively, in September 2012 and February 2014. The SX50 is a fixed lens compact, while the T5 is a DSLR. The cameras are based on a 1/2.3-inch (SX50) and an APS-C (T5) sensor. The SX50 has a resolution of 12 megapixels, whereas the T5 provides 17.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Canon EOS Rebel T5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX50 and the Canon T5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T5 is notably larger (21 percent) than the Canon SX50. In this context, it is worth noting that neither the SX50 nor the T5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the T5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T5 and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|2.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|8.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|9.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|10.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|11.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|12.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|13.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|14.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|15.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|16.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|17.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX50 was launched at a lower price than the T5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Canon T5 an APS-C sensor. The sensor area in the T5 is 1086 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.6. The sensor in the SX50 has a native 4:3 aspect ratio, while the one in the T5 offers a 3:2 aspect.
In terms of chip-set technology, the SX50 uses a more advanced image processing engine (DIGIC 5) than the T5 (DIGIC 4), with benefits for noise reduction, color accuracy, and processing speed.
With 17.9MP, the T5 offers a higher resolution than the SX50 (12MP), but the T5 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the T5 is a somewhat more recent model (by 1 year and 4 months) than the SX50, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon T5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T5 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Canon SX50 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Canon EOS Rebel T5 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the T5 offers substantially better image quality than the SX50 (overall score 16 points higher). The advantage is based on 1.6 bits higher color depth, 0.1 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|10.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the T5 provides a faster frame rate than the SX50. It can shoot movie footage at 1080/30p, while the SX50 is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the SX50 has an electronic viewfinder (202k dots), while the T5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon SX50, the Canon T5, and comparable cameras.
|1.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|2.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|6.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|8.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|10.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|11.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|12.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3||Y||Y|
|13.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|14.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|15.||Canon G12||optical||n||2.8 / 461||swivel||n||1/4000s||1.1||Y||Y|
|16.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|17.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
Concerning the storage of imaging data, both the SX50 and the T5 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Canon EOS Rebel T5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|13.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Canon G12||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
Both the SX50 and the T5 have been discontinued, but can regularly be found used on eBay. The SX50 was replaced by the Canon SX60, while the T5 was followed by the Canon T6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Is the Canon SX50 better than the Canon T5 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX50 HS:
- Better jpgs: Has a more modern image processing engine (DIGIC 5 vs DIGIC 4).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with a built-in lens, while the T5 requires a separate lens.
- More compact: Is smaller (123x87mm vs 130x100mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Arguments in favor of the Canon EOS Rebel T5:
- More detail: Has more megapixels (17.9 vs 12MP), which boosts linear resolution by 25%.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/30p versus 1080/24p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (500 versus 315) out of a single battery charge.
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the T5 emerges as the winner of the match-up (11 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Canon T5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SX50 or the T5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|2.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|5.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|6.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|8.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|9.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|10.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|11.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|12.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|13.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|14.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|15.||Canon G12||4/5||+||..||73/100||4.5/5||4.5/5||Sep 2010||499|
|16.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|17.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon SX50 vs Canon T5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Canon T5|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-1200mm f/3.4-6.5||Canon EF mount lenses|
|Launch Date||September 2012||February 2014|
|Launch Price||USD 429||USD 449|
|Sensor Specs||Canon SX50||Canon T5|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||22.3 x 14.9 mm|
|Sensor Area||28.0735 mm2||332.27 mm2|
|Sensor Diagonal||7.7 mm||26.8 mm|
|Sensor Resolution||12 Megapixels||17.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||5184 x 3456 pixels|
|Pixel Pitch||1.53 μm||4.31 μm|
|Pixel Density||42.74 MP/cm2||5.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/30p Video|
|ISO Setting||80 - 6,400 ISO||100 - 6,400 ISO|
|ISO Boost||no Enhancement||100 - 12,800 ISO|
|Image Processor||DIGIC 5||DIGIC 4|
|DXO Sensor Quality (score)||47||63|
|DXO Color Depth (bits)||20.3||21.9|
|DXO Dynamic Range (EV)||11.2||11.3|
|DXO Low Light (ISO)||179||724|
|Screen Specs||Canon SX50||Canon T5|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon SX50||Canon T5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.2 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon SX50||Canon T5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon SX50||Canon T5|
|Battery Life (CIPA)||315 shots per charge||500 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
|Camera Weight||595 g (21.0 oz)||480 g (16.9 oz)|
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