Canon SX40 vs Panasonic G6
The Canon PowerShot SX40 HS and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in September 2011 and April 2013. The SX40 is a fixed lens compact, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX40) and a Four Thirds (G6) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX40 HS and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX40 and the Panasonic G6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the SX40 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is notably smaller (8 percent) than the Canon SX40. In this context, it is worth noting that neither the SX40 nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX40 has a lens built in, whereas the G6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G6 and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429||ebay.com|
|2.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|4.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|5.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|6.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|7.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429||ebay.com|
|8.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399||ebay.com|
|9.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399||ebay.com|
|10.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|11.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|12.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|13.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|14.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|15.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|16.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|17.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX40 was launched at a lower price than the G6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX40 features a 1/2.3-inch sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.9MP, the G6 offers a higher resolution than the SX40 (12MP), but the G6 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.53μm for the SX40) due to its larger sensor. Moreover, the G6 is a somewhat more recent model (by 1 year and 7 months) than the SX40, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX40 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon SX40 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX40 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
In terms of underlying technology, the SX40 is build around a BSI-CMOS sensor, while the G6 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|4.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|10.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|11.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|12.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|14.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||21.4||11.6||618||61|
|16.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G6 provides a faster frame rate than the SX40. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G6 offers a substantially higher resolution than the one in the SX40 (1440k vs 202k dots). The adjacent table lists some of the other core features of the Canon SX40 and Panasonic G6 along with similar information for a selection of comparators.
|1.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|2.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|4.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|5.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|6.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|8.||Canon SX20||202||n||2.5 / 230||swivel||n||1/3200s||0.7/s||Y||Y|
|9.||Canon SX10||202||n||2.5 / 230||swivel||n||1/3200s||0.7/s||Y||Y|
|10.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|11.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|12.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|13.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|14.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|15.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|16.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|17.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the SX40 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G6 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX40 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX40 and the G6 write their files to SDXC cards. The G6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX40 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX40 HS and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|2.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|8.||Canon SX20||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|9.||Canon SX10||Y||stereo / mono||-||-||-||2.0||-||-||-|
|10.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SX40 does not provide wifi capability.
Both the SX40 and the G6 have been discontinued, but can regularly be found used on ebay. The SX40 was replaced by the Canon SX50, while the G6 was followed by the Panasonic G7. Further information on the features and operation of the SX40 and G6 can be found, respectively, in the Canon SX40 Manual (free pdf) or the online Panasonic G6 Manual.
So what is the bottom line? Is the Canon SX40 better than the Panasonic G6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot SX40 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (10.3 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the G6 requires a separate lens.
- Longer lasting: Can take more shots (380 versus 340) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2011).
Advantages of the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX40 and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX40 or the G6. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429||ebay.com|
|2.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|4.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|5.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|6.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|7.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429||ebay.com|
|8.||Canon SX20||..||+ +||..||73/100||..||4/5||Aug 2009||399||ebay.com|
|9.||Canon SX10||..||+ +||..||..||..||4/5||Sep 2008||399||ebay.com|
|10.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|11.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|12.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|13.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|14.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|15.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|16.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|17.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Panasonic G6
- Canon 450D vs Panasonic G6
- Canon 800D vs Canon SX40
- Canon G1 X vs Canon SX40
- Canon SL2 vs Panasonic G6
- Canon SX40 vs Canon SX530
- Canon SX40 vs Canon SX70
- Canon SX40 vs Leica V-LUX 2
- Canon SX40 vs Panasonic G7
- Leica V-LUX 5 vs Panasonic G6
- Nikon P900 vs Panasonic G6
- Olympus E-PL9 vs Panasonic G6
Specifications: Canon SX40 vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX40||Panasonic G6|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-840mm f/2.7-5.8||Micro Four Thirds lenses|
|Launch Date||September 2011||April 2013|
|Launch Price||USD 429||USD 599|
|Sensor Specs||Canon SX40||Panasonic G6|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.53 μm||3.76 μm|
|Pixel Density||42.74 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60p Video|
|ISO Setting||100 - 3,200 ISO||160 - 12,800 ISO|
|ISO Boost||no Enhancement||160 - 25,600 ISO|
|DXO Sensor Quality (score)||..||61|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||11.5|
|DXO Low Light (ISO)||..||639|
|Screen Specs||Canon SX40||Panasonic G6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX40||Panasonic G6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/3200s||1/4000s|
|Continuous Shooting||10.3 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX40||Panasonic G6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||YES HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon SX40||Panasonic G6|
|Battery Life (CIPA)||380 shots per charge||340 shots per charge|
123 x 92 x 108 mm
(4.8 x 3.6 x 4.3 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||600 g (21.2 oz)||390 g (13.8 oz)|
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