Canon SX20 vs Pentax K-1 II
The Canon PowerShot SX20 IS and the Pentax K-1 II are two digital cameras that were announced, respectively, in August 2009 and February 2018. The SX20 is a fixed lens compact, while the K-1 II is a DSLR. The cameras are based on a 1/2.3-inch (SX20) and a full frame (K-1 II) sensor. The Canon has a resolution of 12 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX20 IS and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX20 and the Pentax K-1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-1 II can be obtained in two different colors (black, silver), while the SX20 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (39 percent) than the Canon SX20. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the SX20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX20 has a lens built in, whereas the K-1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399||ebay.com|
|2.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999||amazon.com|
|3.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|5.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|6.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429||ebay.com|
|7.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429||ebay.com|
|8.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399||ebay.com|
|9.||Canon SX1||128 mm||88 mm||88 mm||615 g||..||n||Sep 2008||599||ebay.com|
|10.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449||ebay.com|
|11.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849||ebay.com|
|12.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|13.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|14.||Pentax K-1||137 mm||110 mm||86 mm||1010 g||760||Y||Feb 2016||1,799||ebay.com|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|17.||Sony A850||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX20 was launched at a lower price than the K-1 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX20 features a 1/2.3-inch sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the SX20 has a native 4:3 aspect ratio, while the one in the K-1 II offers a 3:2 aspect.
With 36.2MP, the K-1 II offers a higher resolution than the SX20 (12MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 1.53μm for the SX20) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 8 years and 6 months) than the SX20, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Canon SX20 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
Unlike the SX20, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot SX20 IS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).
In terms of underlying technology, the SX20 is build around a CCD sensor, while the K-1 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|11.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|12.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|14.||Pentax K-1||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|17.||Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-1 II provides a better video resolution than the SX20. It can shoot movie footage at 1080/60i, while the Canon is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the SX20 has an electronic viewfinder (202k dots), while the K-1 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon SX20, the Pentax K-1 II, and comparable cameras.
|1.||Canon SX20||202||n||2.5 / 230||swivel||n||1/3200s||0.7/s||Y||Y|
|2.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|3.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|5.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|6.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|7.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|8.||Canon SX10||202||n||2.5 / 230||swivel||n||1/3200s||0.7/s||Y||Y|
|9.||Canon SX1||202||n||2.8 / 230||swivel||n||1/3200s||4.0/s||Y||Y|
|10.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|12.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|13.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|14.||Pentax K-1||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|15.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|17.||Sony A850||optical||Y||3.0 / 922||fixed||n||1/8000s||3.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The SX20 has one, while the K-1 II does not. While the built-in flash of the SX20 is not very powerful, it can at times be useful as a fill-in light.
The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SX20 writes its imaging data to SDHC cards, while the K-1 II uses SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX20 only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX20 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX20 IS and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX20||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|2.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|7.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|8.||Canon SX10||Y||stereo / mono||-||-||-||2.0||-||-||-|
|9.||Canon SX1||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|10.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Pentax K-1||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|15.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A850||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SX20 does not provide wifi capability.
Studio photographers will appreciate that the Pentax K-1 II (unlike the SX20) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the SX20 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the SX20 was succeeded by the Canon SX30. Further information on the features and operation of the SX20 and K-1 II can be found, respectively, in the Canon SX20 Manual (free pdf) or the online Pentax K-1 II Manual.
So what conclusions can be drawn? Which of the two cameras – the Canon SX20 or the Pentax K-1 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX20 IS:
- More framing info: Has an electronic viewfinder that displays shooting data.
- Ready to shoot: Comes with a built-in lens, while the K-1 II requires a separate lens.
- More compact: Is smaller (123x88mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-1 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in August 2009).
Reasons to prefer the Pentax K-1 II:
- More detail: Has more megapixels (36.2 vs 12MP), which boosts linear resolution by 77%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 0.7 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 6 months of technical progress since the SX20 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (24 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX20 and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SX20 and the K-1 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX20||..||+ +||..||73/100||..||4/5||Aug 2009||399||ebay.com|
|2.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999||amazon.com|
|3.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|5.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|6.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429||ebay.com|
|7.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429||ebay.com|
|8.||Canon SX10||..||+ +||..||..||..||4/5||Sep 2008||399||ebay.com|
|9.||Canon SX1||..||+ +||..||+||..||3.5/5||Sep 2008||599||ebay.com|
|10.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449||ebay.com|
|11.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849||ebay.com|
|12.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|13.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|14.||Pentax K-1||5/5||..||..||84/100||5/5||5/5||Feb 2016||1,799||ebay.com|
|15.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|16.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|17.||Sony A850||3/5||..||..||75/100||..||4.5/5||Aug 2009||1,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark II vs Pentax K-1 II
- Canon M6 Mark II vs Pentax K-1 II
- Canon SX10 vs Canon SX20
- Canon SX20 vs Canon SX620
- Canon SX20 vs Canon XS
- Canon SX20 vs Fujifilm X-E2
- Canon SX20 vs Panasonic FZ100
- Canon SX20 vs Panasonic TS7
- Pentax K-1 II vs Pentax K-70
- Pentax K-1 II vs Sony A6500
- Pentax K-1 II vs Sony RX10 IV
- Pentax K-1 II vs Sony RX100 IV
Specifications: Canon SX20 vs Pentax K-1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX20||Pentax K-1 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||28-560mm f/2.8-5.7||Pentax K mount lenses|
|Launch Date||August 2009||February 2018|
|Launch Price||USD 399||USD 1,999|
|Sensor Specs||Canon SX20||Pentax K-1 II|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 24.0 mm|
|Sensor Area||28.0735 mm2||861.6 mm2|
|Sensor Diagonal||7.7 mm||43.2 mm|
|Sensor Resolution||12 Megapixels||36.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||7360 x 4912 pixels|
|Pixel Pitch||1.53 μm||4.88 μm|
|Pixel Density||42.74 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||720/30p Video||1080/60i Video|
|ISO Setting||100 - 3,200 ISO||100 - 819,200 ISO|
|Image Processor||DIGIC 4||PRIME IV|
|Screen Specs||Canon SX20||Pentax K-1 II|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.2inch|
|LCD Resolution||230k dots||1037k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon SX20||Pentax K-1 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/3200s||1/8000s|
|Continuous Shooting||0.7 shutter flaps/s||4.4 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX20||Pentax K-1 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||YES HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon SX20||Pentax K-1 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
123 x 88 x 87 mm
(4.8 x 3.5 x 3.4 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||600 g (21.2 oz)||1010 g (35.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.