Canon SL3 vs Nikon D5600
The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Nikon D5600 are two digital cameras that were revealed to the public, respectively, in April 2019 and November 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Nikon D5600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SL3 and the Nikon D5600. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The SL3 can be obtained in two different colors (black, white), while the D5600 is also available in two color-versions, but different ones (black, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5600 is notably larger (6 percent) than the Canon SL3. Moreover, the D5600 is slightly heavier (4 percent) than the SL3. In this context, it is worth noting that neither the SL3 nor the D5600 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL3) and the Nikon Lens Catalog (D5600).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|2.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|3.||Canon T8i||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749|
|4.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|5.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|6.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|7.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|8.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|9.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|10.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|11.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|12.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|14.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|15.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|16.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|17.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL3 was launched at a somewhat lower price (by 14 percent) than the D5600, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D5600 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (SL3) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the D5600 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the D5600 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the SL3), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the SL3 is much more recent (by 2 years and 4 months) than the D5600, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the D5600 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The SL3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D5600 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|4.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL3 provides a higher video resolution than the D5600. It can shoot video footage at 4K/25p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The SL3 and the D5600 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the D5600 has a higher magnification than the one of the SL3 (0.57x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon SL3, the Nikon D5600, and comparable cameras.
|1.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|3.||Canon T8i||optical||n||3.0 / 1040||swivel||Y||1/4000s||7.5||Y||n|
|4.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|6.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|8.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|10.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|11.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|12.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|13.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|14.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|15.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|16.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0||Y||n|
|17.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
The Canon SL3 and the Nikon D5600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL3 and the D5600 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Nikon D5600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|2.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|3.||Canon T8i||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|14.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|15.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|16.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|17.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Both the SL3 and the D5600 are recent models that are part of the current product line-up. The D5600 replaced the earlier Nikon D5500, while the SL3 followed on from the Canon SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Is there a clear favorite between the Canon SL3 and the Nikon D5600? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel SL3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/25p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Longer lasting: Can take more shots (1070 versus 970) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the D5600 launch.
Reasons to prefer the Nikon D5600:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.54x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in November 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the SL3 comes out slightly ahead of the D5600 (6 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL3 and the Nikon D5600 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SL3 or the D5600 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|2.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|3.||Canon T8i||4.5/5||+||3/5||80/100||4/5||3.5/5||Feb 2020||749|
|4.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|5.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|6.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|7.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|8.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|9.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|10.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|11.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|12.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|14.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|15.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|16.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599|
|17.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5DS R vs Nikon D5600
- Canon SL3 vs Canon T7
- Canon SL3 vs Olympus E-M1
- Canon SL3 vs Panasonic FZ100
- Canon SL3 vs Panasonic GH4
- Canon SL3 vs Pentax K-5
- Canon SL3 vs Sony A7 III
- Canon T3 vs Nikon D5600
- Leica Q2 vs Nikon D5600
- Nikon D5600 vs Nikon D810
- Nikon D5600 vs Olympus E-M1 II
- Nikon D5600 vs Sony RX100 V
Specifications: Canon SL3 vs Nikon D5600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL3||Nikon D5600|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||April 2019||November 2016|
|Launch Price||USD 599||USD 699|
|Sensor Specs||Canon SL3||Nikon D5600|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.91 μm|
|Pixel Density||7.22 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/25p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||DIGIC 8||EXPEED 4|
|DXO Sensor Quality (score)||..||84|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1306|
|Screen Specs||Canon SL3||Nikon D5600|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon SL3||Nikon D5600|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon SL3||Nikon D5600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon SL3||Nikon D5600|
|Battery Life (CIPA)||1070 shots per charge||970 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
|Camera Weight||449 g (15.8 oz)||465 g (16.4 oz)|
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