Canon SL3 vs Nikon D200
The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Nikon D200 are two digital cameras that were announced, respectively, in April 2019 and November 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Nikon provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Nikon D200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SL3 and the Nikon D200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The SL3 can be obtained in two different colors (black, white), while the D200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D200 is considerably larger (46 percent) than the Canon SL3. Moreover, the D200 is substantially heavier (105 percent) than the SL3. It is noteworthy in this context that the D200 is splash and dust-proof, while the SL3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL3) and the Nikon Lens Catalog (D200).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|2.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|3.||Canon T8i||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749|
|4.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|5.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|6.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|7.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|8.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|9.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|10.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|11.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|12.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|14.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|15.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|16.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|17.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SL3 was launched at a markedly lower price (by 65 percent) than the D200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D200 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (SL3) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon SL3 offers a higher resolution of 24 megapixels, compared with 10 MP of the Nikon D200. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 6.11μm for the D200). However, it should be noted that the SL3 is much more recent (by 13 years and 5 months) than the D200, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon SL3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D200 are 19.4 x 13 inches or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inches or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inches or 32.8 x 21.9 cm for excellent quality prints.
The SL3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D200 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|4.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The SL3 indeed provides movie recording capabilities, while the D200 does not. The highest resolution format that the SL3 can use is 4K/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. The SL3 and the D200 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the D200 has a higher magnification than the one of the SL3 (0.63x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon SL3 and Nikon D200 in connection with corresponding information for a sample of similar cameras.
|1.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|3.||Canon T8i||optical||n||3.0 / 1040||swivel||Y||1/4000s||7.5||Y||n|
|4.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|6.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|8.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|10.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|11.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|12.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|13.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|14.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|15.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||n||n|
|16.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0||n||n|
|17.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL3 has a touchscreen, while the D200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The SL3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D200 does not have a selfie-screen.
The Canon SL3 and the Nikon D200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL3 writes its imaging data to SDXC cards, while the D200 uses Compact Flash cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Nikon D200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|2.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon T8i||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
It is notable that the SL3 offers wifi support, while the D200 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D200 (unlike the SL3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The SL3 is a recent model that features in the current product line-up of Canon. In contrast, the D200 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D200 was succeeded by the Nikon D300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Which of the two cameras – the Canon SL3 or the Nikon D200 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS Rebel SL3:
- More detail: Offers more megapixels (24 vs 10MP) with a 55% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4K/25p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (122x93mm vs 147x113mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 471g or 51 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1070 versus 400) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More modern: Reflects 13 years and 5 months of technical progress since the D200 launch.
Advantages of the Nikon D200:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in November 2005).
If the count of relative strengths (bullet points above) is taken as a measure, the SL3 is the clear winner of the match-up (15 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL3 and the Nikon D200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SL3 or the D200 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|2.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|3.||Canon T8i||4.5/5||+||3/5||80/100||4/5||3.5/5||Feb 2020||749|
|4.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|5.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|6.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|7.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|8.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|9.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|10.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|11.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|12.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|14.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|15.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|16.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|17.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon SL3 vs Nikon D200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL3||Nikon D200|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||April 2019||November 2005|
|Launch Price||USD 599||USD 1,699|
|Sensor Specs||Canon SL3||Nikon D200|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.6 x 15.8 mm|
|Sensor Area||332.27 mm2||372.88 mm2|
|Sensor Diagonal||26.8 mm||28.4 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3872 x 2592 pixels|
|Pixel Pitch||3.72 μm||6.11 μm|
|Pixel Density||7.22 MP/cm2||2.69 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/25p Video||no Video|
|ISO Setting||100 - 25,600 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 3,200 ISO|
|DXO Sensor Quality (score)||..||64|
|DXO Color Depth (bits)||..||22.3|
|DXO Dynamic Range (EV)||..||11.5|
|DXO Low Light (ISO)||..||583|
|Screen Specs||Canon SL3||Nikon D200|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL3||Nikon D200|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon SL3||Nikon D200|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL3||Nikon D200|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||1070 shots per charge||400 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
147 x 113 x 74 mm
(5.8 x 4.4 x 2.9 in)
|Camera Weight||449 g (15.8 oz)||920 g (32.5 oz)|
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