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Canon SL3 vs Fujifilm GFX 50S

The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in April 2019 and September 2016. The SL3 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL3) and a medium format (GFX 50S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

As their names suggest, both the Canon EOS Rebel SL3 and the Fujifilm GFX 50S belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL3 and Fujifilm GFX 50S. Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon SL3   Fujifilm GFX 50S
Canon SL3 Fujifilm GFX 50S
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm G mount lenses
24 MP, APS-C Sensor 51.1 MP, Medium Format Sensor
4K/25p Video 1080/30p Video
ISO 100-25600 (100-51200) ISO 100-12800 (50-102400)
Optical viewfinder Viewfinder optional
3.0" LCD, 1040k dots 3.2" LCD, 2360k dots
Swivel touchscreen Fully flexible touchscreen
5 shutter flaps per second 3 shutter flaps per second
Not weather sealedWeathersealed body
1070 shots per battery charge400 shots per battery charge
122 x 93 x 70 mm, 449 g 148 x 94 x 91 mm, 740 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon SL3 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The SL3 can be obtained in two different colors (black, white), while the GFX 50S is only available in black.

Size Canon SL3 vs Fujifilm GFX 50S
Compare SL3 versus GFX 50S top
Comparison SL3 or GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (23 percent) than the Canon SL3. Moreover, the GFX 50S is substantially heavier (65 percent) than the SL3. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the SL3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the SL3 gets 1070 shots out of its LP-E17 battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon SL3» 4.8 in 3.7 in 2.8 in 15.8 oz 1070 n Apr 2019 599 i i Canon SL3
 
Fujifilm GFX 50S« 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon M50« » 4.6 in 3.5 in 2.3 in 13.8 oz 235 n Feb 2018 779 i i Canon M50
 
Canon T7« » 5.1 in 4.0 in 3.1 in 16.8 oz 500 n Feb 2018 449 i i Canon T7
 
Canon T100« » 5.1 in 4.0 in 3.0 in 15.4 oz 500 n Feb 2018 399 i i Canon T100
 
Canon 77D« » 5.2 in 3.9 in 3.0 in 19.0 oz 600 n Feb 2017 899 i i Canon 77D
 
Canon M100« » 4.3 in 2.6 in 1.4 in 10.7 oz 295 n Aug 2017 499 i i Canon M100
 
Canon SL2« » 4.8 in 3.7 in 2.8 in 16.0 oz 650 n Jun 2017 549- i Canon SL2
 
Canon T7i« » 5.2 in 3.9 in 3.0 in 18.8 oz 600 n Feb 2017 749 i i Canon T7i
 
Canon T6s« » 5.2 in 4.0 in 3.1 in 19.9 oz 440 n Feb 2015 649- i Canon T6s
 
Canon SL1« » 4.6 in 3.6 in 2.7 in 14.4 oz 380 n Mar 2013 549- i Canon SL1
 
Canon T2i« » 5.1 in 3.9 in 2.4 in 18.7 oz 440 n Feb 2010 699- i Canon T2i
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 i i Leica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SL3 was launched at a markedly lower price (by 91 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL3 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the SL3 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Canon SL3 and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the SL3 (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the SL3) due to its larger sensor. However, the SL3 is a much more recent model (by 2 years and 6 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon SL3 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.

The SL3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

SL3 versus GFX 50S MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon SL3» APS-C 24.0 6000 40004K/25p----Canon SL3
 
Fujifilm GFX 50S« Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Canon M50« » APS-C 24.0 6000 40004K/24p----Canon M50
 
Canon T7« » APS-C 24.0 6000 40001080/30p----Canon T7
 
Canon T100« » APS-C 17.9 5184 34561080/30p21.911.469563Canon T100
 
Canon 77D« » APS-C 24.0 6000 40001080/60p23.613.397178Canon 77D
 
Canon M100« » APS-C 24.0 6000 40001080/60p23.512.9127278Canon M100
 
Canon SL2« » APS-C 24.0 6000 40001080/60p23.613.4104179Canon SL2
 
Canon T7i« » APS-C 24.0 6000 40001080/60p----Canon T7i
 
Canon T6s« » APS-C 24.0 6000 40001080/30p22.612.091570Canon T6s
 
Canon SL1« » APS-C 17.9 5184 34561080/30p21.811.384363Canon SL1
 
Canon T2i« » APS-C 17.9 5184 34561080/30p22.111.578466Canon T2i
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D II« » Medium Format 51.3 8272 6200-----Hasselblad X1D II
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the SL3 provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/25p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the SL3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon SL3 and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon SL3»optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon SL3
 
Fujifilm GFX 50S«- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Canon M50« »2360 n 3.0 1040 swivel Y 1/4000s 10.0 Y n Canon M50
 
Canon T7« »optical n 3.0 920 fixed n 1/4000s 3.0 Y n Canon T7
 
Canon T100« »optical n 2.7 230 fixed n 1/4000s 3.0 Y n Canon T100
 
Canon 77D« »optical Y 3.0 1040 swivel Y 1/4000s 6.0 Y n Canon 77D
 
Canon M100« »- n 3.0 1040 tilting Y 1/4000s 6.1 Y n Canon M100
 
Canon SL2« »optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon SL2
 
Canon T7i« »optical n 3.0 1040 swivel Y 1/4000s 6.0 Y n Canon T7i
 
Canon T6s« »optical Y 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon T6s
 
Canon SL1« »optical n 3.0 1040 fixed Y 1/4000s 4.9 Y n Canon SL1
 
Canon T2i« »optical n 3.0 1040 fixed n 1/4000s 3.7 Y n Canon T2i
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D II« »3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10« »optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL

One difference between the cameras concerns the presence of an on-board flash. The SL3 has one, while the GFX 50S does not. While the built-in flash of the SL3 is not very powerful, it can at times be useful as a fill-in light.

The SL3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon SL3 and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL3 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL3 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the SL3 can use UHS-I cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon SL3»YstereomonoY-mini2.0Y-YCanon SL3
 
Fujifilm GFX 50S«YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Canon M50« »YstereomonoY-micro2.0YYYCanon M50
 
Canon T7« »Ymonomono--mini2.0YY-Canon T7
 
Canon T100« »Ymonomono--mini2.0YY-Canon T100
 
Canon 77D« »YstereomonoY-mini2.0YYYCanon 77D
 
Canon M100« »-stereomono--mini2.0YYYCanon M100
 
Canon SL2« »YstereomonoY-mini2.0YYYCanon SL2
 
Canon T7i« »YstereomonoY-mini2.0YYYCanon T7i
 
Canon T6s« »YstereomonoY-mini2.0YY-Canon T6s
 
Canon SL1« »YmonomonoY-mini2.0---Canon SL1
 
Canon T2i« »Ystereo-Y-mini2.0---Canon T2i
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D II« »YstereomonoYY-3.0Y--Hasselblad X1D II
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10« »Y------Y--Leica M10
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL

It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The SL3 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the SL3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the SL3 and the GFX 50S are recent models that are part of the current product line-up. The SL3 replaced the earlier Canon SL2, while the GFX 50S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.


Review summary

So what is the bottom line? Is there a clear favorite between the Canon SL3 and the Fujifilm GFX 50S? Which camera is better? The listing below highlights the relative strengths of the two models.

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Advantages of the Canon EOS Rebel SL3:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/25p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (122x93mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 291g or 39 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (1070 versus 400) on a single battery charge.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
  • More modern: Reflects 2 years and 6 months of technical progress since the GFX 50S launch.

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More heavily discounted: Has been around for much longer (launched in September 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (18 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

SL3 13:18 GFX 50S

How about other alternatives? Do the specifications of the Canon SL3 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SL3 or the GFX 50S perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon SL3»o79/1004/5-4/5 Apr 2019 599 i i Canon SL3
 
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon M50« »+79/100-4/53.5/5 Feb 2018 779 i i Canon M50
 
Canon T7« »o-3.5/5-3.5/5 Feb 2018 449 i i Canon T7
 
Canon T100« »o-3.5/5-3.5/5 Feb 2018 399 i i Canon T100
 
Canon 77D« »-82/1004.5/54.5/54/5 Feb 2017 899 i i Canon 77D
 
Canon M100« »+-4/5-3.5/5 Aug 2017 499 i i Canon M100
 
Canon SL2« »+ +78/1004.5/54.5/54.5/5 Jun 2017 549- i Canon SL2
 
Canon T7i« »-80/1004.5/54/54/5 Feb 2017 749 i i Canon T7i
 
Canon T6s« »+77/1004.5/54.5/54.5/5 Feb 2015 649- i Canon T6s
 
Canon SL1« »+78/1004/54/54/5 Mar 2013 549- i Canon SL1
 
Canon T2i« »+ +77/1004/55/54.5/5 Feb 2010 699- i Canon T2i
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« »----- Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Canon SL3:
Check Amazon price
Fujifilm GFX 50S:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Canon SL3 vs Fujifilm GFX 50S

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon SL3 Fujifilm GFX 50S
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm G mount lenses
    Launch Date April 2019 September 2016
    Launch Price USD 599 USD 6499
    Sensor Specs Canon SL3 Fujifilm GFX 50S
    Sensor Technology CMOS CMOS
    Sensor Format APS-C Sensor Medium Format Sensor
    Sensor Size 22.3 x 14.9 mm 44.0 x 33.0 mm
    Sensor Area 332.27 mm2 1452 mm2
    Sensor Diagonal 26.8 mm 55 mm
    Crop Factor 1.6x 0.79x
    Sensor Resolution 24 Megapixels 51.1 Megapixels
    Image Resolution 6000 x 4000 pixels 8256 x 6192 pixels
    Pixel Pitch 3.72 μm 5.33 μm
    Pixel Density 7.22 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 4K/25p Video 1080/30p Video
    ISO Setting 100-25600 ISO 100-12800 ISO
    ISO Boost 100-51200 ISO 50-102400 ISO
    Image Processor DIGIC 8 X Processor Pro
    Screen Specs Canon SL3 Fujifilm GFX 50S
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 95%
    Viewfinder Magnification 0.54x
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 1040k dots 2360k dots
    LCD Attachment Swivel screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon SL3 Fujifilm GFX 50S
    Autofocus System Phase-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 5 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Dual UHS-II
    Connectivity Specs Canon SL3 Fujifilm GFX 50S
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Canon SL3 Fujifilm GFX 50S
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type LP-E17 NP-T125
    Battery Life (CIPA)1070 shots per charge400 shots per charge
    Body Dimensions 122 x 93 x 70 mm
    (4.8 x 3.7 x 2.8 in)
    148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    Camera Weight 449 g (15.8 oz) 740 g (26.1 oz)

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