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Canon SL3 vs Fujifilm GFX 100

The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Fujifilm GFX 100 are two digital cameras that were announced, respectively, in April 2019 and May 2019. The SL3 is a DSLR, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL3) and a medium format (GFX 100) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon SL3
versus
Fujifilm GFX 100
Canon SL3   Fujifilm GFX 100
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm G mount lenses
24 MP – APS-C sensor 101.8 MP – Medium Format sensor
4K/25p Video 4K/30p Video
ISO 100-25,600 (100 - 51,200) ISO 100-12,800 (50 - 102,400)
Optical viewfinder Viewfinder optional
3.0" LCD – 1040k dots 3.2" LCD – 2360k dots
Swivel touchscreen Fully flexible touchscreen
5 shutter flaps per second 5 shutter flaps per second
Lens stabilization onlyIn-body stabilization
not weather sealedWeathersealed body
1070 shots per battery charge800 shots per battery charge
122 x 93 x 70 mm, 449 g 156 x 144 x 75 mm, 1320 g
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Check SL3 price at
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Check GFX 100 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

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Body comparison

The physical size and weight of the Canon SL3 and the Fujifilm GFX 100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The SL3 can be obtained in two different colors (black, white), while the GFX 100 is only available in black.

Size Canon SL3 vs Fujifilm GFX 100
Compare SL3 versus GFX 100 top
Comparison SL3 or GFX 100 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (98 percent) than the Canon SL3. Moreover, the GFX 100 is substantially heavier (194 percent) than the SL3. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the SL3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the SL3 gets 1070 shots out of its Canon LP-E17 battery, while the GFX 100 can take 800 images on a single charge of its Fujifilm NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the SL3, there are third party battery grips available as optional accessories (see here on ebay). The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

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Body Specifications
# image Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon SL3 122 mm 93 mm 70 mm 449 g 1070 n Apr 2019 599 amazon.com
2.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999ebay.com
3.
 
Canon T8i 131 mm 103 mm 76 mm 515 g 800 n Feb 2020 749ebay.com
4.
 
Canon M50 Mark II 116 mm 88 mm 59 mm 387 g 305 n Oct 2020 599ebay.com
5.
 
Canon M50 116 mm 88 mm 59 mm 390 g 235 n Feb 2018 779ebay.com
6.
 
Canon T7 129 mm 101 mm 78 mm 475 g 500 n Feb 2018 449 amazon.com
7.
 
Canon 77D 131 mm 100 mm 76 mm 540 g 600 n Feb 2017 899ebay.com
8.
 
Canon SL2 122 mm 93 mm 70 mm 453 g 650 n Jun 2017 549ebay.com
9.
 
Canon T7i 131 mm 100 mm 76 mm 532 g 600 n Feb 2017 749ebay.com
10.
 
Canon T6s 132 mm 101 mm 78 mm 565 g 440 n Feb 2015 649ebay.com
11.
 
Canon SL1 117 mm 91 mm 69 mm 407 g 380 n Mar 2013 549ebay.com
12.
 
Canon T2i 129 mm 98 mm 62 mm 530 g 440 n Feb 2010 699ebay.com
13.
 
Fujifilm GFX 100 II 152 mm 117 mm 99 mm 1030 g 540 Y Sep 2023 7,499 amazon.com
14.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 amazon.com
15.
 
Fujifilm GFX 50S II 150 mm 104 mm 87 mm 900 g 440 Y Sep 2021 3,999 amazon.com
16.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499ebay.com
17.
 
Hasselblad X2D 100C 149 mm 106 mm 75 mm 895 g 420 Y Sep 2022 8,199 amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL3 was launched at a markedly lower price (by 94 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon SL3 features an APS-C sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the SL3 has a native 3:2 aspect ratio, while the one in the GFX 100 offers a 4:3 aspect.

Canon SL3 and Fujifilm GFX 100 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the SL3 (24MP), but the GFX 100 nevertheless has marginally larger individual pixels (pixel pitch of 3.76μm versus 3.72μm for the SL3) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon SL3 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the SL3 is build around a CMOS sensor, while the GFX 100 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

SL3 versus GFX 100 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
# image Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Canon SL3 APS-C 24.0 6000 40004K/25p23.913.4179182
2.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p25.714.5322799
3.
 
Canon T8i APS-C 24.0 6000 40004K/24p24.013.5187383
4.
 
Canon M50 Mark II APS-C 24.0 6000 40004K/24p24.013.6193983
5.
 
Canon M50 APS-C 24.0 6000 40004K/24p23.813.3168481
6.
 
Canon T7 APS-C 24.0 6000 40001080/30p23.813.3168481
7.
 
Canon 77D APS-C 24.0 6000 40001080/60p23.613.397178
8.
 
Canon SL2 APS-C 24.0 6000 40001080/60p23.613.4104179
9.
 
Canon T7i APS-C 24.0 6000 40001080/60p23.713.1158680
10.
 
Canon T6s APS-C 24.0 6000 40001080/30p22.612.091570
11.
 
Canon SL1 APS-C 17.9 5184 34561080/30p21.811.384363
12.
 
Canon T2i APS-C 17.9 5184 34561080/30p22.111.578466
13.
 
Fujifilm GFX 100 II Medium Format 101.8 11648 87368K/30p25.915.03651101
14.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p25.814.73391100
15.
 
Fujifilm GFX 50S II Medium Format 51.1 8256 61921080/30p25.914.83456100
16.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p25.714.4316998
17.
 
Hasselblad X2D 100C Medium Format 102.1 11656 8762none25.914.93550101
Note: DXO values in italics represent estimates based on sensor size and age.
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Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100 provides a faster frame rate than the SL3. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/25p.

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Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the SL3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Canon SL3, the Fujifilm GFX 100, and comparable cameras.

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Core Features
# image Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Canon SL3optical n3.0 / 1040 swivel Y 1/4000s 5.0/s Y n
2.
 
Fujifilm GFX 100optional Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
3.
 
Canon T8ioptical n3.0 / 1040 swivel Y 1/4000s 7.5/s Y n
4.
 
Canon M50 Mark II2360 n3.0 / 1040 swivel Y 1/4000s 10.0/s Y n
5.
 
Canon M502360 n3.0 / 1040 swivel Y 1/4000s 10.0/s Y n
6.
 
Canon T7optical n3.0 / 920 fixed n 1/4000s 3.0/s Y n
7.
 
Canon 77Doptical Y3.0 / 1040 swivel Y 1/4000s 6.0/s Y n
8.
 
Canon SL2optical n3.0 / 1040 swivel Y 1/4000s 5.0/s Y n
9.
 
Canon T7ioptical n3.0 / 1040 swivel Y 1/4000s 6.0/s Y n
10.
 
Canon T6soptical Y3.0 / 1040 swivel Y 1/4000s 5.0/s Y n
11.
 
Canon SL1optical n3.0 / 1040 fixed Y 1/4000s 4.9/s Y n
12.
 
Canon T2ioptical n3.0 / 1040 fixed n 1/4000s 3.7/s Y n
13.
 
Fujifilm GFX 100 II9440 Y3.2 / 2360 full-flex Y 1/4000s 8.0/s n Y
14.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
15.
 
Fujifilm GFX 50S II3690 Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n Y
16.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0/s n n
17.
 
Hasselblad X2D 100C5760 Y3.6 / 2360 tilting Y 1/4000s 3.3/s n Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
padding

One difference between the cameras concerns the presence of an on-board flash. The SL3 has one, while the GFX 100 does not. While the built-in flash of the SL3 is not very powerful, it can at times be useful as a fill-in light.

The SL3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon SL3 and the Fujifilm GFX 100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL3 and the GFX 100 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL3 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the SL3 can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
# image Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Canon SL3Ystereo / monoY-mini2.0Y-Y
2.
 
Fujifilm GFX 100Ystereo / monoYYmicro3.1Y-Y
3.
 
Canon T8iYstereo / monoY-mini2.0Y-Y
4.
 
Canon M50 Mark IIYstereo / monoY-micro2.0Y-Y
5.
 
Canon M50Ystereo / monoY-micro2.0Y-Y
6.
 
Canon T7Ymono / mono--mini2.0YY-
7.
 
Canon 77DYstereo / monoY-mini2.0YYY
8.
 
Canon SL2Ystereo / monoY-mini2.0YYY
9.
 
Canon T7iYstereo / monoY-mini2.0YYY
10.
 
Canon T6sYstereo / monoY-mini2.0YY-
11.
 
Canon SL1Ymono / monoY-mini2.0---
12.
 
Canon T2iYstereo / -Y-mini2.0---
13.
 
Fujifilm GFX 100 IIYstereo / monoYYfull3.2Y-Y
14.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
15.
 
Fujifilm GFX 50S IIYstereo / monoYYmicro3.2Y--
16.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
17.
 
Hasselblad X2D 100CYstereo / mono---3.2Y--
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It is notable that the GFX 100 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The SL3 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the SL3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The SL3 is a recent model that features in the current product line-up of Canon. In contrast, the GFX 100 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GFX 100 was succeeded by the Fujifilm GFX 100 II. Further information on the features and operation of the SL3 and GFX 100 can be found, respectively, in the Canon SL3 Manual (free pdf) or the online Fujifilm GFX 100 Manual.

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Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon SL3 and the Fujifilm GFX 100? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Canon EOS Rebel SL3:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • More compact: Is smaller (122x93mm vs 156x144mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 871g or 66 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (1070 versus 800) on a single battery charge.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).

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Arguments in favor of the Fujifilm GFX 100:

  • More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better video: Provides higher movie framerates (4K/30p versus 4K/25p).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the contest (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

SL3 08:21 GFX 100

How about other alternatives? Do the specifications of the Canon SL3 and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SL3 or the GFX 100 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
# image  Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon SL34/5o4.5/579/1004/54/5 Apr 2019 599 amazon.com
2.
 
Fujifilm GFX 1004.5/5+ +4.8/590/1005/54.5/5 May 2019 9,999ebay.com
3.
 
Canon T8i4.5/5+3/580/1004/53.5/5 Feb 2020 749ebay.com
4.
 
Canon M50 Mark II4/5..4/5..4.5/53.5/5 Oct 2020 599ebay.com
5.
 
Canon M50..+4/579/100..3.5/5 Feb 2018 779ebay.com
6.
 
Canon T7..o3.5/5..3.5/53.5/5 Feb 2018 449 amazon.com
7.
 
Canon 77D4.5/5..4/582/1004.5/54/5 Feb 2017 899ebay.com
8.
 
Canon SL24/5+ +4/578/1004.5/54.5/5 Jun 2017 549ebay.com
9.
 
Canon T7i4.5/5..3.5/580/1004.5/54/5 Feb 2017 749ebay.com
10.
 
Canon T6s5/5+..77/1004.5/54.5/5 Feb 2015 649ebay.com
11.
 
Canon SL14/5+..78/1004/54/5 Mar 2013 549ebay.com
12.
 
Canon T2i..+ +..77/1004/54.5/5 Feb 2010 699ebay.com
13.
 
Fujifilm GFX 100 II5/5+5/5....4.5/5 Sep 2023 7,499 amazon.com
14.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 amazon.com
15.
 
Fujifilm GFX 50S II5/5..5/587/100..5/5 Sep 2021 3,999 amazon.com
16.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499ebay.com
17.
 
Hasselblad X2D 100C4/5..5/5...... Sep 2022 8,199 amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
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The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Canon SL3 vs Fujifilm GFX 100

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon SL3 Fujifilm GFX 100
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm G mount lenses
    Launch Date April 2019 May 2019
    Launch Price USD 599 USD 9,999
    Sensor Specs Canon SL3 Fujifilm GFX 100
    Sensor Technology CMOS BSI-CMOS
    Sensor Format APS-C Sensor Medium Format Sensor
    Sensor Size 22.3 x 14.9 mm 43.8 x 32.9 mm
    Sensor Area 332.27 mm2 1441.02 mm2
    Sensor Diagonal 26.8 mm 54.8 mm
    Crop Factor 1.6x 0.79x
    Sensor Resolution 24 Megapixels 101.8 Megapixels
    Image Resolution 6000 x 4000 pixels 11648 x 8736 pixels
    Pixel Pitch 3.72 μm 3.76 μm
    Pixel Density 7.22 MP/cm2 7.06 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 4K/25p Video 4K/30p Video
    ISO Setting 100 - 25,600 ISO 100 - 12,800 ISO
    ISO Boost 100 - 51,200 ISO 50 - 102,400 ISO
    Image Processor DIGIC 8 X-Processor 4
    Screen Specs Canon SL3 Fujifilm GFX 100
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 95%
    Viewfinder Magnification 0.54x
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.2inch
    LCD Resolution 1040k dots 2360k dots
    LCD Attachment Swivel screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon SL3 Fujifilm GFX 100
    Focus System Phase-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/4000s
    Continuous Shooting 5 shutter flaps/s 5 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Built-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Single or Dual Card Slots Single card slot Dual card slots
    UHS card support UHS-I Dual UHS-II
    Connectivity Specs Canon SL3 Fujifilm GFX 100
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.1
    HDMI Port mini HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Canon SL3 Fujifilm GFX 100
    Environmental Sealingnot weather sealedWeathersealed body
    Battery Type Canon LP-E17 Fujifilm NP-T125
    Battery Life (CIPA)1070 shots per charge800 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 122 x 93 x 70 mm
    (4.8 x 3.7 x 2.8 in)
    156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    Camera Weight 449 g (15.8 oz) 1320 g (46.6 oz)
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