Canon SL2 vs Sony H200
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Sony Cyber-shot DSC-H200 are two digital cameras that were announced, respectively, in June 2017 and January 2013. The SL2 is a DSLR, while the H200 is a fixed lens compact. The cameras are based on an APS-C (SL2) and a 1/2.3-inch (H200) sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 15.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Sony Cyber-shot DSC-H200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon SL2 and the Sony H200 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SL2 can be obtained in two different colors (black, white), while the H200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H200 is notably smaller (10 percent) than the Canon SL2. In this context, it is worth noting that neither the SL2 nor the H200 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H200 has a lens built in, whereas the SL2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL2 and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
2. | Sony H200 | 123 mm | 83 mm | 87 mm | 530 g | 240 | n | Jan 2013 | 249 | ebay.com | |
3. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
4. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | 979 | ebay.com | |
5. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
6. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
7. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
8. | Canon SL3 | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
9. | Canon SX520 | 120 mm | 82 mm | 92 mm | 441 g | 210 | n | Jul 2014 | 399 | ebay.com | |
10. | Canon T6 | 129 mm | 101 mm | 78 mm | 485 g | 500 | n | Mar 2016 | 449 | ebay.com | |
11. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
12. | Canon T7 | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
13. | Canon T7i | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
14. | Nikon B500 | 114 mm | 78 mm | 95 mm | 541 g | 600 | n | Jan 2016 | 299 | ebay.com | |
15. | Nikon L840 | 113 mm | 78 mm | 96 mm | 538 g | 590 | n | Feb 2015 | 299 | ebay.com | |
16. | Sony H300 | 128 mm | 89 mm | 92 mm | 590 g | 350 | n | Feb 2014 | 219 | ebay.com | |
17. | Sony H400 | 130 mm | 95 mm | 122 mm | 628 g | 300 | n | Feb 2014 | 319 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H200 was launched at a lower price than the SL2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Sony H200 a 1/2.3-inch sensor. The sensor area in the H200 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the H200 offers a 4:3 aspect.
With 24MP, the SL2 offers a higher resolution than the H200 (15.2MP), but the SL2 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.36μm for the H200) due to its larger sensor. Moreover, the SL2 is a much more recent model (by 4 years and 5 months) than the H200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony H200 are 25.9 x 14.7 inches or 65.8 x 37.2 cm for good quality, 20.7 x 11.7 inches or 52.7 x 29.8 cm for very good quality, and 17.3 x 9.8 inches or 43.9 x 24.8 cm for excellent quality prints.
The SL2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-H200 are ISO 100 to ISO 3200 (no boost).
In terms of underlying technology, the SL2 is build around a CMOS sensor, while the H200 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
2. | Sony H200 | 1/2.3 | 15.2 | 5184 | 2930 | 720/30p | 19.9 | 11.2 | 529 | 44 | |
3. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
4. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
5. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
6. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
7. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
8. | Canon SL3 | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
9. | Canon SX520 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.1 | 11.5 | 672 | 46 | |
10. | Canon T6 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 781 | 66 | |
11. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
12. | Canon T7 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 23.8 | 13.3 | 1684 | 81 | |
13. | Canon T7i | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
14. | Nikon B500 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.3 | 11.7 | 810 | 48 | |
15. | Nikon L840 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.2 | 11.6 | 721 | 47 | |
16. | Sony H300 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
17. | Sony H400 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL2 provides a higher video resolution than the H200. It can shoot video footage at 1080/60p, while the Sony is limited to 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the SL2 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the H200 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SL2, the Sony H200, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
2. | Sony H200 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
3. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
4. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
5. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
6. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
7. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
8. | Canon SL3 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
9. | Canon SX520 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 1.6/s | Y | Y | |
10. | Canon T6 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
12. | Canon T7 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
13. | Canon T7i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
14. | Nikon B500 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
15. | Nikon L840 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
16. | Sony H300 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
17. | Sony H400 | 210 | n | 3.0 / 460 | fixed | n | 1/2000s | 0.7/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL2 has a touchscreen, while the H200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The SL2 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H200 does not have a selfie-screen.The Canon SL2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL2 writes its imaging data to SDXC cards, while the H200 uses SDXC or Memory Stick PRO Duo cards. The SL2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the H200 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Sony Cyber-shot DSC-H200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
2. | Sony H200 | - | mono / mono | - | - | - | 2.0 | - | - | - | |
3. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
5. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
7. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Canon SL3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
9. | Canon SX520 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Canon T6 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
11. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
12. | Canon T7 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
13. | Canon T7i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
14. | Nikon B500 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
15. | Nikon L840 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony H300 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Sony H400 | - | mono / mono | - | - | micro | 2.0 | Y | - | - |
It is notable that the SL2 has a hotshoe, while the H200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the SL2 and the H200 have been discontinued, but can regularly be found used on ebay. The SL2 was replaced by the Canon SL2, while the H200 does not have a direct successor. Further information on the features and operation of the SL2 and H200 can be found, respectively, in the Canon SL2 Manual (free pdf) or the online Sony H200 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Canon SL2 and the Sony H200? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel SL2:
- More detail: Offers more megapixels (24 vs 15.2MP) with a 21% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 0.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (650 versus 240) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 5 months of technical progress since the H200 launch.
Arguments in favor of the Sony Cyber-shot DSC-H200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Comes with an integrated lens, while the SL2 requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the SL2 is the clear winner of the match-up (25 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL2 and the Sony H200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SL2 or the H200 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
2. | Sony H200 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2013 | 249 | ebay.com | |
3. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
4. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | 979 | ebay.com | |
5. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
6. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
7. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
8. | Canon SL3 | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
9. | Canon SX520 | .. | + | .. | .. | 3.5/5 | 3.5/5 | Jul 2014 | 399 | ebay.com | |
10. | Canon T6 | 4/5 | o | 4/5 | 73/100 | 4/5 | 4/5 | Mar 2016 | 449 | ebay.com | |
11. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
12. | Canon T7 | .. | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
13. | Canon T7i | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
14. | Nikon B500 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2016 | 299 | ebay.com | |
15. | Nikon L840 | .. | + + | .. | .. | 3.5/5 | 4/5 | Feb 2015 | 299 | ebay.com | |
16. | Sony H300 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2014 | 219 | ebay.com | |
17. | Sony H400 | .. | o | .. | .. | 3.5/5 | 3.5/5 | Feb 2014 | 319 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon SL2 vs Sony H200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SL2 | Sony H200 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Canon EF mount lenses | 24-633mm f/3.1-5.9 |
Launch Date | June 2017 | January 2013 |
Launch Price | USD 549 | USD 249 |
Sensor Specs | Canon SL2 | Sony H200 |
Sensor Technology | CMOS | CCD |
Sensor Format | APS-C Sensor | 1/2.3" Sensor |
Sensor Size | 22.3 x 14.9 mm | 6.17 x 4.55 mm |
Sensor Area | 332.27 mm2 | 28.0735 mm2 |
Sensor Diagonal | 26.8 mm | 7.7 mm |
Crop Factor | 1.6x | 5.6x |
Sensor Resolution | 24 Megapixels | 15.2 Megapixels |
Image Resolution | 6000 x 4000 pixels | 5184 x 2930 pixels |
Pixel Pitch | 3.72 μm | 1.36 μm |
Pixel Density | 7.22 MP/cm2 | 54.10 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 720/30p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 3,200 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Image Processor | DIGIC 7 | BIONZ |
DXO Sensor Quality (score) | 79 | .. |
DXO Color Depth (bits) | 23.6 | .. |
DXO Dynamic Range (EV) | 13.4 | .. |
DXO Low Light (ISO) | 1041 | .. |
Screen Specs | Canon SL2 | Sony H200 |
Viewfinder Type | Optical viewfinder | no viewfinder |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.54x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 460k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon SL2 | Sony H200 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 5 shutter flaps/s | 0.8 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Canon SL2 | Sony H200 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon SL2 | Sony H200 |
Battery Type | Canon LP-E17 | Sony 4xAA |
Battery Life (CIPA) | 650 shots per charge | 240 shots per charge |
Body Dimensions |
122 x 93 x 70 mm (4.8 x 3.7 x 2.8 in) |
123 x 83 x 87 mm (4.8 x 3.3 x 3.4 in) |
Camera Weight | 453 g (16.0 oz) | 530 g (18.7 oz) |
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