Canon SL2 vs Sony A1

The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Sony A1 are two digital cameras that were officially introduced, respectively, in June 2017 and January 2021. The SL2 is a DSLR, while the A1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL2) and a full frame (A1) sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 49.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SL2		Sony A1
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Sony E mount lenses
24 MP – APS-C sensor		49.8 MP – Full Frame sensor
1080/60p Video		8k/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-32,000 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (9437k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1440k dots
Swivel touchscreen		Tilting touchscreen
5 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
650 shots per battery charge		530 shots per battery charge
122 x 93 x 70 mm, 453 g		129 x 97 x 81 mm, 737 g

Check SL2 offers at
ebay.com
Check A1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon SL2 and the Sony A1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The SL2 can be obtained in two different colors (black, white), while the A1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is notably larger (10 percent) than the Canon SL2. Moreover, the A1 is substantially heavier (63 percent) than the SL2. It is noteworthy in this context that the A1 is splash and dust-proof, while the SL2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL2) and the Sony FE Lens Catalog (A1). Mirrorless cameras, such as the A1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the SL2 gets 650 shots out of its Canon LP-E17 battery, while the A1 can take 530 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A1 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
2.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
3.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
4.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
5.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	899	ebay.com
6.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
7.		Canon M100	108 mm	67 mm	35 mm	302 g	295	n	Aug 2017	499	ebay.com
8.		Canon T7i	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	749	ebay.com
9.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
10.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
11.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
12.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
13.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
14.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
15.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
16.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	3,499	amazon.com
17.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL2 was launched at a markedly lower price (by 92 percent) than the A1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 49.8MP, the A1 offers a higher resolution than the SL2 (24MP), but the A1 nevertheless has larger individual pixels (pixel pitch of 4.16μm versus 3.72μm for the SL2) due to its larger sensor. Moreover, the A1 is a much more recent model (by 3 years and 6 months) than the SL2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Canon SL2 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the SL2, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the SL2 is build around a CMOS sensor, while the A1 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A1 offers substantially better image quality than the SL2 (overall score 19 points higher). The advantage is based on 2.3 bits higher color depth, 1.1 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
2.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
3.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
4.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
5.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
6.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
7.		Canon M100	APS-C	24.0	6000	4000	1080/60p	23.5	12.9	1272	78
8.		Canon T7i	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
9.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
10.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
11.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
12.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
13.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
14.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
15.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
17.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A1 provides a better video resolution than the SL2. It can shoot movie footage at 8k/30p, while the Canon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A1 has an electronic viewfinder (9437k dots), while the SL2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A1 offers a wider field of view (100%) than the one in the SL2 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A1 has a higher magnification (0.9x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon SL2, the Sony A1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
4.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
5.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
6.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
7.		Canon M100	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
8.		Canon T7i	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
9.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
10.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
13.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
14.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The SL2 has one, while the A1 does not. While the built-in flash of the SL2 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon SL2 and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The SL2 writes its imaging data to SDXC cards, while the A1 uses CFexpress (type A) or SDXC cards. The A1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL2 only has one slot. The A1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the SL2 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
4.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
5.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon M100	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
8.		Canon T7i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
9.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
10.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
11.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
12.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
13.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
17.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the A1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The SL2 lacks such a headphone port.

Studio photographers will appreciate that the Sony A1 (unlike the SL2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A1 is a recent model that features in the current product line-up of Sony. In contrast, the SL2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the SL2 was succeeded by the Canon SL2. Further information on the features and operation of the SL2 and A1 can be found, respectively, in the Canon SL2 Manual (free pdf) or the online Sony A1 Manual.

Review summary

So how do things add up? Is the Canon SL2 better than the Sony A1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS Rebel SL2:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Is lighter (by 284g or 39 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (650 versus 530) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in June 2017).

Arguments in favor of the Sony A1:

• More detail: Has more megapixels (49.8 vs 24MP), which boosts linear resolution by 44%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
• Better video: Provides higher definition movie capture (8k/30p vs 1080/60p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.54x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 3 years and 6 months of technical progress since the SL2 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A1 is the clear winner of the contest (26 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SL2 and the Sony A1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL2 or the A1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
2.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
3.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
4.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
5.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	899	ebay.com
6.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
7.		Canon M100	3/5	+	..	..	4/5	3.5/5	Aug 2017	499	ebay.com
8.		Canon T7i	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	749	ebay.com
9.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
10.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
11.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
12.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
13.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
14.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
15.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
16.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	3,499	amazon.com
17.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check SL2 offers at
ebay.com
Check A1 price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

~

Check SL2 offers at
ebay.com
Check A1 price at
amazon.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.