Canon SL2 vs Kodak AZ901
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Kodak PixPro AZ901 are two digital cameras that were announced, respectively, in June 2017 and January 2016. The SL2 is a DSLR, while the AZ901 is a fixed lens compact. The cameras are based on an APS-C (SL2) and a 1/2.3-inch (AZ901) sensor. The Canon has a resolution of 24 megapixels, whereas the Kodak provides 20.2 MP.
As their names suggest, both the Canon EOS Rebel SL2 and the Kodak PixPro AZ901 belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL2 and Kodak AZ901. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL2||Kodak AZ901|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||22-1980mm f/3.1-6.8|
|24 MP, APS-C Sensor||20.2 MP, 1/2.3" Sensor|
|1080/60p Video||1080/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-3200|
|Optical viewfinder||Electronic viewfinder (202k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|5 shutter flaps per second||5 shutter flaps per second|
|650 shots per battery charge||400 shots per battery charge|
|122 x 93 x 70 mm, 453 g||139 x 104 x 119 mm, 777 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Kodak PixPro AZ901? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SL2 and the Kodak AZ901 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SL2 can be obtained in two different colors (black, white), while the AZ901 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak AZ901 is notably larger (27 percent) than the Canon SL2. In this context, it is worth noting that neither the SL2 nor the AZ901 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the AZ901 has a lens built in, whereas the SL2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL2 and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SL2»||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Kodak AZ901«||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499||Kodak AZ901|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||-||Canon M6|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Leica Q Typ 116« »||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249||-||Leica Q Typ 116|
|Nikon B700« »||4.9 in||3.3 in||4.2 in||19.9 oz||350||n||Feb 2016||499||Nikon B700|
|Sony HX350« »||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The AZ901 was launched at a lower price than the SL2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Kodak AZ901 a 1/2.3-inch sensor. The sensor area in the AZ901 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the AZ901 offers a 4:3 aspect.
With 24MP, the SL2 offers a higher resolution than the AZ901 (20.2MP), but the SL2 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.18μm for the AZ901) due to its larger sensor. Moreover, the SL2 is a somewhat more recent model (by 1 year and 5 months) than the AZ901, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Kodak AZ901 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The SL2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Kodak PixPro AZ901 are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon SL2»||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Kodak AZ901«||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Kodak AZ901|
|Canon SL3« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Leica Q Typ 116« »||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Nikon B700« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Nikon B700|
|Sony HX350« »||1/2.3||19.9||5152||3864||1080/60p||-||-||-||-||Sony HX350|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL2 provides a higher frame rate than the AZ901. It can shoot video footage at 1080/60p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the AZ901 has an electronic viewfinder (202k dots), while the SL2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon SL2 and Kodak AZ901 in connection with corresponding information for a sample of similar cameras.
|Canon SL2»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Kodak AZ901«||202||n||3.0||920||swivel||n||1/2000s||5.0||Y||Y||Kodak AZ901|
|Canon SL3« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Leica Q Typ 116« »||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Nikon B700« »||921||n||3.0||921||swivel||n||1/4000s||5.0||Y||Y||Nikon B700|
|Sony HX350« »||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL2 has a touchscreen, while the AZ901 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon SL2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the AZ901 write their files to SDXC cards. The SL2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the AZ901 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Kodak PixPro AZ901 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SL2»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Kodak AZ901«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Canon SL3« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Leica Q Typ 116« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Nikon B700« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B700|
|Sony HX350« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
It is notable that the SL2 has a hotshoe, while the AZ901 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The AZ901 is a recent model that features in the current product line-up of Kodak. In contrast, the SL2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SL2 was succeeded by the Canon SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Kodak websites.
So what conclusions can be drawn? Which of the two cameras – the Canon SL2 or the Kodak AZ901 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS Rebel SL2:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More compact: Is smaller (122x93mm vs 139x104mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (650 versus 400) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the AZ901).
Advantages of the Kodak PixPro AZ901:
- More framing info: Has an electronic viewfinder that displays shooting data.
- Ready to shoot: Comes with an integrated lens, while the SL2 requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the SL2 is the clear winner of the match-up (21 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL2 and the Kodak AZ901 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL2 or the AZ901. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SL2»||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Kodak AZ901«||-||-||3.5/5||-||3/5||Jan 2016||499||Kodak AZ901|
|Canon SL3« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon G9 X« »||+ +||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Leica Q Typ 116« »||-||80/100||4.5/5||-||4.5/5||Jun 2015||4,249||-||Leica Q Typ 116|
|Nikon B700« »||+||-||4/5||-||4/5||Feb 2016||499||Nikon B700|
|Sony HX350« »||-||-||-||-||4/5||Dec 2016||449||Sony HX350|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Canon SL2
- Canon 450D vs Kodak AZ901
- Canon G7 X Mark III vs Kodak AZ901
- Canon SL2 vs Leica M10
- Canon SL2 vs Olympus E-M10 II
- Canon SL2 vs Sony NEX-C3
- Canon SX710 vs Kodak AZ901
- Kodak AZ901 vs Leica Q2
- Kodak AZ901 vs Leica X1
- Kodak AZ901 vs Nikon D800E
- Kodak AZ901 vs Nikon D850
- Kodak AZ901 vs Panasonic GH3
Specifications: Canon SL2 vs Kodak AZ901
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL2||Kodak AZ901|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||22-1980mm f/3.1-6.8|
|Launch Date||June 2017||January 2016|
|Launch Price||USD 549||USD 499|
|Sensor Specs||Canon SL2||Kodak AZ901|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.72 μm||1.18 μm|
|Pixel Density||7.22 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-3200 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.4||..|
|DXO Low Light (ISO)||1041||..|
|Screen Specs||Canon SL2||Kodak AZ901|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL2||Kodak AZ901|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon SL2||Kodak AZ901|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL2||Kodak AZ901|
|Battery Life (CIPA)||650 shots per charge||400 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
139 x 104 x 119 mm
(5.5 x 4.1 x 4.7 in)
|Camera Weight||453 g (16.0 oz)||777 g (27.4 oz)|
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