Canon SL2 vs Fujifilm X-Pro2
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Fujifilm X-Pro2 are two digital cameras that were revealed to the public, respectively, in June 2017 and January 2016. The SL2 is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SL2 and the Fujifilm X-Pro2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The SL2 can be obtained in two different colors (black, white), while the X-Pro2 is also available in two color-versions, but different ones (black, graphite).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is somewhat larger (3 percent) than the Canon SL2. Moreover, the X-Pro2 is markedly heavier (9 percent) than the SL2. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the SL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL2) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|2.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|3.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|4.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|6.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|7.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779||ebay.com|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||ebay.com|
|9.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||ebay.com|
|10.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||ebay.com|
|11.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|12.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|13.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|14.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|15.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|16.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|17.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL2 was launched at a markedly lower price (by 68 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-Pro2 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (SL2) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-Pro2 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-Pro2 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the SL2), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the SL2 is a somewhat more recent model (by 1 year and 5 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the SL2 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|6.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the SL2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-Pro2 offers a wider field of view (100%) than the one in the SL2 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the SL2 has a higher magnification (0.54x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon SL2 and Fujifilm X-Pro2 in connection with corresponding information for a sample of similar cameras.
|1.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|3.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|6.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|7.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0/s||Y||n|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|9.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|10.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0/s||Y||n|
|11.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|12.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|13.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|14.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|15.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|16.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|17.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The SL2 has one, while the X-Pro2 does not. While the built-in flash of the SL2 is not very powerful, it can at times be useful as a fill-in light.The SL2 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-Pro2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon SL2 and the Fujifilm X-Pro2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL2 only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the SL2 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|11.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|14.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|15.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|16.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|17.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the SL2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SL2 and the X-Pro2 have been discontinued, but can regularly be found used on ebay. The X-Pro2 was replaced by the Fujifilm X-Pro3, while the SL2 was followed by the Canon SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is there a clear favorite between the Canon SL2 and the Fujifilm X-Pro2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Rebel SL2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.39x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (650 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 5 months after the X-Pro2).
Reasons to prefer the Fujifilm X-Pro2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro2 comes out slightly ahead of the SL2 (13 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL2 and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SL2 and the X-Pro2 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|2.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|3.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|4.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|6.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|7.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779||ebay.com|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499||ebay.com|
|9.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749||ebay.com|
|10.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979||ebay.com|
|11.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|12.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|13.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|14.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|15.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|16.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|17.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 350D vs Fujifilm X-Pro2
- Canon M6 vs Canon SL2
- Canon SL2 vs Nikon B500
- Canon SL2 vs Panasonic FZ80
- Canon SL2 vs Sony A9 II
- Canon SL2 vs Sony WX800
- Canon SL2 vs YI M1
- Fujifilm X-Pro2 vs Nikon D610
- Fujifilm X-Pro2 vs Olympus E-450
- Fujifilm X-Pro2 vs Panasonic FZ100
- Fujifilm X-Pro2 vs Panasonic GF1
- Fujifilm X-Pro2 vs Sony A6600
Specifications: Canon SL2 vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL2||Fujifilm X-Pro2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||June 2017||January 2016|
|Launch Price||USD 549||USD 1,699|
|Sensor Specs||Canon SL2||Fujifilm X-Pro2|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.6 x 15.6 mm|
|Sensor Area||332.27 mm2||368.16 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.92 μm|
|Pixel Density||7.22 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 51,200 ISO|
|Image Processor||DIGIC 7||X Processor Pro|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.4||..|
|DXO Low Light (ISO)||1041||..|
|Screen Specs||Canon SL2||Fujifilm X-Pro2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL2||Fujifilm X-Pro2|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Canon SL2||Fujifilm X-Pro2|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL2||Fujifilm X-Pro2|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||650 shots per charge||350 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||453 g (16.0 oz)||495 g (17.5 oz)|
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