Canon SL2 vs Fujifilm GFX 100
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Fujifilm GFX 100 are two digital cameras that were announced, respectively, in June 2017 and May 2019. The SL2 is a DSLR, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL2) and a medium format (GFX 100) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon SL2 and the Fujifilm GFX 100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SL2 can be obtained in two different colors (black, white), while the GFX 100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (98 percent) than the Canon SL2. Moreover, the GFX 100 is substantially heavier (191 percent) than the SL2. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the SL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the SL2 gets 650 shots out of its Canon LP-E17 battery, while the GFX 100 can take 800 images on a single charge of its Fujifilm NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the SL2, there are third party battery grips available as optional accessories (see here on ebay). The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
2. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | 9,999 | ebay.com | |
3. | Canon SL3 | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
4. | Canon T7 | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
5. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
6. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
7. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
8. | Canon T7i | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
9. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | 979 | ebay.com | |
10. | Canon T6 | 129 mm | 101 mm | 78 mm | 485 g | 500 | n | Mar 2016 | 449 | ebay.com | |
11. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
12. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
13. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | 7,499 | amazon.com | |
14. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
15. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
16. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
17. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | 8,199 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SL2 was launched at a markedly lower price (by 95 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the GFX 100 offers a 4:3 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the SL2 (24MP), but the GFX 100 nevertheless has marginally larger individual pixels (pixel pitch of 3.76μm versus 3.72μm for the SL2) due to its larger sensor. Moreover, the GFX 100 is a somewhat more recent model (by 1 year and 10 months) than the SL2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon SL2 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the SL2 is build around a CMOS sensor, while the GFX 100 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
2. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
3. | Canon SL3 | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
4. | Canon T7 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 23.8 | 13.3 | 1684 | 81 | |
5. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
6. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
7. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
8. | Canon T7i | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
9. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
10. | Canon T6 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 781 | 66 | |
11. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
12. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
13. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
14. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
15. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
16. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
17. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100 provides a better video resolution than the SL2. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the SL2 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Canon SL2 and Fujifilm GFX 100 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
2. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
3. | Canon SL3 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
4. | Canon T7 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
6. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
7. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
8. | Canon T7i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
9. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
10. | Canon T6 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
12. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
13. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
14. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
15. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
16. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
17. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The SL2 has one, while the GFX 100 does not. While the built-in flash of the SL2 is not very powerful, it can at times be useful as a fill-in light.
The SL2 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon SL2 and the Fujifilm GFX 100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the GFX 100 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL2 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the SL2 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
2. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
3. | Canon SL3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
4. | Canon T7 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
7. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
8. | Canon T7i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
9. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
10. | Canon T6 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
11. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
12. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
14. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
15. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
16. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
17. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - |
It is notable that the GFX 100 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The SL2 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the SL2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SL2 and the GFX 100 have been discontinued, but can regularly be found used on ebay. The SL2 was replaced by the Canon SL2, while the GFX 100 was followed by the Fujifilm GFX 100 II. Further information on the features and operation of the SL2 and GFX 100 can be found, respectively, in the Canon SL2 Manual (free pdf) or the online Fujifilm GFX 100 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Canon SL2 and the Fujifilm GFX 100? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Rebel SL2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (122x93mm vs 156x144mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 867g or 66 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (95 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in June 2017).
Reasons to prefer the Fujifilm GFX 100:
- More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (800 versus 650) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the contest (23 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL2 and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SL2 or the GFX 100 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
2. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | 9,999 | ebay.com | |
3. | Canon SL3 | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
4. | Canon T7 | .. | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
5. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
6. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
7. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
8. | Canon T7i | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
9. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | 979 | ebay.com | |
10. | Canon T6 | 4/5 | o | 4/5 | 73/100 | 4/5 | 4/5 | Mar 2016 | 449 | ebay.com | |
11. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
12. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
13. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | 7,499 | amazon.com | |
14. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
15. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
16. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
17. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | 8,199 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark II vs Fujifilm GFX 100
- Canon G9 X Mark II vs Fujifilm GFX 100
- Canon SL2 vs Leica X Typ 113
- Canon SL2 vs Nikon P1000
- Canon SL2 vs Panasonic GX80
- Canon SL2 vs Sony NEX-F3
- Canon SL2 vs Sony RX1R
- Canon SL2 vs Sony ZV-E10
- Fujifilm GFX 100 vs Leica D-LUX 6
- Fujifilm GFX 100 vs Panasonic G9
- Fujifilm GFX 100 vs Panasonic GF1
- Fujifilm GFX 100 vs Sony RX10 IV
Specifications: Canon SL2 vs Fujifilm GFX 100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SL2 | Fujifilm GFX 100 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Fujifilm G mount lenses |
Launch Date | June 2017 | May 2019 |
Launch Price | USD 549 | USD 9,999 |
Sensor Specs | Canon SL2 | Fujifilm GFX 100 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 22.3 x 14.9 mm | 43.8 x 32.9 mm |
Sensor Area | 332.27 mm2 | 1441.02 mm2 |
Sensor Diagonal | 26.8 mm | 54.8 mm |
Crop Factor | 1.6x | 0.79x |
Sensor Resolution | 24 Megapixels | 101.8 Megapixels |
Image Resolution | 6000 x 4000 pixels | 11648 x 8736 pixels |
Pixel Pitch | 3.72 μm | 3.76 μm |
Pixel Density | 7.22 MP/cm2 | 7.06 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 51,200 ISO | 50 - 102,400 ISO |
Image Processor | DIGIC 7 | X-Processor 4 |
DXO Sensor Quality (score) | 79 | .. |
DXO Color Depth (bits) | 23.6 | .. |
DXO Dynamic Range (EV) | 13.4 | .. |
DXO Low Light (ISO) | 1041 | .. |
Screen Specs | Canon SL2 | Fujifilm GFX 100 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.54x | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 2360k dots |
LCD Attachment | Swivel screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon SL2 | Fujifilm GFX 100 |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 5 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Canon SL2 | Fujifilm GFX 100 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.1 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon SL2 | Fujifilm GFX 100 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E17 | Fujifilm NP-T125 |
Battery Life (CIPA) | 650 shots per charge | 800 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
122 x 93 x 70 mm (4.8 x 3.7 x 2.8 in) |
156 x 144 x 75 mm (6.1 x 5.7 x 3.0 in) |
Camera Weight | 453 g (16.0 oz) | 1320 g (46.6 oz) |
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