Canon SL2 versus Canon 80D
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Canon EOS 80D are two digital cameras that were officially introduced, respectively, in June 2017 and February 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
An illustration of the physical size and weight of the Canon SL2 and the Canon 80D is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the SL2 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 80D is considerably larger (29 percent) than the Canon SL2. Moreover, the 80D is substantially heavier (61 percent) than the SL2. It is noteworthy in this context that the 80D is splash and dust-proof, while the SL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon SL2 (⇒ rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 80D (⇒ lft)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon 77D (⇒ lft | rgt)||131 mm||100 mm||76 mm||540 g||600||no||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon T7i (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL2 was launched at a markedly lower price (by 54 percent) than the 80D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 80D is 2 percent bigger. They nevertheless have the same format factor of 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the 80D has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the 80D has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.75μm versus 3.72μm for the SL2), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the SL2 is a somewhat more recent model (by 1 year and 4 months) than the 80D, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SL2 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 80D (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 77D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon T7i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Nikon D3400 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The SL2 and the 80D are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon SL2 and Canon 80D along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon SL2 (⇒ rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 80D (⇒ lft)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon 77D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon T7i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Nikon D3400 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
Both the SL2 and the 80D are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 80D replaced the earlier Canon 70D, while the SL2 followed on from the Canon SL1.
So what is the bottom line? Which of the two cameras – the Canon SL2 or the Canon 80D – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel SL2:
- More compact: Is smaller (122x93mm vs 139x105mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 277g or 38 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 4 months after the 80D).
Arguments in favor of the Canon EOS 80D:
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (960 versus 650) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the 80D emerges as the winner of the match-up (6 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the SL2 or the 80D. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon SL2 (⇒ rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 80D (⇒ lft)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon 77D (⇒ lft | rgt)||..||82/100 Silver||4.5/5||..||4/5||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon T7i (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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