Canon SL1 vs Leica C-LUX
The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Leica C-LUX are two digital cameras that were announced, respectively, in March 2013 and June 2018. The SL1 is a DSLR, while the C-LUX is a fixed lens compact. The cameras are based on an APS-C (SL1) and an one-inch (C-LUX) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Leica provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Leica C-LUX? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon SL1 and the Leica C-LUX. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The SL1 can be obtained in two different colors (black, white), while the C-LUX is also available in two color-versions, but different ones (gold, blue).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica C-LUX is notably smaller (29 percent) than the Canon SL1. In this context, it is worth noting that neither the SL1 nor the C-LUX are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the C-LUX has a lens built in, whereas the SL1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL1 and their specifications in the Canon EF Lens Catalog.
The power pack in the C-LUX can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
2. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
3. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | 899 | ebay.com | |
4. | Canon T100 | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | 399 | amazon.com | |
5. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
6. | Canon T6 | 129 mm | 101 mm | 78 mm | 485 g | 500 | n | Mar 2016 | 449 | ebay.com | |
7. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
8. | Canon T5 | 130 mm | 100 mm | 78 mm | 480 g | 500 | n | Feb 2014 | 449 | ebay.com | |
9. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
10. | Canon T5i | 133 mm | 100 mm | 79 mm | 580 g | 440 | n | Mar 2013 | 649 | ebay.com | |
11. | Canon M | 109 mm | 66 mm | 32 mm | 298 g | 230 | n | Jul 2012 | 599 | ebay.com | |
12. | Canon T4i | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | 849 | ebay.com | |
13. | Canon T3i | 133 mm | 100 mm | 80 mm | 570 g | 440 | n | Feb 2011 | 599 | ebay.com | |
14. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | amazon.com | |
15. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | 1,195 | ebay.com | |
16. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | amazon.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Leica C-LUX an one-inch sensor. The sensor area in the C-LUX is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the C-LUX offers a higher resolution of 20 megapixels, compared with 17.9 MP of the SL1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the SL1). However, it should be noted that the C-LUX is much more recent (by 5 years and 2 months) than the SL1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica C-LUX implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the C-LUX for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon SL1 are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Leica C-LUX are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
2. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
3. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
4. | Canon T100 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
5. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
6. | Canon T6 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 781 | 66 | |
7. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
8. | Canon T5 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.3 | 724 | 63 | |
9. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
10. | Canon T5i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 681 | 61 | |
11. | Canon M | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.2 | 827 | 65 | |
12. | Canon T4i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
13. | Canon T3i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 793 | 65 | |
14. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
15. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
16. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the C-LUX provides a better video resolution than the SL1. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the C-LUX has an electronic viewfinder (2330k dots), while the SL1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the C-LUX offers a wider field of view (100%) than the one in the SL1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the SL1 has a higher magnification (0.54x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon SL1 and Leica C-LUX along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
2. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
3. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
4. | Canon T100 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
6. | Canon T6 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
7. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
8. | Canon T5 | optical | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
10. | Canon T5i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
11. | Canon M | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.3/s | n | n | |
12. | Canon T4i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
13. | Canon T3i | optical | n | 3.0 / 1040 | swivel | n | 1/4000s | 3.7/s | Y | n | |
14. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
15. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
16. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the C-LUX is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica C-LUX has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL1 and the C-LUX write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Leica C-LUX and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
2. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
4. | Canon T100 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon T6 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
8. | Canon T5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
9. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
10. | Canon T5i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Canon M | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Canon T4i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Canon T3i | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
15. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the SL1 has a hotshoe, while the C-LUX does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the SL1 and the C-LUX have been discontinued, but can regularly be found used on ebay. The SL1 was replaced by the Canon SL2, while the C-LUX does not have a direct successor. Further information on the features and operation of the SL1 and C-LUX can be found, respectively, in the Canon SL1 Manual (free pdf) or the online Leica C-LUX Manual.
Review summary
So what is the bottom line? Is the Canon SL1 better than the Leica C-LUX or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Rebel SL1:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.53x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in March 2013).
Arguments in favor of the Leica C-LUX:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster burst: Shoots at higher frequency (10 vs 4.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the SL1 requires a separate lens.
- More compact: Is smaller (113x67mm vs 117x91mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the SL1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 5 years and 2 months of technical progress since the SL1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the C-LUX is the clear winner of the contest (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL1 and the Leica C-LUX place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL1 or the C-LUX. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
2. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
3. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | 899 | ebay.com | |
4. | Canon T100 | .. | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 399 | amazon.com | |
5. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
6. | Canon T6 | 4/5 | o | 4/5 | 73/100 | 4/5 | 4/5 | Mar 2016 | 449 | ebay.com | |
7. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
8. | Canon T5 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Feb 2014 | 449 | ebay.com | |
9. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
10. | Canon T5i | .. | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Mar 2013 | 649 | ebay.com | |
11. | Canon M | 3/5 | + | .. | .. | 4/5 | 4/5 | Jul 2012 | 599 | ebay.com | |
12. | Canon T4i | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | 849 | ebay.com | |
13. | Canon T3i | 3/5 | o | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2011 | 599 | ebay.com | |
14. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | 1,249 | amazon.com | |
15. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | 1,195 | ebay.com | |
16. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | amazon.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon SL1 vs Leica C-LUX
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SL1 | Leica C-LUX |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Canon EF mount lenses | 24-360mm f/3.3-6.4 |
Launch Date | March 2013 | June 2018 |
Launch Price | USD 549 | USD 1,049 |
Sensor Specs | Canon SL1 | Leica C-LUX |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | 1" Sensor |
Sensor Size | 22.3 x 14.9 mm | 13.2 x 8.8 mm |
Sensor Area | 332.27 mm2 | 116.16 mm2 |
Sensor Diagonal | 26.8 mm | 15.9 mm |
Crop Factor | 1.6x | 2.7x |
Sensor Resolution | 17.9 Megapixels | 20 Megapixels |
Image Resolution | 5184 x 3456 pixels | 5472 x 3648 pixels |
Pixel Pitch | 4.31 μm | 2.41 μm |
Pixel Density | 5.39 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 100 - 12,800 ISO | 125 - 12,800 ISO |
ISO Boost | 100 - 25,600 ISO | 80 - 25,600 ISO |
DXO Sensor Quality (score) | 63 | .. |
DXO Color Depth (bits) | 21.8 | .. |
DXO Dynamic Range (EV) | 11.3 | .. |
DXO Low Light (ISO) | 843 | .. |
Screen Specs | Canon SL1 | Leica C-LUX |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.54x | 0.53x |
Viewfinder Resolution | 2330k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1240k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon SL1 | Leica C-LUX |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/2000s |
Continuous Shooting | 4.9 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon SL1 | Leica C-LUX |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Canon SL1 | Leica C-LUX |
Battery Type | Canon LP-E12 | Leica BP-DC15 |
Battery Life (CIPA) | 380 shots per charge | 370 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
117 x 91 x 69 mm (4.6 x 3.6 x 2.7 in) |
113 x 67 x 46 mm (4.4 x 2.6 x 1.8 in) |
Camera Weight | 407 g (14.4 oz) | 340 g (12.0 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.