Canon S120 vs Panasonic ZS200
The Canon PowerShot S120 and the Panasonic Lumix DC-ZS200 (labelled Panasonic TZ200 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2013 and February 2018. Both the S120 and the ZS200 are fixed lens compact cameras that are based on a 1/1.7-inch (S120) and an one-inch (ZS200) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot S120 and the Panasonic Lumix DC-ZS200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon S120 and the Panasonic ZS200. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The ZS200 can be obtained in two different colors (black, silver), while the S120 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS200 is notably larger (22 percent) than the Canon S120. Moreover, the ZS200 is substantially heavier (57 percent) than the S120. In this context, it is worth noting that neither the S120 nor the ZS200 are weather-sealed.
Concerning battery life, the S120 gets 230 shots out of its NB-6LH battery, while the ZS200 can take 370 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS200 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|2.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|5.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|6.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|7.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|10.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|11.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|12.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|13.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|14.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|15.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|16.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The S120 was launched at a markedly lower price (by 44 percent) than the ZS200, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon S120 features a 1/1.7-inch sensor and the Panasonic ZS200 an one-inch sensor. The sensor area in the ZS200 is 170 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 2.7. The sensor in the S120 has a native 4:3 aspect ratio, while the one in the ZS200 offers a 3:2 aspect.
With 20MP, the ZS200 offers a higher resolution than the S120 (12MP), but the ZS200 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.89μm for the S120) due to its larger sensor. Moreover, the ZS200 is a much more recent model (by 4 years and 5 months) than the S120, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic ZS200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS200 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon S120 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot S120 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-ZS200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|5.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|6.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|12.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|13.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS200 provides a better video resolution than the S120. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS200 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S120 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon S120, the Panasonic ZS200, and comparable cameras.
|1.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|2.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|5.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|6.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|7.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|8.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|9.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|10.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|11.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|12.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|13.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|14.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|15.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|16.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0||Y||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon S120 and the Panasonic ZS200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the S120 and the ZS200 have zoom lenses built in. The S120 has a 24-120mm f/1.8-5.7 optic and the ZS200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The S120 offers the faster maximum aperture.
Concerning the storage of imaging data, both the S120 and the ZS200 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot S120 and Panasonic Lumix DC-ZS200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|8.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|13.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|14.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
The ZS200 is a recent model that features in the current product line-up of Panasonic. In contrast, the S120 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the S120 from Canon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon S120 or the Panasonic ZS200 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot S120:
- Faster burst: Shoots at higher frequency (12.1 vs 10 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/3.3).
- More compact: Is smaller (100x59mm vs 111x65mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 123g or 36 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2013).
Arguments in favor of the Panasonic Lumix DC-ZS200:
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 922k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (370 versus 230) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 5 months of technical progress since the S120 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the ZS200 is the clear winner of the contest (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon S120 and the Panasonic ZS200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the S120 or the ZS200 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|2.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|4.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|5.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|6.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|7.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|8.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|10.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|11.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|12.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|13.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|14.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|15.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|16.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X Mark II vs Panasonic ZS200
- Canon S120 vs Fujifilm X100T
- Canon S120 vs Nikon D810
- Canon S120 vs Panasonic G85
- Canon S120 vs Sony A5100
- Canon S120 vs Sony A7R
- Canon S120 vs Sony A7R III
- Canon T3i vs Panasonic ZS200
- Leica D-LUX 5 vs Panasonic ZS200
- Leica V-LUX 1 vs Panasonic ZS200
- Nikon D40X vs Panasonic ZS200
- Panasonic ZS200 vs Sony A7 III
Specifications: Canon S120 vs Panasonic ZS200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon S120||Panasonic ZS200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-120mm f/1.8-5.7||24-360mm f/3.3-6.4|
|Launch Date||August 2013||February 2018|
|Launch Price||USD 449||USD 799|
|Sensor Specs||Canon S120||Panasonic ZS200|
|Sensor Format||1/1.7" Sensor||1" Sensor|
|Sensor Size||7.6 x 5.7 mm||13.2 x 8.8 mm|
|Sensor Area||43.32 mm2||116.16 mm2|
|Sensor Diagonal||9.5 mm||15.9 mm|
|Sensor Resolution||12 Megapixels||20 Megapixels|
|Image Resolution||4000 x 3000 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.89 μm||2.41 μm|
|Pixel Density||27.70 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||Digic 6||Venus|
|DXO Sensor Quality (score)||56||..|
|DXO Color Depth (bits)||21.3||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||246||..|
|Screen Specs||Canon S120||Panasonic ZS200|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1240k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon S120||Panasonic ZS200|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/2000s|
|Continuous Shooting||12.1 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon S120||Panasonic ZS200|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon S120||Panasonic ZS200|
|Battery Life (CIPA)||230 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
100 x 59 x 29 mm
(3.9 x 2.3 x 1.1 in)
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
|Camera Weight||217 g (7.7 oz)||340 g (12.0 oz)|
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