Canon S120 vs Panasonic FZ300
The Canon PowerShot S120 and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2013 and July 2015. Both the S120 and the FZ300 are fixed lens compact cameras that are based on a 1/1.7-inch (S120) and a 1/2.3-inch (FZ300) sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot S120 and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon S120 and the Panasonic FZ300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is considerably larger (106 percent) than the Canon S120. Moreover, the FZ300 is substantially heavier (218 percent) than the S120. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the S120 does not feature any corresponding weather-sealing.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|2.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|5.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|6.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|7.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|10.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|11.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|12.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|13.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|14.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|15.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S120 was launched at a somewhat lower price (by 25 percent) than the FZ300, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon S120 features a 1/1.7-inch sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 35 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the S120 has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the S120 has a lower pixel density and larger individual pixels (with a pixel pitch of 1.89μm versus 1.53μm for the FZ300), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the FZ300 is a somewhat more recent model (by 1 year and 10 months) than the S120, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot S120 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the S120 provides substantially higher image quality than the FZ300, with an overall score that is 18 points higher. This advantage is based on 2 bits higher color depth, 0.9 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|5.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ300 provides a better video resolution than the S120. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ300 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S120 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon S120 and Panasonic FZ300 in connection with corresponding information for a sample of similar cameras.
|1.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|2.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|4.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|5.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|6.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|7.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|8.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|9.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|10.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|11.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|12.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0||Y||Y|
|13.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|14.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|15.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|17.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon S120 and the Panasonic FZ300 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the S120 and the FZ300 have zoom lenses built in. The S120 has a 24-120mm f/1.8-5.7 optic and the FZ300 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The S120 offers the faster maximum aperture.
Concerning the storage of imaging data, both the S120 and the FZ300 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot S120 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|8.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ300 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The S120 does not feature such a mic input.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the S120 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the S120 from Canon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is the Canon S120 better than the Panasonic FZ300 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot S120:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (100x59mm vs 132x92mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 474g or 69 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in August 2013).
Reasons to prefer the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (380 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Was introduced somewhat (1 year and 10 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 emerges as the winner of the match-up (14 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon S120 and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S120 or the FZ300. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|2.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|4.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|5.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|6.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|7.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|8.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|10.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|11.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|12.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|13.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|14.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|15.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Panasonic FZ300
- Canon 4000D vs Panasonic FZ300
- Canon S120 vs Fujifilm X-T10
- Canon S120 vs Nikon D7100
- Canon S120 vs Olympus E-M5 II
- Canon S120 vs Panasonic FZ100
- Canon S120 vs Panasonic GM1
- Canon S120 vs Pentax K-3 III
- Nikon D5500 vs Panasonic FZ300
- Panasonic FZ300 vs Samsung NX30
- Panasonic FZ300 vs Sony RX0 II
- Panasonic FZ300 vs Sony ZV-1
Specifications: Canon S120 vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon S120||Panasonic FZ300|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-120mm f/1.8-5.7||25-600mm f/2.8|
|Launch Date||August 2013||July 2015|
|Launch Price||USD 449||USD 599|
|Sensor Specs||Canon S120||Panasonic FZ300|
|Sensor Format||1/1.7" Sensor||1/2.3" Sensor|
|Sensor Size||7.6 x 5.7 mm||6.17 x 4.55 mm|
|Sensor Area||43.32 mm2||28.0735 mm2|
|Sensor Diagonal||9.5 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||12 Megapixels|
|Image Resolution||4000 x 3000 pixels||4000 x 3000 pixels|
|Pixel Pitch||1.89 μm||1.53 μm|
|Pixel Density||27.70 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80 - 12,800 ISO||100 - 6,400 ISO|
|Image Processor||Digic 6||Venus|
|DXO Sensor Quality (score)||56||38|
|DXO Color Depth (bits)||21.3||19.3|
|DXO Dynamic Range (EV)||11.9||11.0|
|DXO Low Light (ISO)||246||97|
|Screen Specs||Canon S120||Panasonic FZ300|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon S120||Panasonic FZ300|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||12.1 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon S120||Panasonic FZ300|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Canon S120||Panasonic FZ300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||230 shots per charge||380 shots per charge|
100 x 59 x 29 mm
(3.9 x 2.3 x 1.1 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||217 g (7.7 oz)||691 g (24.4 oz)|
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