Canon S120 vs Fujifilm GFX 50S
The Canon PowerShot S120 and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in August 2013 and September 2016. The S120 is a fixed lens compact, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (S120) and a medium format (GFX 50S) sensor. The Canon has a resolution of 12 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot S120 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon S120 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (136 percent) than the Canon S120. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the S120 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the S120 has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449||ebay.com|
|2.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529||ebay.com|
|5.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||ebay.com|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|7.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|8.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||ebay.com|
|9.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|10.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|11.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|12.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750||amazon.com|
|13.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|14.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|15.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||ebay.com|
|16.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499||ebay.com|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The S120 was launched at a lower price than the GFX 50S, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon S120 features a 1/1.7-inch sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 3277 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50S offers a higher resolution than the S120 (12MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.89μm for the S120) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 3 years) than the S120, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon S120 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot S120 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the S120 is build around a BSI-CMOS sensor, while the GFX 50S uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|5.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|7.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|10.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|11.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|12.||Hasselblad X1D II||Medium Format||51.3||8272||6200||1080/25p||25.7||14.5||3234||99|
|13.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|14.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S120 provides a higher frame rate than the GFX 50S. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The S120 and the GFX 50S are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Canon S120 and Fujifilm GFX 50S along with similar information for a selection of comparators.
|1.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|2.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|4.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|5.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2/s||Y||Y|
|6.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|7.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|8.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|9.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|10.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|11.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|12.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|13.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|14.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|15.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|16.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0/s||Y||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The S120 has one, while the GFX 50S does not. While the built-in flash of the S120 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon S120 and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the S120 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the S120 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the S120 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot S120 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|11.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|12.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|13.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|14.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|15.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the GFX 50S has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The S120 does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the S120) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S120 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The GFX 50S was replaced by the Fujifilm GFX 50S II, while the S120 does not have a direct successor. Further information on the features and operation of the S120 and GFX 50S can be found, respectively, in the Canon S120 Manual (free pdf) or the online Fujifilm GFX 50S Manual.
So what is the bottom line? Is the Canon S120 better than the Fujifilm GFX 50S or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot S120:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (12.1 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GFX 50S requires a separate lens.
- More compact: Is smaller (100x59mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50S).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 12MP), which boosts linear resolution by 106%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years of technical progress since the S120 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (24 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon S120 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the S120 and the GFX 50S in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449||ebay.com|
|2.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|4.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529||ebay.com|
|5.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799||ebay.com|
|6.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|7.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|8.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499||ebay.com|
|9.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|10.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|11.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|12.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750||amazon.com|
|13.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|14.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|15.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549||ebay.com|
|16.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499||ebay.com|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 60D vs Canon S120
- Canon S120 vs Canon XSi
- Canon S120 vs Nikon 1 J4
- Canon S120 vs Panasonic TS7
- Canon S120 vs Sony HX95
- Canon S120 vs Sony RX100 II
- Canon SL1 vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Fujifilm XF10
- Fujifilm GFX 50S vs Nikon D70s
- Fujifilm GFX 50S vs Nikon D800E
- Fujifilm GFX 50S vs Olympus E-M10
- Fujifilm GFX 50S vs Panasonic FZ82
Specifications: Canon S120 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon S120||Fujifilm GFX 50S|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/1.8-5.7||Fujifilm G mount lenses|
|Launch Date||August 2013||September 2016|
|Launch Price||USD 449||USD 6,499|
|Sensor Specs||Canon S120||Fujifilm GFX 50S|
|Sensor Format||1/1.7" Sensor||Medium Format Sensor|
|Sensor Size||7.6 x 5.7 mm||44.0 x 33.0 mm|
|Sensor Area||43.32 mm2||1452 mm2|
|Sensor Diagonal||9.5 mm||55 mm|
|Sensor Resolution||12 Megapixels||51.1 Megapixels|
|Image Resolution||4000 x 3000 pixels||8256 x 6192 pixels|
|Pixel Pitch||1.89 μm||5.33 μm|
|Pixel Density||27.70 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||80 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||Digic 6||X Processor Pro|
|DXO Sensor Quality (score)||56||..|
|DXO Color Depth (bits)||21.3||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||246||..|
|Screen Specs||Canon S120||Fujifilm GFX 50S|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||922k dots||2360k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon S120||Fujifilm GFX 50S|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||12.1 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon S120||Fujifilm GFX 50S|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Canon S120||Fujifilm GFX 50S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||230 shots per charge||400 shots per charge|
100 x 59 x 29 mm
(3.9 x 2.3 x 1.1 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||217 g (7.7 oz)||740 g (26.1 oz)|
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