Canon RP vs Panasonic FZ330
The Canon EOS RP and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were announced, respectively, in February 2019 and July 2015. The RP is a mirrorless interchangeable lens camera, while the FZ330 is a fixed lens compact. The cameras are based on a full frame (RP) and a 1/2.3-inch (FZ330) sensor. The Canon has a resolution of 26 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS RP and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon RP and the Panasonic FZ330 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is notably larger (7 percent) than the Canon RP. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the RP does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the RP is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the RP gets 250 shots out of its LP-E17 battery, while the FZ330 can take 380 images on a single charge of its DMW-BLC12 power pack. The power pack in the RP can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon RP||133 mm||85 mm||70 mm||485 g||250||n||Feb 2019||1,299||amazon.com|
|2.||Panasonic FZ330||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||amazon.com|
|3.||Canon T8i||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749||amazon.com|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|5.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|6.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299||amazon.com|
|7.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|8.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||ebay.com|
|9.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||amazon.com|
|10.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|11.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|12.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|13.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|14.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|15.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799||ebay.com|
|16.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||ebay.com|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ330 was launched at a lower price than the RP, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon RP features a full frame sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the RP has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.
With 26MP, the RP offers a higher resolution than the FZ330 (12MP), but the RP nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 1.53μm for the FZ330) due to its larger sensor. Moreover, the RP is a much more recent model (by 3 years and 7 months) than the FZ330, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon RP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RP for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The RP has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS RP has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
In terms of underlying technology, the RP is build around a CMOS sensor, while the FZ330 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the RP provides substantially higher image quality than the FZ330, with an overall score that is 47 points higher. This advantage is based on 5 bits higher color depth, 0.9 EV in additional dynamic range, and 4.9 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon RP||Full Frame||26.0||6240||4160||4K/30p||24.3||11.9||2977||85|
|6.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|9.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|15.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|16.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the RP offers a substantially higher resolution than the one in the FZ330 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Canon RP and Panasonic FZ330 along with similar information for a selection of comparators.
|1.||Canon RP||2360||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||n||n|
|2.||Panasonic FZ330||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|3.||Canon T8i||optical||n||3.0 / 1040||swivel||Y||1/4000s||7.5/s||Y||n|
|4.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|7.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0/s||Y||n|
|9.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|10.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|11.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|12.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|13.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|14.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|15.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|16.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The FZ330 has one, while the RP does not. While the built-in flash of the FZ330 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon RP and the Panasonic FZ330 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the RP and the FZ330 write their files to SDXC cards. The RP supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ330 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS RP and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon RP||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|2.||Panasonic FZ330||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon T8i||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|5.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|7.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|10.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|15.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Both the RP and the FZ330 are recent models that are part of the current product line-up. The FZ330 replaced the earlier Panasonic FZ200, while the RP does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon RP better than the Panasonic FZ330 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS RP:
- More detail: Offers more megapixels (26 vs 12MP) with a 50% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (47 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (4.9 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 7 months of technical progress since the FZ330 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the RP necessitates an extra lens.
- Longer lasting: Gets more shots (380 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the RP is the clear winner of the match-up (14 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon RP and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the RP or the FZ330 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon RP||4/5||+||4/5||..||4.5/5||4/5||Feb 2019||1,299||amazon.com|
|2.||Panasonic FZ330||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599||amazon.com|
|3.||Canon T8i||4.5/5||+||3/5||80/100||4/5||3.5/5||Feb 2020||749||amazon.com|
|4.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|5.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|6.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299||amazon.com|
|7.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|8.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979||ebay.com|
|9.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999||amazon.com|
|10.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|11.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|12.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|13.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|14.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|15.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799||ebay.com|
|16.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799||ebay.com|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark III vs Panasonic FZ330
- Canon 30D vs Canon RP
- Canon 450D vs Panasonic FZ330
- Canon 5D Mark IV vs Canon RP
- Canon 600D vs Panasonic FZ330
- Canon RP vs Fujifilm X-T30
- Canon RP vs Nikon D5600
- Canon RP vs Nikon Z5
- Canon RP vs Sony HX350
- Nikon D70 vs Panasonic FZ330
- Olympus TG-6 vs Panasonic FZ330
- Panasonic FZ330 vs Samsung NX30
Specifications: Canon RP vs Panasonic FZ330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon RP||Panasonic FZ330|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon RF mount lenses||25-600mm f/2.8|
|Launch Date||February 2019||July 2015|
|Launch Price||USD 1,299||USD 599|
|Sensor Specs||Canon RP||Panasonic FZ330|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||35.9 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||861.6 mm2||28.0735 mm2|
|Sensor Diagonal||43.2 mm||7.7 mm|
|Sensor Resolution||26 Megapixels||12 Megapixels|
|Image Resolution||6240 x 4160 pixels||4000 x 3000 pixels|
|Pixel Pitch||5.76 μm||1.53 μm|
|Pixel Density||3.01 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 40,000 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 8||Venus|
|DXO Sensor Quality (score)||85||38|
|DXO Color Depth (bits)||24.3||19.3|
|DXO Dynamic Range (EV)||11.9||11.0|
|DXO Low Light (ISO)||2977||97|
|Screen Specs||Canon RP||Panasonic FZ330|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon RP||Panasonic FZ330|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon RP||Panasonic FZ330|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon RP||Panasonic FZ330|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
133 x 85 x 70 mm
(5.2 x 3.3 x 2.8 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||485 g (17.1 oz)||691 g (24.4 oz)|
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