Canon R7 vs Sony A99 II
The Canon EOS R7 and the Sony Alpha ALT-A99 II are two digital cameras that were announced, respectively, in May 2022 and September 2016. The R7 is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. The cameras are based on an APS-C (R7) and a full frame (A99 II) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R7 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon R7 and the Sony A99 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably larger (25 percent) than the Canon R7. Moreover, the A99 II is substantially heavier (39 percent) than the R7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R7 gets 660 shots out of its Canon LP-E6NH battery, while the A99 II can take 490 images on a single charge of its Sony NP-FM500H power pack. The power pack in the R7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | 132 mm | 90 mm | 92 mm | 612 g | 660 | Y | May 2022 | 1,499 | amazon.com | |
2. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
3. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | 2,499 | amazon.com | |
4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
5. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
6. | Canon 90D | 141 mm | 105 mm | 77 mm | 701 g | 1300 | Y | Aug 2019 | 1,199 | amazon.com | |
7. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
8. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | 1,699 | amazon.com | |
9. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
10. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | 1,399 | amazon.com | |
11. | Nikon D850 | 146 mm | 124 mm | 79 mm | 1005 g | 1840 | Y | Jul 2017 | 3,299 | amazon.com | |
12. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | 1,699 | amazon.com | |
13. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | 2,199 | amazon.com | |
14. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | 2,499 | amazon.com | |
15. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
16. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
17. | Sony A7S II | 127 mm | 96 mm | 60 mm | 627 g | 370 | Y | Sep 2015 | 2,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The R7 was launched at a markedly lower price (by 53 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R7 features an APS-C sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 161 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A99 II offers a higher resolution than the R7 (32.3MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.20μm for the R7) due to its larger sensor. However, the R7 is a much more recent model (by 5 years and 8 months) than the A99 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Canon R7 are 34.8 x 23.2 inches or 88.4 x 58.9 cm for good quality, 27.8 x 18.6 inches or 70.7 x 47.1 cm for very good quality, and 23.2 x 15.5 inches or 58.9 x 39.3 cm for excellent quality prints.
The Canon EOS R7 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the R7 is build around a CMOS sensor, while the A99 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | APS-C | 32.3 | 6960 | 4640 | 4k/60p | 24.1 | 13.8 | 2092 | 84 | |
2. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
3. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
5. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
6. | Canon 90D | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
7. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
8. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
9. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
10. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | 25.3 | 14.3 | 2929 | 95 | |
11. | Nikon D850 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.4 | 14.8 | 2660 | 100 | |
12. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
13. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
14. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
15. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
17. | Sony A7S II | Full Frame | 12.0 | 4240 | 2832 | 4K/30p | 23.6 | 13.3 | 2993 | 85 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R7 provides a higher frame rate than the A99 II. It can shoot video footage at 4k/60p, while the Sony is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A99 II offers a slightly higher resolution than the one in the R7 (2400k vs 2360k dots). The adjacent table lists some of the other core features of the Canon R7 and Sony A99 II along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
2. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
3. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
6. | Canon 90D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 11.0/s | Y | n | |
7. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 15.0/s | n | Y | |
9. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
10. | Nikon Z5 | 3690 | n | 3.2 / 1040 | tilting | Y | 1/8000s | 4.5/s | n | Y | |
11. | Nikon D850 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 9.0/s | n | n | |
12. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
13. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
14. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
17. | Sony A7S II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The R7 has a touchscreen, while the A99 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R7 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The R7 supports UHS-II cards (on both slots), while the A99 II can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R7 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
3. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Canon 90D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
7. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
8. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
9. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
10. | Nikon Z5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
11. | Nikon D850 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
12. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
16. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A7S II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Sony A99 II (unlike the R7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R7 is a recent model that features in the current product line-up of Canon. In contrast, the A99 II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the A99 II from Sony. Further information on the features and operation of the R7 and A99 II can be found, respectively, in the Canon R7 Manual (free pdf) or the online Sony A99 II Manual.
Review summary
So how do things add up? Is there a clear favorite between the Canon R7 and the Sony A99 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS R7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1229k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (15 vs 12 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (132x90mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 237g or 28 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (660 versus 490) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More modern: Reflects 5 years and 8 months of technical progress since the A99 II launch.
Arguments in favor of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 32.3MP), which boosts linear resolution by 14%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.72x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the R7 is the clear winner of the match-up (16 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R7 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the R7 and the A99 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | 4.5/5 | + | 5/5 | 87/100 | 4.5/5 | 4.5/5 | May 2022 | 1,499 | amazon.com | |
2. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
3. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | 2,499 | amazon.com | |
4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
5. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
6. | Canon 90D | 4/5 | + | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Aug 2019 | 1,199 | amazon.com | |
7. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
8. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | 1,699 | amazon.com | |
9. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
10. | Nikon Z5 | 4/5 | .. | 4/5 | 89/100 | 4.5/5 | 4/5 | Jul 2020 | 1,399 | amazon.com | |
11. | Nikon D850 | 4.5/5 | + + | 5/5 | 89/100 | 4.5/5 | 5/5 | Jul 2017 | 3,299 | amazon.com | |
12. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | 1,699 | amazon.com | |
13. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | 2,199 | amazon.com | |
14. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | 2,499 | amazon.com | |
15. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
16. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
17. | Sony A7S II | 5/5 | + | .. | .. | 4.5/5 | 5/5 | Sep 2015 | 2,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1300D vs Sony A99 II
- Canon M200 vs Canon R7
- Canon R7 vs Canon SX400
- Canon R7 vs Fujifilm X-E2S
- Canon R7 vs Nikon D3
- Canon R7 vs Olympus PEN-F
- Canon R7 vs Panasonic GX85
- Canon SX710 vs Sony A99 II
- Nikon B600 vs Sony A99 II
- Nikon L840 vs Sony A99 II
- Olympus E-M5 III vs Sony A99 II
- Panasonic G5 vs Sony A99 II
Specifications: Canon R7 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R7 | Sony A99 II |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Canon RF mount lenses | Sony A mount lenses |
Launch Date | May 2022 | September 2016 |
Launch Price | USD 1,499 | USD 3,199 |
Sensor Specs | Canon R7 | Sony A99 II |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 22.3 x 14.8 mm | 35.9 x 24.0 mm |
Sensor Area | 330.04 mm2 | 861.6 mm2 |
Sensor Diagonal | 26.8 mm | 43.2 mm |
Crop Factor | 1.6x | 1.0x |
Sensor Resolution | 32.3 Megapixels | 42.2 Megapixels |
Image Resolution | 6960 x 4640 pixels | 7952 x 5304 pixels |
Pixel Pitch | 3.20 μm | 4.52 μm |
Pixel Density | 9.78 MP/cm2 | 4.90 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4k/60p Video | 4K/30p Video |
ISO Setting | 100 - 32,000 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 51,200 ISO | 50 - 25,600 ISO |
Image Processor | DIGIC X | BIONZ X |
DXO Sensor Quality (score) | .. | 92 |
DXO Color Depth (bits) | .. | 25.4 |
DXO Dynamic Range (EV) | .. | 13.4 |
DXO Low Light (ISO) | .. | 2317 |
Screen Specs | Canon R7 | Sony A99 II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.72x | 0.78x |
Viewfinder Resolution | 2360k dots | 2400k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1620k dots | 1229k dots |
LCD Attachment | Swivel screen | Fully flexible screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon R7 | Sony A99 II |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 15 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Canon R7 | Sony A99 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon R7 | Sony A99 II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon LP-E6NH | Sony NP-FM500H |
Battery Life (CIPA) | 660 shots per charge | 490 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
132 x 90 x 92 mm (5.2 x 3.5 x 3.6 in) |
143 x 104 x 76 mm (5.6 x 4.1 x 3.0 in) |
Camera Weight | 612 g (21.6 oz) | 849 g (29.9 oz) |
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