Canon R7 vs Nikon Z50
The Canon EOS R7 and the Nikon Z50 are two digital cameras that were revealed to the public, respectively, in May 2022 and October 2019. Both the R7 and the Z50 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 32.3 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R7 and the Nikon Z50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon R7 and the Nikon Z50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R7 and the Nikon Z50 are of equal size. However, the Z50 is markedly lighter (26 percent) than the R7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R7 gets 660 shots out of its LP-E6NH battery, while the Z50 can take 320 images on a single charge of its EN-EL25 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon R7||132 mm||90 mm||92 mm||612 g||660||Y||May 2022||1,499||amazon.com|
|2.||Nikon Z50||127 mm||94 mm||60 mm||450 g||320||Y||Oct 2019||859||amazon.com|
|3.||Canon R6 Mark II||138 mm||98 mm||88 mm||670 g||450||Y||Nov 2022||2,499||amazon.com|
|4.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|5.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|6.||Fujifilm X-T5||130 mm||91 mm||64 mm||557 g||580||Y||Nov 2022||1,699||amazon.com|
|7.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|8.||Nikon Z30||128 mm||74 mm||60 mm||405 g||330||Y||Jun 2022||709||amazon.com|
|9.||Nikon Z fc||135 mm||94 mm||44 mm||445 g||300||n||Jun 2021||959||amazon.com|
|10.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399||amazon.com|
|11.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|12.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|13.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|14.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499||amazon.com|
|15.||Sony A7 IV||131 mm||96 mm||80 mm||659 g||580||Y||Oct 2021||2,499||amazon.com|
|16.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799||amazon.com|
|17.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z50 was launched at a markedly lower price (by 43 percent) than the R7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the Z50 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (R7) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon R7 offers a higher resolution of 32.3 megapixels, compared with 20.7 MP of the Nikon Z50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.20μm versus 4.22μm for the Z50). However, it should be noted that the R7 is much more recent (by 2 years and 7 months) than the Z50, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the Z50 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R7 for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inches or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inches or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inches or 58.9 x 39.3 cm. The corresponding values for the Nikon Z50 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The Canon EOS R7 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon Z50 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 100-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon R6 Mark II||Full Frame||24.0||6000||4000||4k/60p||25.4||14.6||3154||96|
|4.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|5.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|9.||Nikon Z fc||APS-C||20.7||5568||3712||4K/30p||24.2||13.8||2131||85|
|10.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||25.3||14.3||2929||95|
|13.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|14.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|15.||Sony A7 IV||Full Frame||32.7||7008||4672||4K/60p||25.4||14.7||3379||97|
|16.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R7 provides a higher frame rate than the Z50. It can shoot video footage at 4k/60p, while the Nikon is limited to 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The R7 and the Z50 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Canon R7 and Nikon Z50 along with similar information for a selection of comparators.
|1.||Canon R7||2360||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|2.||Nikon Z50||2360||n||3.2 / 1040||tilting||Y||1/4000s||11.0/s||Y||n|
|3.||Canon R6 Mark II||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|5.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|6.||Fujifilm X-T5||3690||n||3.0 / 1840||full-flex||Y||1/8000s||15.0/s||n||Y|
|7.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|8.||Nikon Z30||none||n||3.0 / 1040||swivel||Y||1/4000s||11.0/s||Y||n|
|9.||Nikon Z fc||2360||Y||3.0 / 1040||swivel||Y||1/4000s||11.0/s||n||n|
|10.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5/s||n||Y|
|11.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|12.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|13.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|14.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|15.||Sony A7 IV||3686||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0/s||n||Y|
|17.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the R7 and the Z50 is in-body image stabilization (IBIS). The R7 reduces the risk of handshake-induced blur with all attached lenses, while the Z50 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R7 and the Nikon Z50 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the R7 and the Z50 write their files to SDXC cards. The R7 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R7 and Nikon Z50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R7||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Nikon Z50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon R6 Mark II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Fujifilm X-T5||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|7.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|8.||Nikon Z30||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|9.||Nikon Z fc||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|10.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|13.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7 IV||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|17.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the R7 has a headphone jack, which is not present on the Z50 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both the R7 and the Z50 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Nikon. Further information on the features and operation of the R7 and Z50 can be found, respectively, in the Canon R7 Manual (free pdf) or the online Nikon Z50 Manual.
So what is the bottom line? Which of the two cameras – the Canon R7 or the Nikon Z50 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS R7:
- More detail: Offers more megapixels (32.3 vs 20.7MP) with a 25% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.68x).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (15 vs 11 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (660 versus 320) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 7 months of technical progress since the Z50 launch.
Arguments in favor of the Nikon Z50:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Less heavy: Has a lower weight (by 162g or 26 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2019).
If the count of individual advantages (bullet points above) is taken as a guide, the R7 is the clear winner of the match-up (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R7 and the Nikon Z50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R7 or the Z50. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R7||4.5/5||..||5/5||..||4.5/5||4.5/5||May 2022||1,499||amazon.com|
|2.||Nikon Z50||5/5||..||5/5||85/100||4.5/5||4.5/5||Oct 2019||859||amazon.com|
|3.||Canon R6 Mark II||..||..||..||..||..||..||Nov 2022||2,499||amazon.com|
|4.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|5.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|6.||Fujifilm X-T5||..||..||..||..||..||..||Nov 2022||1,699||amazon.com|
|7.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|8.||Nikon Z30||4/5||..||4/5||86/100||4.5/5||4/5||Jun 2022||709||amazon.com|
|9.||Nikon Z fc||4/5||..||4.5/5||86/100||5/5||4.5/5||Jun 2021||959||amazon.com|
|10.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399||amazon.com|
|11.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|12.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|13.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|14.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499||amazon.com|
|15.||Sony A7 IV||5/5||+ +||4.5/5||89/100||4.5/5||4.5/5||Oct 2021||2,499||amazon.com|
|16.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799||amazon.com|
|17.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R7 vs Nikon Z50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R7||Nikon Z50|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses|
|Launch Date||May 2022||October 2019|
|Launch Price||USD 1,499||USD 859|
|Sensor Specs||Canon R7||Nikon Z50|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.8 mm||23.5 x 15.7 mm|
|Sensor Area||330.04 mm2||368.95 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||32.3 Megapixels||20.7 Megapixels|
|Image Resolution||6960 x 4640 pixels||5568 x 3712 pixels|
|Pixel Pitch||3.20 μm||4.22 μm|
|Pixel Density||9.78 MP/cm2||5.60 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/60p Video||4K/30p Video|
|ISO Setting||100 - 32,000 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 204,800 ISO|
|Image Processor||DIGIC X||EXPEED 6|
|Screen Specs||Canon R7||Nikon Z50|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon R7||Nikon Z50|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||15 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/4000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-II|
|Connectivity Specs||Canon R7||Nikon Z50|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R7||Nikon Z50|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||660 shots per charge||320 shots per charge|
|In-Camera Charging||USB charging||USB charging|
132 x 90 x 92 mm
(5.2 x 3.5 x 3.6 in)
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
|Camera Weight||612 g (21.6 oz)||450 g (15.9 oz)|
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