Canon R6 vs Panasonic GX80
The Canon EOS R6 and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were announced, respectively, in July 2020 and April 2016. Both the R6 and the GX80 are mirrorless interchangeable lens cameras that are based on a full frame (R6) and a Four Thirds (GX80) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 and the Panasonic Lumix DMC-GX80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon R6 and the Panasonic GX80. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX80 can be obtained in two different colors (black, silver), while the R6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is considerably smaller (36 percent) than the Canon R6. Moreover, the GX80 is substantially lighter (37 percent) than the R6. It is worth mentioning in this context that the R6 is splash and dust resistant, while the GX80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 gets 360 shots out of its LP-E6NH battery, while the GX80 can take 290 images on a single charge of its DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|2.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|3.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999|
|4.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|5.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|7.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|8.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|9.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|10.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|11.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|12.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|13.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|14.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|16.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX80 was launched at a markedly lower price (by 68 percent) than the R6, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R6 features a full frame sensor and the Panasonic GX80 a Four Thirds sensor. The sensor area in the GX80 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R6 has a native 3:2 aspect ratio, while the one in the GX80 offers a 4:3 aspect.
With 20MP, the R6 offers a higher resolution than the GX80 (15.8MP), but the R6 nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 3.77μm for the GX80) due to its larger sensor. Moreover, the R6 is a much more recent model (by 4 years and 3 months) than the GX80, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The R6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-GX80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the R6 provides substantially higher image quality than the GX80, with an overall score that is 19 points higher. This advantage is based on 1.3 bits higher color depth, 1.7 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|2.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|3.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||..||..||..||..|
|4.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|5.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|8.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25||14.4||3303||94|
|9.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|10.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|11.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|12.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|13.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|14.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 provides a higher frame rate than the GX80. It can shoot video footage at 4k/60p, while the Panasonic is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R6 offers a substantially higher resolution than the one in the GX80 (3690k vs 2765k dots). The table below summarizes some of the other core capabilities of the Canon R6 and Panasonic GX80 in connection with corresponding information for a sample of similar cameras.
|1.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|2.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|3.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0||n||Y|
|4.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0||n||Y|
|5.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|7.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5||n||Y|
|8.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0||n||Y|
|9.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|10.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|11.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|12.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|13.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|14.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|15.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|16.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The GX80 has one, while the R6 does not. While the built-in flash of the GX80 is not very powerful, it can at times be useful as a fill-in light.The R6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX80 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 and the Panasonic GX80 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the R6 and the GX80 write their files to SDXC cards. The R6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX80 only has one slot. The R6 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GX80 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 and Panasonic Lumix DMC-GX80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|9.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|12.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|14.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the R6 has a microphone port, which is missing on the GX80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the R6 and the GX80 are recent models that are part of the current product line-up. The GX80 replaced the earlier Panasonic GX7, while the R6 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon R6 and the Panasonic GX80? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS R6:
- More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (19 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2765k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (360 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 3 months of technical progress since the GX80 launch.
Reasons to prefer the Panasonic Lumix DMC-GX80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More compact: Is smaller (122x71mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 254g or 37 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in April 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the R6 is the clear winner of the match-up (24 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 and the Panasonic GX80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R6 or the GX80 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|2.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|3.||Canon R3||..||..||..||..||..||..||Sep 2021||5,999|
|4.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|5.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|7.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399|
|8.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|9.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|10.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|11.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|12.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|13.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|14.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|15.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|16.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon R6 vs Panasonic GX80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R6||Panasonic GX80|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2020||April 2016|
|Launch Price||USD 2,499||USD 799|
|Sensor Specs||Canon R6||Panasonic GX80|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.8 Megapixels|
|Image Resolution||5472 x 3648 pixels||4592 x 3448 pixels|
|Pixel Pitch||6.57 μm||3.77 μm|
|Pixel Density||2.31 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/60p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 204,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC X||Venus|
|DXO Sensor Quality (score)||90||71|
|DXO Color Depth (bits)||24.2||22.9|
|DXO Dynamic Range (EV)||14.3||12.6|
|DXO Low Light (ISO)||3394||662|
|Screen Specs||Canon R6||Panasonic GX80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2765k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon R6||Panasonic GX80|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R6||Panasonic GX80|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R6||Panasonic GX80|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||360 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
|Camera Weight||680 g (24.0 oz)||426 g (15.0 oz)|
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