Canon R6 vs Panasonic G80
The Canon EOS R6 and the Panasonic Lumix DMC-G80 (labelled Panasonic G85 in some countries) are two digital cameras that were announced, respectively, in July 2020 and September 2016. Both the R6 and the G80 are mirrorless interchangeable lens cameras that are based on a full frame (R6) and a Four Thirds (G80) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 and the Panasonic Lumix DMC-G80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon R6 and the Panasonic G80 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G80 is notably smaller (16 percent) than the Canon R6. Moreover, the G80 is markedly lighter (26 percent) than the R6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 gets 360 shots out of its LP-E6NH battery, while the G80 can take 330 images on a single charge of its DMW-BLC12 power pack. The power pack in the R6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|2.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|5.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|6.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|7.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|8.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|9.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|10.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|11.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|12.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|13.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|14.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|15.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|16.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G80 was launched at a markedly lower price (by 64 percent) than the R6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R6 features a full frame sensor and the Panasonic G80 a Four Thirds sensor. The sensor area in the G80 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R6 has a native 3:2 aspect ratio, while the one in the G80 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20MP, the R6 offers a higher resolution than the G80 (15.8MP), but the R6 nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 3.77μm for the G80) due to its larger sensor. Moreover, the R6 is a much more recent model (by 3 years and 9 months) than the G80, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The R6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-G80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the R6 provides substantially higher image quality than the G80, with an overall score that is 19 points higher. This advantage is based on 1.4 bits higher color depth, 1.8 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|2.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|3.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|4.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|5.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|6.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|7.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|8.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25||14.4||3303||94|
|9.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|10.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|11.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|12.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|13.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|14.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|15.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|16.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 provides a higher frame rate than the G80. It can shoot video footage at 4k/60p, while the Panasonic is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R6 offers a substantially higher resolution than the one in the G80 (3690k vs 2360k dots). The table below summarizes some of the other core capabilities of the Canon R6 and Panasonic G80 in connection with corresponding information for a sample of similar cameras.
|1.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|2.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0||n||Y|
|4.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|5.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|6.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5||n||Y|
|7.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0||n||Y|
|8.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0||n||Y|
|9.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|10.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|11.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|12.||Panasonic G90||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|13.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|14.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|15.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|16.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The G80 has one, while the R6 does not. While the built-in flash of the G80 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 and the Panasonic G80 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the R6 and the G80 write their files to SDXC cards. The R6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G80 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 and Panasonic Lumix DMC-G80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|5.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|6.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|9.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic G90||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|13.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the R6 has a headphone jack, which is not present on the G80 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The R6 is a recent model that features in the current product line-up of Canon. In contrast, the G80 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G80 was succeeded by the Panasonic G90. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon R6 or the Panasonic G80 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS R6:
- More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (19 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.74x).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 9 months of technical progress since the G80 launch.
Reasons to prefer the Panasonic Lumix DMC-G80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More compact: Is smaller (128x89mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 175g or 26 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the R6 is the clear winner of the match-up (19 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 and the Panasonic G80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R6 or the G80. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|2.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|5.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|6.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399|
|7.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|8.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|9.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|10.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|11.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|12.||Panasonic G90||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|13.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|14.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|15.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|16.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R6 vs Panasonic G80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R6||Panasonic G80|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2020||September 2016|
|Launch Price||USD 2,499||USD 899|
|Sensor Specs||Canon R6||Panasonic G80|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.8 Megapixels|
|Image Resolution||5472 x 3648 pixels||4592 x 3448 pixels|
|Pixel Pitch||6.57 μm||3.77 μm|
|Pixel Density||2.31 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/60p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 204,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC X||Venus|
|DXO Sensor Quality (score)||90||71|
|DXO Color Depth (bits)||24.2||22.8|
|DXO Dynamic Range (EV)||14.3||12.5|
|DXO Low Light (ISO)||3394||656|
|Screen Specs||Canon R6||Panasonic G80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon R6||Panasonic G80|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Canon R6||Panasonic G80|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R6||Panasonic G80|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||680 g (24.0 oz)||505 g (17.8 oz)|
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