Canon R6 vs Olympus E-3
The Canon EOS R6 and the Olympus E-3 are two digital cameras that were revealed to the public, respectively, in July 2020 and October 2007. The R6 is a mirrorless interchangeable lens camera, while the E-3 is a DSLR. The cameras are based on a full frame (R6) and a Four Thirds (E-3) sensor. The Canon has a resolution of 20 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 and the Olympus E-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon R6 and the Olympus E-3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-3 is notably larger (22 percent) than the Canon R6. Moreover, the E-3 is markedly heavier (29 percent) than the R6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 gets 360 shots out of its Canon LP-E6NH battery, while the E-3 can take 750 images on a single charge of its Olympus BLM-1 power pack. The power pack in the R6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
2. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
3. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | 2,499 | amazon.com | |
4. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | 5,999 | amazon.com | |
5. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
6. | Canon R | 139 mm | 98 mm | 84 mm | 660 g | 370 | Y | Sep 2018 | 2,299 | ebay.com | |
7. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
8. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
9. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
10. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
11. | Olympus E-30 | 142 mm | 108 mm | 75 mm | 701 g | 750 | n | Nov 2008 | 1,299 | ebay.com | |
12. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
13. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
14. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
15. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | 1,999 | amazon.com | |
16. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
17. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-3 was launched at a markedly lower price (by 32 percent) than the R6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R6 features a full frame sensor and the Olympus E-3 a Four Thirds sensor. The sensor area in the E-3 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R6 has a native 3:2 aspect ratio, while the one in the E-3 offers a 4:3 aspect.
With 20MP, the R6 offers a higher resolution than the E-3 (10MP), but the R6 nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 4.74μm for the E-3) due to its larger sensor. Moreover, the R6 is a much more recent model (by 12 years and 8 months) than the E-3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The R6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-204800. The corresponding ISO settings for the Olympus E-3 are ISO 100 to ISO 3200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the R6 provides substantially higher image quality than the E-3, with an overall score that is 34 points higher. This advantage is based on 2.6 bits higher color depth, 3.8 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
2. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
3. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
4. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
5. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
6. | Canon R | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.5 | 13.5 | 2742 | 89 | |
7. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
8. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
9. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
10. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
11. | Olympus E-30 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.4 | 530 | 55 | |
12. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
13. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
14. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
15. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
16. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
17. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The R6 indeed provides movie recording capabilities, while the E-3 does not. The highest resolution format that the R6 can use is 4k/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R6 has an electronic viewfinder (3690k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R6 has a higher magnification than the one of the E-3 (0.76x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon R6, the Olympus E-3, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
2. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
3. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
6. | Canon R | 3690 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 8.0/s | n | n | |
7. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
8. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
9. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
10. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
11. | Olympus E-30 | optical | Y | 2.7 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
12. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
13. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
14. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
15. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
16. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
17. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The R6 has a touchscreen, while the E-3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R6 writes its imaging data to SDXC cards, while the E-3 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 and Olympus E-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Canon R | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
7. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
8. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
9. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
10. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
11. | Olympus E-30 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
16. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y |
It is notable that the R6 offers wifi support, while the E-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Olympus E-3 (unlike the R6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R6 is a recent model that features in the current product line-up of Canon. In contrast, the E-3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-3 was succeeded by the Olympus E-5. Further information on the features and operation of the R6 and E-3 can be found, respectively, in the Canon R6 Manual (free pdf) or the online Olympus E-3 Manual.
Review summary
So what is the bottom line? Is the Canon R6 better than the Olympus E-3 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS R6:
- More detail: Offers more megapixels (20 vs 10MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (34 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.6 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 4k/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 142x116mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 196g or 22 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 12 years and 8 months of technical progress since the E-3 launch.
Arguments in favor of the Olympus E-3:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (750 versus 360) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (32 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2007).
If the count of relative strengths (bullet points above) is taken as a measure, the R6 is the clear winner of the match-up (23 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 and the Olympus E-3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the R6 and the E-3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
2. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
3. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | 2,499 | amazon.com | |
4. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | 5,999 | amazon.com | |
5. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
6. | Canon R | 4/5 | o | 4/5 | 79/100 | 4.5/5 | 4/5 | Sep 2018 | 2,299 | ebay.com | |
7. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
8. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
9. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
10. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
11. | Olympus E-30 | .. | .. | .. | 71/100 | 4.5/5 | 4/5 | Nov 2008 | 1,299 | ebay.com | |
12. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
13. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
14. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
15. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | 1,999 | amazon.com | |
16. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
17. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R6 vs Olympus E-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R6 | Olympus E-3 |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Canon RF mount lenses | Four Thirds lenses |
Launch Date | July 2020 | October 2007 |
Launch Price | USD 2,499 | USD 1,699 |
Sensor Specs | Canon R6 | Olympus E-3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 36.0 x 24.0 mm | 17.3 x 13.0 mm |
Sensor Area | 864 mm2 | 224.9 mm2 |
Sensor Diagonal | 43.3 mm | 21.6 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 20 Megapixels | 10 Megapixels |
Image Resolution | 5472 x 3648 pixels | 3648 x 2736 pixels |
Pixel Pitch | 6.57 μm | 4.74 μm |
Pixel Density | 2.31 MP/cm2 | 4.44 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4k/60p Video | no Video |
ISO Setting | 100 - 102,400 ISO | 100 - 3,200 ISO |
ISO Boost | 50 - 204,800 ISO | no Enhancement |
Image Processor | DIGIC X | TruePic III |
DXO Sensor Quality (score) | 90 | 56 |
DXO Color Depth (bits) | 24.2 | 21.6 |
DXO Dynamic Range (EV) | 14.3 | 10.5 |
DXO Low Light (ISO) | 3394 | 571 |
Screen Specs | Canon R6 | Olympus E-3 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.76x | 0.58x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.5inch |
LCD Resolution | 1620k dots | 230k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon R6 | Olympus E-3 |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 5 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 150 000 actuations |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | CF or XD cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
Connectivity Specs | Canon R6 | Olympus E-3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon R6 | Olympus E-3 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon LP-E6NH | Olympus BLM-1 |
Battery Life (CIPA) | 360 shots per charge | 750 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
142 x 116 x 75 mm (5.6 x 4.6 x 3.0 in) |
Camera Weight | 680 g (24.0 oz) | 876 g (30.9 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.