Canon R6 vs Nikon Z6 II
The Canon EOS R6 and the Nikon Z6 II are two enthusiast cameras that were revealed to the public, respectively, in July 2020 and October 2020. Both the R6 and the Z6 II are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Canon has a resolution of 20 megapixels, whereas the Nikon provides 24.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 and the Nikon Z6 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon R6 and the Nikon Z6 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R6 and the Nikon Z6 II are of equal size. However, the Z6 II is slightly heavier (4 percent) than the R6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 gets 360 shots out of its LP-E6NH battery, while the Z6 II can take 410 images on a single charge of its EN-EL15c power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|2.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|5.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|6.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|7.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|8.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|9.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|10.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|11.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|12.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|13.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|15.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z6 II was launched at a somewhat lower price (by 20 percent) than the R6, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the Z6 II is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Z6 II offers a higher resolution of 24.3 megapixels, compared with 20 MP of the R6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 6.57μm for the R6). However, it should be noted that the Z6 II is a somewhat more recent model (by 3 months) than the R6, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The resolution advantage of the Nikon Z6 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 II for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Canon R6 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon EOS R6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-204800. The corresponding ISO settings for the Nikon Z6 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the Z6 II has a markedly higher DXO score than the R6 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.1 EV in additional dynamic range, and 0 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|2.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25||14.4||3303||94|
|3.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|4.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|5.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|6.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|7.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|8.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|9.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|10.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|11.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|12.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|13.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|15.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4k/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. The R6 and the Z6 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The table below summarizes some of the other core capabilities of the Canon R6 and Nikon Z6 II in connection with corresponding information for a sample of similar cameras.
|1.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|2.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0||n||Y|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0||n||Y|
|4.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|5.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|6.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5||n||Y|
|7.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0||n||Y|
|8.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0||n||Y|
|9.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0||n||Y|
|10.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|11.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|12.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|13.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0||n||Y|
One feature that is present on the Z6 II, but is missing on the R6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The R6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z6 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 and the Nikon Z6 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R6 writes its imaging data to SDXC cards, while the Z6 II uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 and Nikon Z6 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|5.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|6.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|9.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|10.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|11.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|12.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
Both the R6 and the Z6 II are recent models that are part of the current product line-up. The Z6 II replaced the earlier Nikon Z6, while the R6 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Canon R6 or the Nikon Z6 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS R6:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More heavily discounted: Has been on the market for longer (launched in July 2020).
Reasons to prefer the Nikon Z6 II:
- More detail: Has more megapixels (24.3 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.76x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1620k dots).
- Faster burst: Shoots at higher frequency (14 vs 12 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (410 versus 360) out of a single battery charge.
- More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
- More modern: Was introduced somewhat (3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the Z6 II is the clear winner of the contest (10 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 and the Nikon Z6 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R6 or the Z6 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|2.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|5.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|6.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399|
|7.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|8.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999|
|9.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|10.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|11.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|12.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|13.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|14.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|15.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Nikon Z6 II
- Canon 60D vs Canon R6
- Canon R6 vs Canon SX430
- Canon R6 vs Leica D-LUX 7
- Canon R6 vs Nikon P1000
- Canon R6 vs Panasonic FZ1000
- Canon R6 vs Panasonic FZ2500
- Fujifilm X-M1 vs Nikon Z6 II
- Fujifilm X-T10 vs Nikon Z6 II
- Leica C-LUX vs Nikon Z6 II
- Nikon Z6 II vs Olympus E-M10 II
- Nikon Z6 II vs Pentax K-5
Specifications: Canon R6 vs Nikon Z6 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R6||Nikon Z6 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Nikon Z mount lenses|
|Launch Date||July 2020||October 2020|
|Launch Price||USD 2,499||USD 1,999|
|Sensor Specs||Canon R6||Nikon Z6 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 23.9 mm|
|Sensor Area||864 mm2||858.01 mm2|
|Sensor Diagonal||43.3 mm||43.1 mm|
|Sensor Resolution||20 Megapixels||24.3 Megapixels|
|Image Resolution||5472 x 3648 pixels||6048 x 4024 pixels|
|Pixel Pitch||6.57 μm||5.94 μm|
|Pixel Density||2.31 MP/cm2||2.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4k/60p Video||4K/60p Video|
|ISO Setting||100 - 102,400 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 204,800 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC X||DUAL EXPEED 6|
|DXO Sensor Quality (score)||90||94|
|DXO Color Depth (bits)||24.2||25|
|DXO Dynamic Range (EV)||14.3||14.4|
|DXO Low Light (ISO)||3394||3303|
|Screen Specs||Canon R6||Nikon Z6 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1620k dots||2100k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon R6||Nikon Z6 II|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||14 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||200 000 actuations|
|Electronic Shutter||up to 1/8000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Canon R6||Nikon Z6 II|
|USB Connector||USB 3.2||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R6||Nikon Z6 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
|Camera Weight||680 g (24.0 oz)||705 g (24.9 oz)|
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