Canon R6 vs Fujifilm GFX 100

The Canon EOS R6 and the Fujifilm GFX 100 are two digital cameras that were revealed to the public, respectively, in July 2020 and May 2019. Both the R6 and the GFX 100 are mirrorless interchangeable lens cameras that are based on a full frame (R6) and a medium format (GFX 100) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R6		Fujifilm GFX 100
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Fujifilm G mount lenses
20 MP – Full Frame sensor		101.8 MP – Medium Format sensor
4k/60p Video		4K/30p Video
ISO 100-102,400 (50 - 204,800)		ISO 100-12,800 (50 - 102,400)
Electronic viewfinder (3690k dots)		Viewfinder optional
3.0" LCD – 1620k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
12 shutter flaps per second		5 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
360 shots per battery charge		800 shots per battery charge
138 x 98 x 88 mm, 680 g		156 x 144 x 75 mm, 1320 g

Check R6 price at
amazon.com
Check GFX 100 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon R6 and the Fujifilm GFX 100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (66 percent) than the Canon R6. Moreover, the GFX 100 is substantially heavier (94 percent) than the R6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R6 gets 360 shots out of its Canon LP-E6NH battery, while the GFX 100 can take 800 images on a single charge of its Fujifilm NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the R6, Canon provides the BG-R10 vertical grip as an optional accessory (see here on ebay). The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
2.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	9,999	ebay.com
3.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
4.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
5.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	5,999	amazon.com
6.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
7.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	2,499	amazon.com
8.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
9.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
10.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	7,499	amazon.com
11.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
12.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	8,199	amazon.com
13.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	1,999	amazon.com
14.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420	Y	Oct 2020	2,999	amazon.com
15.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	2,499	amazon.com
16.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The R6 was launched at a markedly lower price (by 75 percent) than the GFX 100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R6 features a full frame sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 67 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the R6 has a native 3:2 aspect ratio, while the one in the GFX 100 offers a 4:3 aspect.

With 101.8MP, the GFX 100 offers a higher resolution than the R6 (20MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 6.57μm for the R6). It is noteworthy in this context that the R6 is a somewhat more recent model (by 1 year and 1 month) than the GFX 100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon R6 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The Canon EOS R6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-204800. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the R6 is build around a CMOS sensor, while the GFX 100 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
2.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
3.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
4.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
5.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
6.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
7.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
8.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
9.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
10.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
11.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
12.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
13.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
14.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
15.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
16.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 provides a higher frame rate than the GFX 100. It can shoot video footage at 4k/60p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R6 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Canon R6 and Fujifilm GFX 100 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
2.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
3.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
4.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
5.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
8.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
9.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
10.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
11.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
12.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
13.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
14.		Nikon Z7 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	10.0/s	n	Y
15.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100, but is missing on the R6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R6 and the Fujifilm GFX 100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R6 and the GFX 100 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
2.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
3.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
4.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
5.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
9.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
10.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
12.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
13.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Nikon Z7 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the R6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The R6 is a recent model that features in the current product line-up of Canon. In contrast, the GFX 100 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GFX 100 was succeeded by the Fujifilm GFX 100 II. Further information on the features and operation of the R6 and GFX 100 can be found, respectively, in the Canon R6 Manual (free pdf) or the online Fujifilm GFX 100 Manual.

Review summary

So what conclusions can be drawn? Is the Canon R6 better than the Fujifilm GFX 100 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS R6:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (138x98mm vs 156x144mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 640g or 48 percent) and hence easier to carry around.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
• More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
• More modern: Is somewhat more recent (announced 1 year and 1 month after the GFX 100).

Advantages of the Fujifilm GFX 100:

• More detail: Has more megapixels (101.8 vs 20MP), which boosts linear resolution by 121%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1620k dots).
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (800 versus 360) out of a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been on the market for longer (launched in May 2019).

If the count of relative strengths (bullet points above) is taken as a measure, the R6 emerges as the winner of the contest (11 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R6 and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the R6 and the GFX 100 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
2.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	9,999	ebay.com
3.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
4.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
5.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	5,999	amazon.com
6.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
7.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	2,499	amazon.com
8.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
9.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
10.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	7,499	amazon.com
11.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
12.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	8,199	amazon.com
13.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	1,999	amazon.com
14.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	2,999	amazon.com
15.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	2,499	amazon.com
16.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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