Canon R6 Mark II vs Pentax K-1 II

The Canon EOS R6 Mark II and the Pentax K-1 II are two enthusiast cameras that were announced, respectively, in November 2022 and February 2018. The R6 Mark II is a mirrorless interchangeable lens camera, while the K-1 II is a DSLR. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 24 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R6 Mark II		Pentax K-1 II
Mirrorless system camera		Digital single lens reflex
Canon RF mount lenses		Pentax K mount lenses
24 MP – Full Frame sensor		36.2 MP – Full Frame sensor
4k/60p Video		1080/60i Video
ISO 100-102,400 (100 - 204,800)		ISO 100-819,200
Electronic viewfinder (3690k dots)		Optical viewfinder
3.0" LCD – 1620k dots		3.2" LCD – 1037k dots
Swivel touchscreen		Fully flexible screen (no touchscreen)
12 shutter flaps per second		4.4 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
450 shots per battery charge		670 shots per battery charge
138 x 98 x 88 mm, 670 g		137 x 110 x 86 mm, 1010 g

Check R6 Mark II price at
amazon.com
Check K-1 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R6 Mark II and the Pentax K-1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The K-1 II can be obtained in two different colors (black, silver), while the R6 Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (11 percent) than the Canon R6 Mark II. Moreover, the K-1 II is substantially heavier (51 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R6 Mark II gets 450 shots out of its Canon LP-E6NH battery, while the K-1 II can take 670 images on a single charge of its Pentax D-LI90 power pack. The power pack in the R6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	2,499	amazon.com
2.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	1,999	amazon.com
3.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	4,499	amazon.com
4.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	5,999	amazon.com
5.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
6.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
7.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
8.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
9.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	2,499	amazon.com
10.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	2,199	ebay.com
11.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
12.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	1,799	ebay.com
13.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
14.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
15.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
16.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	2,799	ebay.com
17.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-1 II was launched at a somewhat lower price (by 20 percent) than the R6 Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 36.2MP, the K-1 II offers a higher resolution than the R6 Mark II (24MP), but the K-1 II has smaller individual pixels (pixel pitch of 4.88μm versus 5.98μm for the R6 Mark II). Yet, the R6 Mark II is a much more recent model (by 4 years and 8 months) than the K-1 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Canon R6 Mark II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the R6 Mark II, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
2.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
3.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
4.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
5.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
6.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
7.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
8.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
9.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
10.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
11.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
12.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
13.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
14.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
15.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
16.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
17.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R6 Mark II provides a higher video resolution than the K-1 II. It can shoot video footage at 4k/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the R6 Mark II has an electronic viewfinder (3690k dots), while the K-1 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R6 Mark II has a higher magnification than the one of the K-1 II (0.76x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon R6 Mark II and Pentax K-1 II in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
2.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
3.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
4.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
8.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
9.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
12.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
13.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
16.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0/s	n	Y
17.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The R6 Mark II has a touchscreen, while the K-1 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R6 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R6 Mark II and the Pentax K-1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R6 Mark II and the K-1 II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The R6 Mark II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-1 II can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
8.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
9.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
10.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
11.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
12.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
13.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
16.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
17.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-

Studio photographers will appreciate that the Pentax K-1 II (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the R6 Mark II and the K-1 II are recent models that are part of the current product line-up. The K-1 II replaced the earlier Pentax K-1, while the R6 Mark II followed on from the Canon R6. Further information on the features and operation of the R6 Mark II and K-1 II can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Pentax K-1 II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon R6 Mark II or the Pentax K-1 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS R6 Mark II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4k/60p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 4.4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Less heavy: Is lighter (by 340g or 34 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 8 months of technical progress since the K-1 II launch.

Advantages of the Pentax K-1 II:

• More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Longer lasting: Gets more shots (670 versus 450) out of a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2018).

If the count of relative strengths (bullet points above) is taken as a measure, the R6 Mark II is the clear winner of the match-up (17 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R6 Mark II and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R6 Mark II or the K-1 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	2,499	amazon.com
2.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	1,999	amazon.com
3.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	4,499	amazon.com
4.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	5,999	amazon.com
5.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
6.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
7.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
8.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
9.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	2,499	amazon.com
10.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	2,199	ebay.com
11.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
12.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	1,799	ebay.com
13.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
14.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
15.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
16.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	2,799	ebay.com
17.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	1,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R6 Mark II price at
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Check K-1 II price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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