Canon R6 Mark II vs Leica S3
The Canon EOS R6 Mark II and the Leica S3 are two digital cameras that were announced, respectively, in November 2022 and September 2018. The R6 Mark II is a mirrorless interchangeable lens camera, while the S3 is a DSLR. The cameras are based on a full frame (R6 Mark II) and a medium format (S3) sensor. The Canon has a resolution of 24 megapixels, whereas the Leica provides 64 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Leica S3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon R6 Mark II and the Leica S3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica S3 is notably larger (42 percent) than the Canon R6 Mark II. Moreover, the S3 is substantially heavier (88 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 Mark II gets 450 shots out of its Canon LP-E6NH battery, while the S3 can take .. images on a single charge of its Leica BP-PRO1 power pack. The power pack in the R6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | 2,499 | amazon.com | |
2. | Leica S3 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2018 | 18,995 | ebay.com | |
3. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
4. | Canon R | 139 mm | 98 mm | 84 mm | 660 g | 370 | Y | Sep 2018 | 2,299 | ebay.com | |
5. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | 5,999 | amazon.com | |
6. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
7. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | 4,499 | amazon.com | |
8. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
9. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | 2,499 | amazon.com | |
10. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
11. | Leica S2 | 160 mm | 120 mm | 80 mm | 1410 g | .. | Y | Sep 2008 | 22,995 | ebay.com | |
12. | Leica S Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2012 | 21,950 | ebay.com | |
13. | Leica S-E Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 16,900 | ebay.com | |
14. | Leica S Typ 007 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 24,490 | ebay.com | |
15. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | 2,199 | ebay.com | |
16. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | 2,499 | amazon.com | |
17. | Sony A99 | 147 mm | 111 mm | 78 mm | 812 g | 500 | Y | Sep 2012 | 2,799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The R6 Mark II was launched at a markedly lower price (by 87 percent) than the S3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R6 Mark II features a full frame sensor and the Leica S3 a medium format sensor. The sensor area in the S3 is 57 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.8. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 64MP, the S3 offers a higher resolution than the R6 Mark II (24MP), but the S3 has smaller individual pixels (pixel pitch of 4.59μm versus 5.98μm for the R6 Mark II). Yet, the R6 Mark II is a much more recent model (by 4 years and 1 month) than the S3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S3 for good quality output (200 dots per inch) amounts to 49 x 32.7 inches or 124.5 x 83 cm, for very good quality (250 dpi) 39.2 x 26.1 inches or 99.6 x 66.4 cm, and for excellent quality (300 dpi) 32.7 x 21.8 inches or 83 x 55.3 cm. The corresponding values for the Canon R6 Mark II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Leica S3 are ISO 100 to ISO 50000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
2. | Leica S3 | Medium Format | 64.0 | 9800 | 6533 | 4K/24p | 25.6 | 14.4 | 3143 | 98 | |
3. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
4. | Canon R | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.5 | 13.5 | 2742 | 89 | |
5. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
6. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
7. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
8. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
9. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
10. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
11. | Leica S2 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.5 | 2224 | 82 | |
12. | Leica S Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.2 | 824 | 76 | |
13. | Leica S-E Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 25.1 | 13.7 | 2763 | 93 | |
14. | Leica S Typ 007 | Medium Format | 37.5 | 7500 | 5000 | 4K/24p | 25.1 | 13.7 | 2763 | 93 | |
15. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
16. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
17. | Sony A99 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 14.0 | 1555 | 89 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R6 Mark II provides a higher frame rate than the S3. It can shoot video footage at 4k/60p, while the Leica is limited to 4K/24p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R6 Mark II has an electronic viewfinder (3690k dots), while the S3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the R6 Mark II offers a wider field of view (100%) than the one in the S3 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S3 has a higher magnification (0.87x vs 0.76x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon R6 Mark II, the Leica S3, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
2. | Leica S3 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.0/s | n | n | |
3. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
4. | Canon R | 3690 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 8.0/s | n | n | |
5. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
6. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
7. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
8. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
9. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
10. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
11. | Leica S2 | optical | Y | 3.0 / 460 | fixed | n | 1/4000s | 1.5/s | n | n | |
12. | Leica S Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
13. | Leica S-E Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
14. | Leica S Typ 007 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.5/s | n | n | |
15. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
17. | Sony A99 | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 6.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the R6 Mark II and the S3 is in-body image stabilization (IBIS). The R6 Mark II reduces the risk of handshake-induced blur with all attached lenses, while the S3 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The R6 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S3 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R6 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R6 Mark II writes its imaging data to SDXC cards, while the S3 uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Leica S3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Leica S3 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
3. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
4. | Canon R | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
5. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
8. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
9. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
10. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
11. | Leica S2 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
12. | Leica S Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Leica S-E Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
14. | Leica S Typ 007 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
15. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
16. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
17. | Sony A99 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Leica S3 (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the S3 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The R6 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the S3 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the S3 from Leica. Further information on the features and operation of the R6 Mark II and S3 can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Leica S3 Manual.
Review summary
So how do things add up? Is the Canon R6 Mark II better than the Leica S3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS R6 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (4k/60p versus 4K/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 160x120mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 590g or 47 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More modern: Reflects 4 years and 1 month of technical progress since the S3 launch.
Arguments in favor of the Leica S3:
- More detail: Has more megapixels (64 vs 24MP), which boosts linear resolution by 63%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.87x vs 0.76x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the R6 Mark II is the clear winner of the match-up (21 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 Mark II and the Leica S3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the R6 Mark II and the S3 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | 2,499 | amazon.com | |
2. | Leica S3 | .. | .. | .. | .. | .. | .. | Sep 2018 | 18,995 | ebay.com | |
3. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
4. | Canon R | 4/5 | o | 4/5 | 79/100 | 4.5/5 | 4/5 | Sep 2018 | 2,299 | ebay.com | |
5. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | 5,999 | amazon.com | |
6. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
7. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | 4,499 | amazon.com | |
8. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
9. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | 2,499 | amazon.com | |
10. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
11. | Leica S2 | .. | .. | .. | .. | .. | .. | Sep 2008 | 22,995 | ebay.com | |
12. | Leica S Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2012 | 21,950 | ebay.com | |
13. | Leica S-E Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2014 | 16,900 | ebay.com | |
14. | Leica S Typ 007 | 4/5 | .. | .. | .. | .. | .. | Sep 2014 | 24,490 | ebay.com | |
15. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | 2,199 | ebay.com | |
16. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | 2,499 | amazon.com | |
17. | Sony A99 | 5/5 | .. | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D vs Leica S3
- Canon R6 Mark II vs Fujifilm X-T100
- Canon R6 Mark II vs Fujifilm XQ2
- Canon R6 Mark II vs Nikon D5600
- Canon R6 Mark II vs Olympus E-1
- Canon R6 Mark II vs Sony A7S II
- Canon R6 Mark II vs Sony ZV-1 II
- Fujifilm X-E2S vs Leica S3
- Hasselblad X1D II vs Leica S3
- Leica D-LUX Typ 109 vs Leica S3
- Leica M10-R vs Leica S3
- Leica S3 vs Nikon D50
Specifications: Canon R6 Mark II vs Leica S3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R6 Mark II | Leica S3 |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Canon RF mount lenses | Leica S mount lenses |
Launch Date | November 2022 | September 2018 |
Launch Price | USD 2,499 | USD 18,995 |
Sensor Specs | Canon R6 Mark II | Leica S3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Medium Format Sensor |
Sensor Size | 35.9 x 23.9 mm | 45.0 x 30.0 mm |
Sensor Area | 858.01 mm2 | 1350 mm2 |
Sensor Diagonal | 43.1 mm | 54.1 mm |
Crop Factor | 1.0x | 0.8x |
Sensor Resolution | 24 Megapixels | 64 Megapixels |
Image Resolution | 6000 x 4000 pixels | 9800 x 6533 pixels |
Pixel Pitch | 5.98 μm | 4.59 μm |
Pixel Density | 2.80 MP/cm2 | 4.74 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4k/60p Video | 4K/24p Video |
ISO Setting | 100 - 102,400 ISO | 100 - 50,000 ISO |
ISO Boost | 100 - 204,800 ISO | no Enhancement |
Image Processor | DIGIC X | Maestro II |
Screen Specs | Canon R6 Mark II | Leica S3 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 98% |
Viewfinder Magnification | 0.76x | 0.87x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1620k dots | 922k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon R6 Mark II | Leica S3 |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 12 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | no handshake reduction |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | UHS-II | UHS-II |
Connectivity Specs | Canon R6 Mark II | Leica S3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.2 | USB 3.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Canon R6 Mark II | Leica S3 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon LP-E6NH | Leica BP-PRO1 |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
160 x 120 x 80 mm (6.3 x 4.7 x 3.1 in) |
Camera Weight | 670 g (23.6 oz) | 1260 g (44.4 oz) |
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