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Canon R6 Mark II vs Fujifilm GFX 50S II

The Canon EOS R6 Mark II and the Fujifilm GFX 50S II are two digital cameras that were officially introduced, respectively, in November 2022 and September 2021. Both the R6 Mark II and the GFX 50S II are mirrorless interchangeable lens cameras that are based on a full frame (R6 Mark II) and a medium format (GFX 50S II) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon R6 Mark II
versus
Fujifilm GFX 50S II
Canon R6 Mark II   Fujifilm GFX 50S II
Mirrorless system camera Mirrorless system camera
Canon RF mount lenses Fujifilm G mount lenses
24 MP – Full Frame sensor 51.1 MP – Medium Format sensor
4k/60p Video 1080/30p Video
ISO 100-102,400 (100 - 204,800) ISO 100-12,800 (50 - 102,400)
Electronic viewfinder (3690k dots) Electronic viewfinder (3690k dots)
3.0" LCD – 1620k dots 3.2" LCD – 2360k dots
Swivel touchscreen Fully flexible touchscreen
12 shutter flaps per second 3 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
450 shots per battery charge440 shots per battery charge
138 x 98 x 88 mm, 670 g 150 x 104 x 87 mm, 900 g
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Check R6 Mark II price at
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Check GFX 50S II price at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Fujifilm GFX 50S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

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Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon R6 Mark II and the Fujifilm GFX 50S II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Canon R6 Mark II vs Fujifilm GFX 50S II
Compare R6 Mark II versus GFX 50S II top
Comparison R6 Mark II or GFX 50S II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S II is notably larger (15 percent) than the Canon R6 Mark II. Moreover, the GFX 50S II is markedly heavier (34 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R6 Mark II gets 450 shots out of its Canon LP-E6NH battery, while the GFX 50S II can take 440 images on a single charge of its Fujifilm NP-W235 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
# image Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon R6 Mark II 138 mm 98 mm 88 mm 670 g 450 Y Nov 2022 2,499 amazon.com
2.
 
Fujifilm GFX 50S II 150 mm 104 mm 87 mm 900 g 440 Y Sep 2021 3,999 amazon.com
3.
 
Canon R5 C 142 mm 101 mm 111 mm 770 g 320 Y Jan 2022 4,499 amazon.com
4.
 
Canon R3 150 mm 143 mm 87 mm 1015 g 760 Y Sep 2021 5,999 amazon.com
5.
 
Canon R5 138 mm 98 mm 88 mm 738 g 320 Y Jul 2020 3,899 amazon.com
6.
 
Canon R6 138 mm 98 mm 88 mm 680 g 360 Y Jul 2020 2,499 amazon.com
7.
 
Canon R 139 mm 98 mm 84 mm 660 g 370 Y Sep 2018 2,299ebay.com
8.
 
Canon 6D 145 mm 111 mm 71 mm 770 g 1090 Y Sep 2012 2,099ebay.com
9.
 
Fujifilm GFX 100 II 152 mm 117 mm 99 mm 1030 g 540 Y Sep 2023 7,499 amazon.com
10.
 
Fujifilm X-H2S 136 mm 93 mm 85 mm 660 g 580 Y May 2022 2,499 amazon.com
11.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 amazon.com
12.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499ebay.com
13.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499ebay.com
14.
 
OM System OM-1 135 mm 92 mm 73 mm 599 g 520 Y Feb 2022 2,199ebay.com
15.
 
Sony A7 IV 131 mm 96 mm 80 mm 659 g 580 Y Oct 2021 2,499 amazon.com
16.
 
Sony A99 147 mm 111 mm 78 mm 812 g 500 Y Sep 2012 2,799ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The R6 Mark II was launched at a markedly lower price (by 38 percent) than the GFX 50S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R6 Mark II features a full frame sensor and the Fujifilm GFX 50S II a medium format sensor. The sensor area in the GFX 50S II is 69 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the R6 Mark II has a native 3:2 aspect ratio, while the one in the GFX 50S II offers a 4:3 aspect.

Canon R6 Mark II and Fujifilm GFX 50S II sensor measures

With 51.1MP, the GFX 50S II offers a higher resolution than the R6 Mark II (24MP), but the GFX 50S II has smaller individual pixels (pixel pitch of 5.33μm versus 5.98μm for the R6 Mark II). It is noteworthy in this context that the R6 Mark II is a somewhat more recent model (by 1 year and 2 months) than the GFX 50S II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon R6 Mark II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the R6 Mark II, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Fujifilm GFX 50S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

R6 Mark II versus GFX 50S II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
# image Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Canon R6 Mark II Full Frame 24.0 6000 40004k/60p25.414.6315496
2.
 
Fujifilm GFX 50S II Medium Format 51.1 8256 61921080/30p25.914.83456100
3.
 
Canon R5 C Full Frame 44.8 8192 54648k/60p25.414.5308296
4.
 
Canon R3 Full Frame 24.0 6000 40006K/60p25.014.7408696
5.
 
Canon R5 Full Frame 44.8 8192 54648K/30p25.314.6304295
6.
 
Canon R6 Full Frame 20.0 5472 36484k/60p24.214.3339490
7.
 
Canon R Full Frame 30.1 6720 44804K/30p24.513.5274289
8.
 
Canon 6D Full Frame 20.0 5472 36481080/30p23.812.1234082
9.
 
Fujifilm GFX 100 II Medium Format 101.8 11648 87368K/30p25.915.03651101
10.
 
Fujifilm X-H2S APS-C 26.0 6240 41606.2k/30p24.313.9222486
11.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p25.814.73391100
12.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p25.714.4316998
13.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p25.414.1297796
14.
 
OM System OM-1 Four Thirds 20.2 5184 38884K/60p23.413.4155377
15.
 
Sony A7 IV Full Frame 32.7 7008 46724K/60p25.414.7337997
16.
 
Sony A99 Full Frame 24.0 6000 40001080/60p25.014.0155589
Note: DXO values in italics represent estimates based on sensor size and age.
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Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R6 Mark II provides a higher video resolution than the GFX 50S II. It can shoot video footage at 4k/60p, while the Fujifilm is limited to 1080/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The R6 Mark II and the GFX 50S II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The adjacent table lists some of the other core features of the Canon R6 Mark II and Fujifilm GFX 50S II along with similar information for a selection of comparators.

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Core Features
# image Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Canon R6 Mark II3690 n3.0 / 1620 swivel Y 1/8000s 12.0/s n Y
2.
 
Fujifilm GFX 50S II3690 Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n Y
3.
 
Canon R5 C5760 Y3.2 / 2100 swivel Y 1/8000s 12.0/s n n
4.
 
Canon R35760 Y3.2 / 4150 swivel Y 1/8000s 12.0/s n Y
5.
 
Canon R55760 Y3.2 / 2100 swivel Y 1/8000s 12.0/s n Y
6.
 
Canon R63690 n3.0 / 1620 swivel Y 1/8000s 12.0/s n Y
7.
 
Canon R3690 Y3.2 / 2100 swivel Y 1/8000s 8.0/s n n
8.
 
Canon 6Doptical Y3.0 / 1040 fixed n 1/4000s 4.5/s n n
9.
 
Fujifilm GFX 100 II9440 Y3.2 / 2360 full-flex Y 1/4000s 8.0/s n Y
10.
 
Fujifilm X-H2S5760 Y3.0 / 1620 swivel Y 1/8000s 15.0/s n Y
11.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
12.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0/s n n
13.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n n
14.
 
OM System OM-15760 n3.0 / 1640 swivel Y 1/8000s 10.0/s n Y
15.
 
Sony A7 IV3686 n3.0 / 1037 swivel Y 1/8000s 10.0/s n Y
16.
 
Sony A992359 Y3.0 / 1229 full-flex n 1/8000s 6.0/s n Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
padding

One feature that is present on the GFX 50S II, but is missing on the R6 Mark II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The R6 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S II does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R6 Mark II and the Fujifilm GFX 50S II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R6 Mark II and the GFX 50S II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Fujifilm GFX 50S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
# image Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Canon R6 Mark IIYstereo / monoYYmicro3.2Y-Y
2.
 
Fujifilm GFX 50S IIYstereo / monoYYmicro3.2Y--
3.
 
Canon R5 CYstereo / monoYYmicro3.2Y-Y
4.
 
Canon R3Ystereo / monoYYmicro3.2Y-Y
5.
 
Canon R5Ymono / monoYYmicro3.2Y-Y
6.
 
Canon R6Ymono / monoYYmicro3.2Y-Y
7.
 
Canon RYstereo / monoYYmini3.1Y-Y
8.
 
Canon 6DYmono / monoY-mini2.0Y--
9.
 
Fujifilm GFX 100 IIYstereo / monoYYfull3.2Y-Y
10.
 
Fujifilm X-H2SYstereo / monoYYfull3.0Y-Y
11.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
12.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
13.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
14.
 
OM System OM-1Ystereo / monoYYmicro3.0Y-Y
15.
 
Sony A7 IVYstereo / monoYYfull3.2Y-Y
16.
 
Sony A99Ystereo / monoYYmini2.0---
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Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R6 Mark II and the GFX 50S II are recent models that are part of the current product line-up. The GFX 50S II replaced the earlier Fujifilm GFX 50S, while the R6 Mark II followed on from the Canon R6. Further information on the features and operation of the R6 Mark II and GFX 50S II can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Fujifilm GFX 50S II Manual.

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Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon R6 Mark II and the Fujifilm GFX 50S II? Which camera is better? The listing below highlights the relative strengths of the two models.

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Advantages of the Canon EOS R6 Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4k/60p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (138x98mm vs 150x104mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 230g or 26 percent) and hence easier to carry around.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 1 year and 2 months after the GFX 50S II).

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Arguments in favor of the Fujifilm GFX 50S II:

  • More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.76x).
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1620k dots).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • More heavily discounted: Has been on the market for longer (launched in September 2021).

If the number of relative strengths (bullet points above) is taken as a guide, the R6 Mark II emerges as the winner of the contest (11 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

R6 Mark II 11:09 GFX 50S II

How about other alternatives? Do the specifications of the Canon R6 Mark II and the Fujifilm GFX 50S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R6 Mark II or the GFX 50S II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
# image  Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon R6 Mark II5/5+ +4.5/591/1004.5/55/5 Nov 2022 2,499 amazon.com
2.
 
Fujifilm GFX 50S II5/5..5/587/100..5/5 Sep 2021 3,999 amazon.com
3.
 
Canon R5 C..+ +........ Jan 2022 4,499 amazon.com
4.
 
Canon R35/5o4.5/5..5/54.5/5 Sep 2021 5,999 amazon.com
5.
 
Canon R54.5/5+4/591/1004.5/54.5/5 Jul 2020 3,899 amazon.com
6.
 
Canon R65/5+ +4/590/1004.5/55/5 Jul 2020 2,499 amazon.com
7.
 
Canon R4/5o4/579/1004.5/54/5 Sep 2018 2,299ebay.com
8.
 
Canon 6D5/5+ +..83/1004.5/54.5/5 Sep 2012 2,099ebay.com
9.
 
Fujifilm GFX 100 II5/5+5/5....4.5/5 Sep 2023 7,499 amazon.com
10.
 
Fujifilm X-H2S5/5+5/590/1005/55/5 May 2022 2,499 amazon.com
11.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 amazon.com
12.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499ebay.com
13.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499ebay.com
14.
 
OM System OM-15/5....87/1005/54.5/5 Feb 2022 2,199ebay.com
15.
 
Sony A7 IV5/5+ +4.5/589/1004.5/54.5/5 Oct 2021 2,499 amazon.com
16.
 
Sony A995/5....84/1004.5/54.5/5 Sep 2012 2,799ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
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Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Check R6 Mark II price at
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Check GFX 50S II price at
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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Canon R6 Mark II vs Fujifilm GFX 50S II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon R6 Mark II Fujifilm GFX 50S II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Canon RF mount lenses Fujifilm G mount lenses
    Launch Date November 2022 September 2021
    Launch Price USD 2,499 USD 3,999
    Sensor Specs Canon R6 Mark II Fujifilm GFX 50S II
    Sensor Technology CMOS CMOS
    Sensor Format Full Frame Sensor Medium Format Sensor
    Sensor Size 35.9 x 23.9 mm 44.0 x 33.0 mm
    Sensor Area 858.01 mm2 1452 mm2
    Sensor Diagonal 43.1 mm 55 mm
    Crop Factor 1.0x 0.79x
    Sensor Resolution 24 Megapixels 51.1 Megapixels
    Image Resolution 6000 x 4000 pixels 8256 x 6192 pixels
    Pixel Pitch 5.98 μm 5.33 μm
    Pixel Density 2.80 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 4k/60p Video 1080/30p Video
    ISO Setting 100 - 102,400 ISO 100 - 12,800 ISO
    ISO Boost 100 - 204,800 ISO 50 - 102,400 ISO
    Image Processor DIGIC X X Processor 4
    Screen Specs Canon R6 Mark II Fujifilm GFX 50S II
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.76x 0.77x
    Viewfinder Resolution 3690k dots 3690k dots
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.2inch
    LCD Resolution 1620k dots 2360k dots
    LCD Attachment Swivel screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon R6 Mark II Fujifilm GFX 50S II
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/8000s 1/4000s
    Continuous Shooting 12 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterup to 1/8000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Single or Dual Card Slots Dual card slots Dual card slots
    UHS card support UHS-II Dual UHS-II
    Connectivity Specs Canon R6 Mark II Fujifilm GFX 50S II
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 3.2 USB 3.2
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Canon R6 Mark II Fujifilm GFX 50S II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type Canon LP-E6NH Fujifilm NP-W235
    Battery Life (CIPA)450 shots per charge440 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 138 x 98 x 88 mm
    (5.4 x 3.9 x 3.5 in)
    150 x 104 x 87 mm
    (5.9 x 4.1 x 3.4 in)
    Camera Weight 670 g (23.6 oz) 900 g (31.7 oz)
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    Check GFX 50S II price at
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