Canon R5 vs Nikon B500
The Canon EOS R5 and the Nikon Coolpix B500 are two digital cameras that were announced, respectively, in July 2020 and January 2016. The R5 is a mirrorless interchangeable lens camera, while the B500 is a fixed lens compact. The cameras are based on a full frame (R5) and a 1/2.3-inch (B500) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Nikon provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 and the Nikon Coolpix B500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon R5 and the Nikon B500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the R5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon B500 is considerably smaller (34 percent) than the Canon R5. It is worth mentioning in this context that the R5 is splash and dust resistant, while the B500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the B500 has a lens built in, whereas the R5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The power pack in the R5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
2. | Nikon B500 | 114 mm | 78 mm | 95 mm | 541 g | 600 | n | Jan 2016 | 299 | ebay.com | |
3. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
4. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
5. | Nikon B600 | 122 mm | 82 mm | 99 mm | 500 g | 280 | n | Jan 2019 | 349 | ebay.com | |
6. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
7. | Nikon P900 | 140 mm | 103 mm | 137 mm | 899 g | 360 | n | Mar 2015 | 599 | ebay.com | |
8. | Nikon L840 | 113 mm | 78 mm | 96 mm | 538 g | 590 | n | Feb 2015 | 299 | ebay.com | |
9. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
10. | Panasonic FZ80 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | 399 | ebay.com | |
11. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
12. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | 3,499 | amazon.com | |
13. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
14. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
15. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
17. | Sony HX80 | 102 mm | 58 mm | 36 mm | 245 g | 390 | n | Mar 2016 | 349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The B500 was launched at a lower price than the R5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 features a full frame sensor and the Nikon B500 a 1/2.3-inch sensor. The sensor area in the B500 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the R5 has a native 3:2 aspect ratio, while the one in the B500 offers a 4:3 aspect.
With 44.8MP, the R5 offers a higher resolution than the B500 (15.9MP), but the R5 nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 1.33μm for the B500) due to its larger sensor. Moreover, the R5 is a much more recent model (by 4 years and 5 months) than the B500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the B500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Nikon B500 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Coolpix B500 are ISO 80 to ISO 6400 (no boost).
In terms of underlying technology, the R5 is build around a CMOS sensor, while the B500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
2. | Nikon B500 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.3 | 11.7 | 810 | 48 | |
3. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
4. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
5. | Nikon B600 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.7 | 12.2 | 1095 | 52 | |
6. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
7. | Nikon P900 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.2 | 11.6 | 727 | 47 | |
8. | Nikon L840 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.2 | 11.6 | 721 | 47 | |
9. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
10. | Panasonic FZ80 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
11. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
12. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 | |
13. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
14. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
15. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
17. | Sony HX80 | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.4 | 11.8 | 822 | 48 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R5 provides a higher video resolution than the B500. It can shoot video footage at 8K/30p, while the Nikon is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R5 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the B500 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon R5 and Nikon B500 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
2. | Nikon B500 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
3. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
5. | Nikon B600 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.4/s | Y | Y | |
6. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
7. | Nikon P900 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 7.0/s | Y | Y | |
8. | Nikon L840 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
9. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
10. | Panasonic FZ80 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
11. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
14. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
17. | Sony HX80 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the R5, but is missing on the B500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the B500 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 writes its imaging data to CFexpress (type B) or SDXC cards, while the B500 uses SDXC cards. The R5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the B500 only has one slot. The R5 supports UHS-II cards (on both slots), while the B500 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 and Nikon Coolpix B500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Nikon B500 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
3. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Nikon B600 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
7. | Nikon P900 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
8. | Nikon L840 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
9. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
10. | Panasonic FZ80 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
12. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
17. | Sony HX80 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the R5 has a hotshoe, while the B500 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon R5 (unlike the B500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R5 is a recent model that features in the current product line-up of Canon. In contrast, the B500 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the B500 was succeeded by the Nikon B600. Further information on the features and operation of the R5 and B500 can be found, respectively, in the Canon R5 Manual (free pdf) or the online Nikon B500 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Canon R5 and the Nikon B500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS R5:
- More detail: Offers more megapixels (44.8 vs 15.9MP) with a 71% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 7.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 5 months of technical progress since the B500 launch.
Advantages of the Nikon Coolpix B500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the R5 necessitates an extra lens.
- More compact: Is smaller (114x78mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R5).
- Longer lasting: Gets more shots (600 versus 320) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the R5 is the clear winner of the match-up (30 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 and the Nikon B500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R5 and the B500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
2. | Nikon B500 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2016 | 299 | ebay.com | |
3. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
4. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
5. | Nikon B600 | .. | + | .. | .. | 3.5/5 | 3/5 | Jan 2019 | 349 | ebay.com | |
6. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
7. | Nikon P900 | .. | .. | .. | 77/100 | 4/5 | 4/5 | Mar 2015 | 599 | ebay.com | |
8. | Nikon L840 | .. | + + | .. | .. | 3.5/5 | 4/5 | Feb 2015 | 299 | ebay.com | |
9. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
10. | Panasonic FZ80 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | 399 | ebay.com | |
11. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
12. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | 3,499 | amazon.com | |
13. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
14. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
15. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
17. | Sony HX80 | .. | .. | .. | .. | .. | .. | Mar 2016 | 349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon R5 vs Nikon B500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R5 | Nikon B500 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Canon RF mount lenses | 22.5-900mm f/3.0-6.5 |
Launch Date | July 2020 | January 2016 |
Launch Price | USD 3,899 | USD 299 |
Sensor Specs | Canon R5 | Nikon B500 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | 1/2.3" Sensor |
Sensor Size | 36.0 x 24.0 mm | 6.17 x 4.55 mm |
Sensor Area | 864 mm2 | 28.0735 mm2 |
Sensor Diagonal | 43.3 mm | 7.7 mm |
Crop Factor | 1.0x | 5.6x |
Sensor Resolution | 44.8 Megapixels | 15.9 Megapixels |
Image Resolution | 8192 x 5464 pixels | 4608 x 3456 pixels |
Pixel Pitch | 4.39 μm | 1.33 μm |
Pixel Density | 5.18 MP/cm2 | 56.73 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 8K/30p Video | 1080/60i Video |
ISO Setting | 100 - 51,200 ISO | 80 - 6,400 ISO |
ISO Boost | 50 - 102,400 ISO | no Enhancement |
DXO Sensor Quality (score) | 95 | .. |
DXO Color Depth (bits) | 25.3 | .. |
DXO Dynamic Range (EV) | 14.6 | .. |
DXO Low Light (ISO) | 3042 | .. |
Screen Specs | Canon R5 | Nikon B500 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.76x | |
Viewfinder Resolution | 5760k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2100k dots | 921k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon R5 | Nikon B500 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 7.4 shutter flaps/s |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CFexB or SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | no |
Connectivity Specs | Canon R5 | Nikon B500 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon R5 | Nikon B500 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Canon LP-E6NH | Nikon 4xAA |
Battery Life (CIPA) | 320 shots per charge | 600 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
114 x 78 x 95 mm (4.5 x 3.1 x 3.7 in) |
Camera Weight | 738 g (26.0 oz) | 541 g (19.1 oz) |
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