Canon R5 vs Leica T
The Canon EOS R5 and the Leica T (Typ 701) are two digital cameras that were announced, respectively, in July 2020 and April 2014. Both the Canon R5 and the T Typ 701 are mirrorless interchangeable lens cameras that are based on a full frame (Canon R5) and an APS-C (T Typ 701) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Leica provides 16.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 and the Leica T (Typ 701)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon R5 and the Leica T is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The T Typ 701 can be obtained in two different colors (black, silver), while the Canon R5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica T is considerably smaller (32 percent) than the Canon R5. Moreover, the T Typ 701 is substantially lighter (48 percent) than the Canon R5. It is worth mentioning in this context that the Canon R5 is splash and dust resistant, while the T Typ 701 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|2.||Leica T||134 mm||69 mm||33 mm||384 g||400||n||Apr 2014||1,850|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|4.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|5.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|6.||Leica TL2||134 mm||69 mm||33 mm||399 g||250||n||Jul 2017||1,950|
|7.||Leica TL||134 mm||69 mm||33 mm||384 g||400||n||Nov 2016||1,695|
|8.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|9.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|10.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|11.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|12.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|13.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|14.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|15.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T Typ 701 was launched at a markedly lower price (by 53 percent) than the Canon R5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R5 features a full frame sensor and the Leica T an APS-C sensor. The sensor area in the T Typ 701 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 44.8MP, the Canon R5 offers a higher resolution than the T Typ 701 (16.2MP), but the Canon R5 has smaller individual pixels (pixel pitch of 4.39μm versus 4.79μm for the T Typ 701). However, the Canon R5 is a much more recent model (by 6 years and 2 months) than the T Typ 701, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the T Typ 701 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Canon R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Leica T are 24.7 x 16.4 inches or 62.8 x 41.6 cm for good quality, 19.8 x 13.1 inches or 50.2 x 33.3 cm for very good quality, and 16.5 x 10.9 inches or 41.9 x 27.8 cm for excellent quality prints.
The Canon R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica T (Typ 701) are ISO 100 to ISO 12500 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Canon R5 provides substantially higher image quality than the T Typ 701, with an overall score that is 20 points higher. This advantage is based on 2.3 bits higher color depth, 1.9 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|8.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||..||..||..||..|
|9.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|10.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|11.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|12.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|13.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|14.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|15.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Canon R5 provides a higher video resolution than the T Typ 701. It can shoot video footage at 8k/30p, while the Leica is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the Canon R5 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the T Typ 701 relies on live view and the rear LCD for framing. That said, the T Typ 701 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Canon R5, the Leica T, and comparable cameras.
|8.||Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|11.||Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|12.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|13.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|16.||Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the Canon R5, but is missing on the T Typ 701 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Canon R5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the T Typ 701 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Canon R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Canon R5 writes its imaging data to CFexpress or SDXC cards, while the T Typ 701 uses SDXC cards. The Canon R5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the T Typ 701 only has one slot. The Canon R5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the T Typ 701 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 and Leica T (Typ 701) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|8.||Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|12.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|16.||Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Canon R5 has a microphone port, which is missing on the T Typ 701. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The Canon R5 is a recent model that features in the current product line-up of Canon. In contrast, the T Typ 701 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T Typ 701 was succeeded by the Leica TL. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what conclusions can be drawn? Which of the two cameras – the Canon R5 or the Leica T – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS R5:
- More detail: Offers more megapixels (44.8 vs 16.2MP) with a 66% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (20 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (8k/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1300k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Reflects 6 years and 2 months of technical progress since the T Typ 701 launch.
Reasons to prefer the Leica T (Typ 701):
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger screen: Has a bigger rear LCD (3.7" vs 3.2") for image review and settings control.
- More compact: Is smaller (134x69mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 354g or 48 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (400 versus 320) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in April 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the Canon R5 is the clear winner of the match-up (26 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 and the Leica T place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Canon R5 and the T Typ 701 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R5||4.5/5||..||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|2.||Leica T||3/5||..||..||4/5||4/5||Apr 2014||1,850|
|3.||Canon R6||5/5||+ +||90/100||4.5/5||5/5||Jul 2020||2,499|
|4.||Canon SL1||4/5||+||78/100||4/5||4/5||Mar 2013||549|
|5.||Fujifilm X-T10||4.5/5||+ +||80/100||5/5||5/5||May 2015||799|
|6.||Leica TL2||3.5/5||..||..||4/5||4/5||Jul 2017||1,950|
|7.||Leica TL||..||..||..||..||4/5||Nov 2016||1,695|
|8.||Nikon Z7 II||4.5/5||..||..||4.5/5||4.5/5||Oct 2020||2,999|
|9.||Nikon Z7||5/5||+||89/100||4.5/5||5/5||Aug 2018||3,399|
|10.||Panasonic S1R||4.5/5||..||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|11.||Sony A7S III||..||+ +||91/100||4.5/5||5/5||Jul 2020||3,499|
|12.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|13.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|14.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|15.||Sony A99 II||..||..||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|16.||Sony A7R II||5/5||+ +||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A6000||5/5||+||80/100||4.5/5||5/5||Feb 2014||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R5 vs Leica T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R5||Leica T|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Leica T mount lenses|
|Launch Date||July 2020||April 2014|
|Launch Price||USD 3,899||USD 1,850|
|Sensor Specs||Canon R5||Leica T|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.6 x 15.7 mm|
|Sensor Area||864 mm2||370.52 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||44.8 Megapixels||16.2 Megapixels|
|Image Resolution||8192 x 5464 pixels||4944 x 3278 pixels|
|Pixel Pitch||4.39 μm||4.79 μm|
|Pixel Density||5.18 MP/cm2||4.37 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||8k/30p Video||1080/30p Video|
|ISO Setting||100 - 51,200 ISO||100 - 12,500 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||95||75|
|DXO Color Depth (bits)||25.3||23.0|
|DXO Dynamic Range (EV)||14.6||12.7|
|DXO Low Light (ISO)||3042||1082|
|Screen Specs||Canon R5||Leica T|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.7inch|
|LCD Resolution||2100k dots||1300k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon R5||Leica T|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CFexpress or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Canon R5||Leica T|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R5||Leica T|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||320 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
134 x 69 x 33 mm
(5.3 x 2.7 x 1.3 in)
|Camera Weight||738 g (26.0 oz)||384 g (13.5 oz)|
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