Canon R5 vs Fujifilm X-T10
The Canon EOS R5 and the Fujifilm X-T10 are two digital cameras that were revealed to the public, respectively, in July 2020 and May 2015. Both the R5 and the X-T10 are mirrorless interchangeable lens cameras that are based on a full frame (R5) and an APS-C (X-T10) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 and the Fujifilm X-T10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon R5 and the Fujifilm X-T10 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-T10 can be obtained in two different colors (black, silver), while the R5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T10 is notably smaller (28 percent) than the Canon R5. Moreover, the X-T10 is substantially lighter (48 percent) than the R5. It is worth mentioning in this context that the R5 is splash and dust resistant, while the X-T10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R5 gets 320 shots out of its LP-E6NH battery, while the X-T10 can take 350 images on a single charge of its NP-W126 power pack. The power pack in the R5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|2.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|4.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|5.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|6.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|7.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|8.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|9.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|10.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|11.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|12.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|13.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|14.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-T10 was launched at a markedly lower price (by 80 percent) than the R5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R5 features a full frame sensor and the Fujifilm X-T10 an APS-C sensor. The sensor area in the X-T10 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 44.8MP, the R5 offers a higher resolution than the X-T10 (16MP), but the R5 has smaller individual pixels (pixel pitch of 4.39μm versus 4.80μm for the X-T10). However, the R5 is a much more recent model (by 5 years and 1 month) than the X-T10, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Fujifilm X-T10 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Canon EOS R5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-T10 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|9.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|10.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|11.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|12.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|13.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|14.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R5 provides a higher video resolution than the X-T10. It can shoot video footage at 8K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 offers a substantially higher resolution than the one in the X-T10 (5760k vs 2360k dots). The table below summarizes some of the other core capabilities of the Canon R5 and Fujifilm X-T10 in connection with corresponding information for a sample of similar cameras.
|1.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0/s||n||Y|
|2.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|6.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|7.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|8.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|9.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0/s||n||Y|
|10.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|11.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|12.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|13.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the R5, but is missing on the X-T10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The R5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-T10 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 and the Fujifilm X-T10 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 writes its imaging data to CFexpress or SDXC cards, while the X-T10 uses SDXC cards. The R5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T10 only has one slot. The R5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-T10 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 and Fujifilm X-T10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|9.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|10.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|11.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the R5 has a headphone jack, which is not present on the X-T10 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Canon R5 (unlike the X-T10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R5 is a recent model that features in the current product line-up of Canon. In contrast, the X-T10 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-T10 was succeeded by the Fujifilm X-T20. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Which of the two cameras – the Canon R5 or the Fujifilm X-T10 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS R5:
- More detail: Offers more megapixels (44.8 vs 16MP) with a 67% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.41x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 1 month of technical progress since the X-T10 launch.
Arguments in favor of the Fujifilm X-T10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More compact: Is smaller (118x83mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 357g or 48 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the R5 is the clear winner of the match-up (28 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 and the Fujifilm X-T10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R5 or the X-T10. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|2.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|4.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|5.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|6.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|7.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|8.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|9.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|10.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|11.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|12.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|13.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|14.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|17.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon R5 vs Fujifilm X-T10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R5||Fujifilm X-T10|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Fujifilm X mount lenses|
|Launch Date||July 2020||May 2015|
|Launch Price||USD 3,899||USD 799|
|Sensor Specs||Canon R5||Fujifilm X-T10|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.6 x 15.6 mm|
|Sensor Area||864 mm2||368.16 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||44.8 Megapixels||16 Megapixels|
|Image Resolution||8192 x 5464 pixels||4896 x 3264 pixels|
|Pixel Pitch||4.39 μm||4.80 μm|
|Pixel Density||5.18 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||8K/30p Video||1080/60p Video|
|ISO Setting||100 - 51,200 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 51,200 ISO|
|Image Processor||DIGIC X||EXR Processor II|
|DXO Sensor Quality (score)||95||..|
|DXO Color Depth (bits)||25.3||..|
|DXO Dynamic Range (EV)||14.6||..|
|DXO Low Light (ISO)||3042||..|
|Screen Specs||Canon R5||Fujifilm X-T10|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon R5||Fujifilm X-T10|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CFexpress or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R5||Fujifilm X-T10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R5||Fujifilm X-T10|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||320 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
118 x 83 x 41 mm
(4.6 x 3.3 x 1.6 in)
|Camera Weight||738 g (26.0 oz)||381 g (13.4 oz)|
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