Canon R10 vs Fujifilm GFX 50S

The Canon EOS R10 and the Fujifilm GFX 50S are two digital cameras that were revealed to the public, respectively, in May 2022 and September 2016. Both the R10 and the GFX 50S are mirrorless interchangeable lens cameras that are based on an APS-C (R10) and a medium format (GFX 50S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R10		Fujifilm GFX 50S
Mirrorless system camera		Mirrorless system camera
		Fujifilm G mount lenses
24 MP – APS-C sensor		51.1 MP – Medium Format sensor
4k/60p Video		1080/30p Video
ISO 100-32,000 (100 - 51,200)		ISO 100-12,800 (50 - 102,400)
Electronic viewfinder (2360k dots)		Viewfinder optional
3.0" LCD – 1040k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
15 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
450 shots per battery charge		400 shots per battery charge
123 x 88 x 83 mm, 429 g		148 x 94 x 91 mm, 740 g

Check R10 price at
amazon.com
Check GFX 50S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R10 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon R10 and the Fujifilm GFX 50S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (29 percent) than the Canon R10. Moreover, the GFX 50S is substantially heavier (72 percent) than the R10. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the R10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R10 gets 450 shots out of its Canon LP-E17 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack. The power pack in the R10 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R10	123 mm	88 mm	83 mm	429 g	450	n	May 2022	979	amazon.com
2.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
3.		Canon R50	116 mm	86 mm	69 mm	375 g	230	n	Feb 2023	679	amazon.com
4.		Canon R100	116 mm	86 mm	69 mm	356 g	400	n	May 2023	479	amazon.com
5.		Canon T8i	131 mm	103 mm	76 mm	515 g	800	n	Feb 2020	749	ebay.com
6.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	599	ebay.com
7.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
8.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	849	ebay.com
9.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
10.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
11.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
12.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
13.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
14.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
15.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
16.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
17.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The R10 was launched at a markedly lower price (by 85 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R10 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 341 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the R10 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the R10 (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.70μm for the R10) due to its larger sensor. However, the R10 is a much more recent model (by 5 years and 8 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon R10 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The R10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS R10 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R10	APS-C	24.0	6000	4000	4k/60p	24.1	13.8	2085	84
2.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
3.		Canon R50	APS-C	24.0	6000	4000	4K/30p	24.1	13.9	2168	84
4.		Canon R100	APS-C	24.0	6000	4000	4k/24p	24.1	13.9	2197	84
5.		Canon T8i	APS-C	24.0	6000	4000	4K/24p	24.0	13.5	1873	83
6.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
7.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
8.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
9.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
10.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
11.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
12.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
13.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
14.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
15.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
16.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
17.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R10 provides a higher video resolution than the GFX 50S. It can shoot video footage at 4k/60p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R10 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Canon R10, the Fujifilm GFX 50S, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R10	2360	n	3.0 / 1040	swivel	Y	1/8000s	15.0/s	Y	n
2.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
3.		Canon R50	2360	n	3.0 / 1620	swivel	Y	1/4000s	12.0/s	Y	n
4.		Canon R100	2360	n	3.0 / 1040	fixed	n	1/4000s	6.5/s	Y	n
5.		Canon T8i	optical	n	3.0 / 1040	swivel	Y	1/4000s	7.5/s	Y	n
6.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
7.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
9.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
10.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
13.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
14.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
15.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
16.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
17.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The R10 has one, while the GFX 50S does not. While the built-in flash of the R10 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R10 and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R10 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the R10 only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R10 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R10	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Canon R50	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
4.		Canon R100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Canon T8i	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
6.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
8.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
10.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
11.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
12.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
13.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
14.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
15.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
16.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
17.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-

It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The R10 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the R10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The R10 is a recent model that features in the current product line-up of Canon. In contrast, the GFX 50S has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GFX 50S was succeeded by the Fujifilm GFX 50S II. Further information on the features and operation of the R10 and GFX 50S can be found, respectively, in the Canon R10 Manual (free pdf) or the online Fujifilm GFX 50S Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon R10 and the Fujifilm GFX 50S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS R10:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4k/60p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (15 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (123x88mm vs 148x94mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 311g or 42 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (450 versus 400) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
• More modern: Reflects 5 years and 8 months of technical progress since the GFX 50S launch.

Reasons to prefer the Fujifilm GFX 50S:

• More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in September 2016).

If the number of relative strengths (bullet points above) is taken as a guide, the R10 is the clear winner of the match-up (15 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R10 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R10 or the GFX 50S. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R10	4/5	..	4.5/5	87/100	4/5	4.5/5	May 2022	979	amazon.com
2.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
3.		Canon R50	4/5	+ +	4.5/5	84/100	..	4.5/5	Feb 2023	679	amazon.com
4.		Canon R100	3/5	o	4.5/5	79/100	..	3.5/5	May 2023	479	amazon.com
5.		Canon T8i	4.5/5	+	3/5	80/100	4/5	3.5/5	Feb 2020	749	ebay.com
6.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	599	ebay.com
7.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
8.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	849	ebay.com
9.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
10.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
11.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
12.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
13.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
14.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
15.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
16.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
17.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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