Canon R vs Panasonic G6
The Canon EOS R and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in September 2018 and April 2013. Both the Canon R and the G6 are mirrorless interchangeable lens cameras that are based on a full frame (Canon R) and a Four Thirds (G6) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon R and the Panasonic G6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the Canon R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is notably smaller (24 percent) than the Canon R. Moreover, the G6 is substantially lighter (41 percent) than the Canon R. It is worth mentioning in this context that the Canon R is splash and dust resistant, while the G6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon R gets 370 shots out of its LP-E6N battery, while the G6 can take 340 images on a single charge of its DMW-BLC12 power pack. The power pack in the Canon R can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|2.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|4.||Canon RP||133 mm||85 mm||70 mm||485 g||250||n||Feb 2019||1,299|
|5.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|7.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|8.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|9.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|10.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|11.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|12.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|13.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|14.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|15.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|16.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G6 was launched at a markedly lower price (by 74 percent) than the Canon R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R features a full frame sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Canon R has a native 3:2 aspect ratio, while the one in the G6 offers a 4:3 aspect.
With 30.1MP, the Canon R offers a higher resolution than the G6 (15.9MP), but the Canon R nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the Canon R is a much more recent model (by 5 years and 4 months) than the G6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Canon R for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon R has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Canon R provides substantially higher image quality than the G6, with an overall score that is 28 points higher. This advantage is based on 3.2 bits higher color depth, 2 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|4.||Canon RP||Full Frame||26.0||6240||4160||4K/30p||24.3||11.9||2977||85|
|5.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|8.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|9.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|10.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|11.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|12.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|13.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|14.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|15.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|16.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Canon R provides a higher video resolution than the G6. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Canon R offers a substantially higher resolution than the one in the G6 (3690k vs 1440k dots). The table below summarizes some of the other core capabilities of the Canon R and Panasonic G6 in connection with corresponding information for a sample of similar cameras.
|1.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|2.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|4.||Canon RP||2360||n||3.0 / 1040||swivel||Y||1/4000s||5.0||n||n|
|5.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|7.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0||n||Y|
|8.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|9.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0||n||Y|
|10.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|11.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|12.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|13.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|14.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|15.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|16.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
One feature that is present on the Canon R, but is missing on the G6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Canon R and the G6 write their files to SDXC cards. The Canon R supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G6 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|2.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon RP||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|5.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|8.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|9.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|10.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|11.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Canon R has a headphone jack, which is not present on the G6 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The Canon R is a recent model that features in the current product line-up of Canon. In contrast, the G6 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G6 was succeeded by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon R or the Panasonic G6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS R:
- More detail: Offers more megapixels (30.1 vs 15.9MP) with a 40% higher linear resolution.
- Better image quality: Scores substantially higher (28 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1036k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 7 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 4 months of technical progress since the G6 launch.
Advantages of the Panasonic Lumix DMC-G6:
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x85mm vs 139x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 270g or 41 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in April 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the Canon R is the clear winner of the match-up (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Canon R or the G6 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|2.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|4.||Canon RP||4/5||+||4/5||..||4.5/5||4/5||Feb 2019||1,299|
|5.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|7.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|8.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|9.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999|
|10.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|11.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|12.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|13.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|14.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|15.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|16.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R||Panasonic G6|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2018||April 2013|
|Launch Price||USD 2,299||USD 599|
|Sensor Specs||Canon R||Panasonic G6|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||30.1 Megapixels||15.9 Megapixels|
|Image Resolution||6720 x 4480 pixels||4608 x 3456 pixels|
|Pixel Pitch||5.36 μm||3.76 μm|
|Pixel Density||3.48 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 40,000 ISO||160 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||160 - 25,600 ISO|
|Image Processor||DIGIC 8||Venus|
|DXO Sensor Quality (score)||89||61|
|DXO Color Depth (bits)||24.5||21.3|
|DXO Dynamic Range (EV)||13.5||11.5|
|DXO Low Light (ISO)||2742||639|
|Screen Specs||Canon R||Panasonic G6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon R||Panasonic G6|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||YES||up to 1/4000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R||Panasonic G6|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R||Panasonic G6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||370 shots per charge||340 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
139 x 98 x 84 mm
(5.5 x 3.9 x 3.3 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||660 g (23.3 oz)||390 g (13.8 oz)|
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