Canon R vs Leica D-LUX 7
The Canon EOS R and the Leica D-LUX 7 are two digital cameras that were officially introduced, respectively, in September 2018 and November 2018. The Canon R is a mirrorless interchangeable lens camera, while the D-LUX 7 is a fixed lens compact. The cameras are based on a full frame (Canon R) and a Four Thirds (D-LUX 7) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Leica provides 16.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Leica D-LUX 7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon R and the Leica D-LUX 7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 7 is considerably smaller (44 percent) than the Canon R. It is worth mentioning in this context that the Canon R is splash and dust resistant, while the D-LUX 7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the Canon R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the Canon R gets 370 shots out of its LP-E6N battery, while the D-LUX 7 can take 300 images on a single charge of its BP-DC15 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299||amazon.com|
|2.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195||amazon.com|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|4.||Canon RP||133 mm||85 mm||70 mm||485 g||250||n||Feb 2019||1,299||amazon.com|
|5.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|7.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|8.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|9.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|10.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||amazon.com|
|11.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|12.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195||ebay.com|
|13.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||ebay.com|
|14.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299||ebay.com|
|15.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|16.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 7 was launched at a lower price than the Canon R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R features a full frame sensor and the Leica D-LUX 7 a Four Thirds sensor. The sensor area in the D-LUX 7 is 79 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.2. The sensor in the Canon R has a native 3:2 aspect ratio, while the one in the D-LUX 7 offers a 4:3 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 30.1MP, the Canon R offers a higher resolution than the D-LUX 7 (16.8MP), but the Canon R nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.32μm for the D-LUX 7) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Canon R for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.
The Canon R has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica D-LUX 7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|2.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|4.||Canon RP||Full Frame||26.0||6240||4160||4K/30p||24.3||11.9||2977||85|
|5.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|8.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|9.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|11.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|12.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|13.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|14.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|15.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|16.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Canon R offers a substantially higher resolution than the one in the D-LUX 7 (3690k vs 2764k dots). The following table reports on some other key feature differences and similarities of the Canon R, the Leica D-LUX 7, and comparable cameras.
|1.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|2.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon RP||2360||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||n||n|
|5.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|7.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|8.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|9.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|10.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|11.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|12.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|13.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|14.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|15.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|16.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the Canon R, but is missing on the D-LUX 7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Canon R has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D-LUX 7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Canon R and the D-LUX 7 write their files to SDXC cards. The Canon R supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D-LUX 7 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Leica D-LUX 7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|2.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon RP||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|5.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|9.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|12.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Canon R has a microphone port, which is missing on the D-LUX 7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the Canon R and the D-LUX 7 are recent models that are part of the current product line-up. The D-LUX 7 replaced the earlier Leica D-LUX Typ 109, while the Canon R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what conclusions can be drawn? Which of the two cameras – the Canon R or the Leica D-LUX 7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS R:
- More detail: Offers more megapixels (30.1 vs 16.8MP) with a 36% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2764k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1240k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (370 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
Arguments in favor of the Leica D-LUX 7:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the Canon R necessitates an extra lens.
- More compact: Is smaller (115x66mm vs 139x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the Canon R).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
If the count of individual advantages (bullet points above) is taken as a guide, the Canon R is the clear winner of the match-up (22 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R and the Leica D-LUX 7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Canon R and the D-LUX 7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299||amazon.com|
|2.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195||amazon.com|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|4.||Canon RP||4/5||+||4/5||..||4.5/5||4/5||Feb 2019||1,299||amazon.com|
|5.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|7.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|8.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|9.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|10.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||amazon.com|
|11.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|12.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195||ebay.com|
|13.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999||ebay.com|
|14.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299||ebay.com|
|15.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|16.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon R vs Leica D-LUX 5
- Canon R vs Nikon D90
- Canon R vs Nikon Z6 II
- Canon R vs Olympus E-1
- Canon R vs Panasonic LX7
- Canon R vs Pentax 645D
- Canon SX520 vs Leica D-LUX 7
- Canon SX700 vs Leica D-LUX 7
- Canon XTi vs Leica D-LUX 7
- Leica D-LUX 7 vs Leica V-LUX 4
- Leica D-LUX 7 vs Nikon D500
- Leica D-LUX 7 vs Olympus E-P5
Specifications: Canon R vs Leica D-LUX 7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R||Leica D-LUX 7|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon RF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||September 2018||November 2018|
|Launch Price||USD 2,299||USD 1,195|
|Sensor Specs||Canon R||Leica D-LUX 7|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||15.7 x 11.8 mm|
|Sensor Area||864 mm2||185.26 mm2|
|Sensor Diagonal||43.3 mm||19.6 mm|
|Sensor Resolution||30.1 Megapixels||16.8 Megapixels|
|Image Resolution||6720 x 4480 pixels||4736 x 3552 pixels|
|Pixel Pitch||5.36 μm||3.32 μm|
|Pixel Density||3.48 MP/cm2||9.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 40,000 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||89||..|
|DXO Color Depth (bits)||24.5||..|
|DXO Dynamic Range (EV)||13.5||..|
|DXO Low Light (ISO)||2742||..|
|Screen Specs||Canon R||Leica D-LUX 7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2764k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1240k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon R||Leica D-LUX 7|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||YES||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R||Leica D-LUX 7|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R||Leica D-LUX 7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||370 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||USB charging|
139 x 98 x 84 mm
(5.5 x 3.9 x 3.3 in)
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
|Camera Weight||660 g (23.3 oz)||392 g (13.8 oz)|
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