Canon R vs Fujifilm GFX 50S II

The Canon EOS R and the Fujifilm GFX 50S II are two digital cameras that were revealed to the public, respectively, in September 2018 and September 2021. Both the Canon R and the GFX 50S II are mirrorless interchangeable lens cameras that are based on a full frame (Canon R) and a medium format (GFX 50S II) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R		Fujifilm GFX 50S II
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Fujifilm G mount lenses
30.1 MP – Full Frame sensor		51.1 MP – Medium Format sensor
4K/30p Video		1080/30p Video
ISO 100-40,000 (50 - 102,400)		ISO 100-12,800 (50 - 102,400)
Electronic viewfinder (3690k dots)		Electronic viewfinder (3690k dots)
3.2" LCD – 2100k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
8 shutter flaps per second		3 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
370 shots per battery charge		440 shots per battery charge
139 x 98 x 84 mm, 660 g		150 x 104 x 87 mm, 900 g

Check Canon R offers at
ebay.com
Check GFX 50S II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Fujifilm GFX 50S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon R and the Fujifilm GFX 50S II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S II is notably larger (15 percent) than the Canon R. Moreover, the GFX 50S II is substantially heavier (36 percent) than the Canon R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Canon R gets 370 shots out of its Canon LP-E6N battery, while the GFX 50S II can take 440 images on a single charge of its Fujifilm NP-W235 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
2.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
4.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
5.		Canon RP	133 mm	85 mm	70 mm	485 g	250	n	Feb 2019	1,299	amazon.com
6.		Canon 90D	141 mm	105 mm	77 mm	701 g	1300	Y	Aug 2019	1,199	amazon.com
7.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
8.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	1,199	ebay.com
9.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
10.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
11.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
12.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
13.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	2,299	ebay.com
14.		Nikon Df	144 mm	110 mm	67 mm	760 g	1400	Y	Nov 2013	2,749	ebay.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
16.		Panasonic GH5s	139 mm	98 mm	87 mm	660 g	440	Y	Jan 2018	2,499	amazon.com
17.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Canon R was launched at a markedly lower price (by 43 percent) than the GFX 50S II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon R features a full frame sensor and the Fujifilm GFX 50S II a medium format sensor. The sensor area in the GFX 50S II is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the Canon R has a native 3:2 aspect ratio, while the one in the GFX 50S II offers a 4:3 aspect.

With 51.1MP, the GFX 50S II offers a higher resolution than the Canon R (30.1MP), but the GFX 50S II has marginally smaller individual pixels (pixel pitch of 5.33μm versus 5.36μm for the Canon R). Yet, the GFX 50S II is a much more recent model (by 2 years and 11 months) than the Canon R, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon R are 33.6 x 22.4 inches or 85.3 x 56.9 cm for good quality, 26.9 x 17.9 inches or 68.3 x 45.5 cm for very good quality, and 22.4 x 14.9 inches or 56.9 x 37.9 cm for excellent quality prints.

The Canon R has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the Canon R, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm GFX 50S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
2.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
5.		Canon RP	Full Frame	26.0	6240	4160	4K/30p	24.3	11.9	2977	85
6.		Canon 90D	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
7.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
8.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
9.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
10.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
11.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
12.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
13.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
14.		Nikon Df	Full Frame	16.2	4928	3280	none	24.6	13.1	3279	89
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Panasonic GH5s	Four Thirds	9.9	3680	2700	4K/60p	23.1	12.8	1154	74
17.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Canon R provides a higher video resolution than the GFX 50S II. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The Canon R and the GFX 50S II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The following table reports on some other key feature differences and similarities of the Canon R, the Fujifilm GFX 50S II, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
2.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
3.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon RP	2360	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	n	n
6.		Canon 90D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	11.0/s	Y	n
7.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
8.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
9.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
10.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
11.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
12.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
13.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
14.		Nikon Df	optical	Y	3.2 / 921	fixed	n	1/4000s	5.5/s	n	n
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic GH5s	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	n
17.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the GFX 50S II and the Canon R is in-body image stabilization (IBIS). The GFX 50S II reduces the risk of handshake-induced blur with all attached lenses, while the Canon R offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the Canon R and the GFX 50S II write their files to SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Canon R only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Fujifilm GFX 50S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
2.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
3.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon RP	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
6.		Canon 90D	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
7.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
9.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
10.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
12.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
13.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
14.		Nikon Df	Y	- / -	-	-	mini	2.0	-	-	-
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic GH5s	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
17.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the Canon R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the Canon R has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the Canon R from Canon. Further information on the features and operation of the Canon R and GFX 50S II can be found, respectively, in the Canon R Manual (free pdf) or the online Fujifilm GFX 50S II Manual.

Review summary

So what is the bottom line? Is the Canon R better than the Fujifilm GFX 50S II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS R:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (139x98mm vs 150x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 240g or 27 percent) and hence easier to carry around.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2018).

Arguments in favor of the Fujifilm GFX 50S II:

• More detail: Has more megapixels (51.1 vs 30.1MP), which boosts linear resolution by 28%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.76x).
• More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (440 versus 370) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 2 years and 11 months of technical progress since the Canon R launch.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the contest (16 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R and the Fujifilm GFX 50S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Canon R or the GFX 50S II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
2.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
4.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
5.		Canon RP	4/5	+	4/5	..	4.5/5	4/5	Feb 2019	1,299	amazon.com
6.		Canon 90D	4/5	+	4.5/5	85/100	4.5/5	4.5/5	Aug 2019	1,199	amazon.com
7.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
8.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	1,199	ebay.com
9.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
10.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
11.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
12.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
13.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	2,299	ebay.com
14.		Nikon Df	4/5	..	..	81/100	4/5	4/5	Nov 2013	2,749	ebay.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
16.		Panasonic GH5s	..	..	4.5/5	84/100	4.5/5	4.5/5	Jan 2018	2,499	amazon.com
17.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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