Canon M6 Mark II vs Panasonic S5 II

The Canon EOS M6 Mark II and the Panasonic Lumix DC-S5 II are two digital cameras that were announced, respectively, in August 2019 and January 2023. Both the M6 Mark II and the S5 II are mirrorless interchangeable lens cameras that are based on an APS-C (M6 Mark II) and a full frame (S5 II) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon M6 Mark II		Panasonic S5 II
Mirrorless system camera		Mirrorless system camera
Canon EF-M mount lenses		Leica L mount lenses
32.3 MP – APS-C sensor		24 MP – Full Frame sensor
4K/30p Video		6K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-51,200 (50 - 204,800)
Viewfinder optional		Electronic viewfinder (3680k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1840k dots
Tilting touchscreen		Swivel touchscreen
14 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
305 shots per battery charge		370 shots per battery charge
120 x 70 x 49 mm, 408 g		134 x 102 x 90 mm, 740 g

Check M6 Mark II offers at
ebay.com
Check S5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon M6 Mark II and the Panasonic S5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is considerably larger (63 percent) than the Canon M6 Mark II. Moreover, the S5 II is substantially heavier (81 percent) than the M6 Mark II. It is noteworthy in this context that the S5 II is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the M6 Mark II gets 305 shots out of its Canon LP-E17 battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	849	ebay.com
2.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	1,999	amazon.com
3.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	599	ebay.com
4.		Canon M200	108 mm	67 mm	35 mm	299 g	315	n	Sep 2019	549	ebay.com
5.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
6.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
7.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
8.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
9.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
10.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
11.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
12.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	679	ebay.com
13.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	1,999	amazon.com
14.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	1,899	amazon.com
15.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	2,199	amazon.com
16.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
17.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	1,699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M6 Mark II was launched at a markedly lower price (by 58 percent) than the S5 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon M6 Mark II features an APS-C sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 151 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Canon M6 Mark II offers a higher resolution of 32.3 megapixels, compared with 24 MP of the Panasonic S5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.23μm versus 5.94μm for the S5 II). Moreover, it should be noted that the S5 II is much more recent (by 3 years and 4 months) than the M6 Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon M6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M6 Mark II for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inches or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inches or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inches or 58.9 x 39.3 cm. The corresponding values for the Panasonic S5 II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the M6 Mark II, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
2.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
3.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
4.		Canon M200	APS-C	24.0	6000	4000	4k/25p	24.0	13.5	1836	82
5.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
6.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
7.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
8.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
9.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
10.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
11.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
12.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
13.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
14.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
15.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
16.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
17.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S5 II provides a better video resolution than the M6 Mark II. It can shoot movie footage at 6K/30p, while the Canon is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the S5 II has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 Mark II relies on live view and the rear LCD for framing. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The following table reports on some other key feature differences and similarities of the Canon M6 Mark II, the Panasonic S5 II, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
2.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
3.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
4.		Canon M200	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
5.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
7.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
8.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
11.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
12.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
13.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
14.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
15.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
16.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
17.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The M6 Mark II has one, while the S5 II does not. While the built-in flash of the M6 Mark II is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon M6 Mark II and the Panasonic S5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the M6 Mark II and the S5 II write their files to SDXC cards. The S5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M6 Mark II only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Canon M200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
5.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
6.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
7.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
9.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
10.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
11.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
12.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y

It is notable that the S5 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M6 Mark II lacks such a headphone port.

The S5 II is a recent model that features in the current product line-up of Panasonic. In contrast, the M6 Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M6 Mark II from Canon. Further information on the features and operation of the M6 Mark II and S5 II can be found, respectively, in the Canon M6 Mark II Manual (free pdf) or the online Panasonic S5 II Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon M6 Mark II and the Panasonic S5 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS M6 Mark II:

• More detail: Offers more megapixels (32.3 vs 24MP) with a 16% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Faster burst: Shoots at higher frequency (14 vs 9 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (120x70mm vs 134x102mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 332g or 45 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2019).

Arguments in favor of the Panasonic Lumix DC-S5 II:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/30p vs 4K/30p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (370 versus 305) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 3 years and 4 months of technical progress since the M6 Mark II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the S5 II is the clear winner of the contest (19 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon M6 Mark II and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M6 Mark II or the S5 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	849	ebay.com
2.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	1,999	amazon.com
3.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	599	ebay.com
4.		Canon M200	..	+	3/5	79/100	4/5	4/5	Sep 2019	549	ebay.com
5.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
6.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
7.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
8.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
9.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
10.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
11.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
12.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	679	ebay.com
13.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	1,999	amazon.com
14.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	1,899	amazon.com
15.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	2,199	amazon.com
16.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
17.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	1,699	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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