Canon M6 Mark II vs Panasonic FT7

The Canon EOS M6 Mark II and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were announced, respectively, in August 2019 and May 2018. The M6 Mark II is a mirrorless interchangeable lens camera, while the FT7 is a fixed lens compact. The cameras are based on an APS-C (M6 Mark II) and a 1/2.3-inch (FT7) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon M6 Mark II		Panasonic FT7
Mirrorless system camera		Fixed lens compact camera
Canon EF-M mount lenses		28-128mm f/3.3-5.9
32.3 MP – APS-C sensor		20.2 MP – 1/2.3" sensor
4K/30p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 80-3,200 (80 - 6,400)
Viewfinder optional		Electronic viewfinder (1170k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
14 shutter flaps per second		10 shutter flaps per second
not weather sealed		Waterproof body (31m)
305 shots per battery charge		300 shots per battery charge
120 x 70 x 49 mm, 408 g		117 x 76 x 37 mm, 319 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon M6 Mark II and the Panasonic FT7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the M6 Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is notably larger (6 percent) than the Canon M6 Mark II. It is noteworthy in this context that the FT7 is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the M6 Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the M6 Mark II gets 305 shots out of its Canon LP-E17 battery, while the FT7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	849	ebay.com
2.		Panasonic FT7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
4.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	679	ebay.com
5.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
6.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
7.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
8.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	599	ebay.com
9.		Canon M200	108 mm	67 mm	35 mm	299 g	315	n	Sep 2019	549	ebay.com
10.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
11.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
12.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
13.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
14.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
15.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	499	ebay.com
16.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
17.		Panasonic TZ95	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a lower price than the M6 Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon M6 Mark II features an APS-C sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the M6 Mark II has a native 3:2 aspect ratio, while the one in the FT7 offers a 4:3 aspect.

With 32.3MP, the M6 Mark II offers a higher resolution than the FT7 (20.2MP), but the M6 Mark II nevertheless has larger individual pixels (pixel pitch of 3.23μm versus 1.18μm for the FT7) due to its larger sensor. Moreover, the M6 Mark II is a somewhat more recent model (by 1 year and 3 months) than the FT7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon M6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M6 Mark II for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inches or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inches or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inches or 58.9 x 39.3 cm. The corresponding values for the Panasonic FT7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The M6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

In terms of underlying technology, the M6 Mark II is build around a CMOS sensor, while the FT7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
2.		Panasonic FT7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
5.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
6.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
7.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
8.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
9.		Canon M200	APS-C	24.0	6000	4000	4k/25p	24.0	13.5	1836	82
10.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
11.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
12.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
13.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
14.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
15.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
16.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Panasonic TZ95	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 Mark II relies on live view and the rear LCD for framing. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The following table reports on some other key feature differences and similarities of the Canon M6 Mark II, the Panasonic FT7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
2.		Panasonic FT7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
5.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
6.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
7.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
8.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
9.		Canon M200	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
10.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
12.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
13.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
14.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
15.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
16.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Panasonic TZ95	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M6 Mark II has a touchscreen, while the FT7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon M6 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the M6 Mark II and the FT7 write their files to SDXC cards. The M6 Mark II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FT7 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Panasonic FT7	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Canon M200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
11.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
12.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
13.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
14.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
15.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
16.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Panasonic TZ95	-	stereo / mono	-	-	micro	2.0	Y	-	Y

It is notable that the M6 Mark II has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the M6 Mark II and the FT7 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Panasonic. Further information on the features and operation of the M6 Mark II and FT7 can be found, respectively, in the Canon M6 Mark II Manual (free pdf) or the online Panasonic FT7 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon M6 Mark II and the Panasonic FT7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS M6 Mark II:

• More detail: Offers more megapixels (32.3 vs 20.2MP) with a 29% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Is somewhat more recent (announced 1 year and 3 months after the FT7).

Arguments in favor of the Panasonic Lumix DC-FT7:

• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Ready to shoot: Has an integrated lens, whereas the M6 Mark II necessitates an extra lens.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the M6 Mark II).
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in May 2018).

If the count of individual advantages (bullet points above) is taken as a guide, the M6 Mark II is the clear winner of the match-up (18 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon M6 Mark II and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M6 Mark II or the FT7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	849	ebay.com
2.		Panasonic FT7	..	+	..	..	3.5/5	3.5/5	May 2018	449	ebay.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
4.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	679	ebay.com
5.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
6.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
7.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
8.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	599	ebay.com
9.		Canon M200	..	+	3/5	79/100	4/5	4/5	Sep 2019	549	ebay.com
10.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
11.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
12.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
13.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
14.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
15.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	499	ebay.com
16.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
17.		Panasonic TZ95	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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