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Canon M6 Mark II vs Fujifilm GFX 50S II

The Canon EOS M6 Mark II and the Fujifilm GFX 50S II are two digital cameras that were revealed to the public, respectively, in August 2019 and September 2021. Both the M6 Mark II and the GFX 50S II are mirrorless interchangeable lens cameras that are based on an APS-C (M6 Mark II) and a medium format (GFX 50S II) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon M6 Mark II
versus
Fujifilm GFX 50S II
Canon M6 Mark II   Fujifilm GFX 50S II
Mirrorless system camera Mirrorless system camera
Canon EF-M mount lenses Fujifilm G mount lenses
32.3 MP – APS-C sensor 51.1 MP – Medium Format sensor
4K/30p Video 1080/30p Video
ISO 100-25,600 (100 - 51,200) ISO 100-12,800 (50 - 102,400)
Viewfinder optional Electronic viewfinder (3690k dots)
3.0" LCD – 1040k dots 3.2" LCD – 2360k dots
Tilting touchscreen Fully flexible touchscreen
14 shutter flaps per second 3 shutter flaps per second
Lens stabilization onlyIn-body stabilization
not weather sealedWeathersealed body
305 shots per battery charge440 shots per battery charge
120 x 70 x 49 mm, 408 g 150 x 104 x 87 mm, 900 g
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Check M6 Mark II offers at
ebay.com
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Check GFX 50S II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Fujifilm GFX 50S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

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Body comparison

The physical size and weight of the Canon M6 Mark II and the Fujifilm GFX 50S II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Canon M6 Mark II vs Fujifilm GFX 50S II
Compare M6 Mark II versus GFX 50S II top
Comparison M6 Mark II or GFX 50S II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S II is considerably larger (86 percent) than the Canon M6 Mark II. Moreover, the GFX 50S II is substantially heavier (121 percent) than the M6 Mark II. It is noteworthy in this context that the GFX 50S II is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the M6 Mark II gets 305 shots out of its Canon LP-E17 battery, while the GFX 50S II can take 440 images on a single charge of its Fujifilm NP-W235 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

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Body Specifications
# image Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon M6 Mark II 120 mm 70 mm 49 mm 408 g 305 n Aug 2019 849ebay.com
2.
 
Fujifilm GFX 50S II 150 mm 104 mm 87 mm 900 g 440 Y Sep 2021 3,999 amazon.com
3.
 
Canon R5 138 mm 98 mm 88 mm 738 g 320 Y Jul 2020 3,899 amazon.com
4.
 
Canon M50 Mark II 116 mm 88 mm 59 mm 387 g 305 n Oct 2020 599ebay.com
5.
 
Canon M200 108 mm 67 mm 35 mm 299 g 315 n Sep 2019 549ebay.com
6.
 
Canon SL3 122 mm 93 mm 70 mm 449 g 1070 n Apr 2019 599 amazon.com
7.
 
Canon G5 X Mark II 111 mm 61 mm 46 mm 340 g 230 n Jul 2019 899ebay.com
8.
 
Canon M50 116 mm 88 mm 59 mm 390 g 235 n Feb 2018 779ebay.com
9.
 
Canon T7 129 mm 101 mm 78 mm 475 g 500 n Feb 2018 449 amazon.com
10.
 
Canon T100 129 mm 102 mm 77 mm 436 g 500 n Feb 2018 399 amazon.com
11.
 
Canon M6 112 mm 68 mm 45 mm 390 g 295 n Feb 2017 779ebay.com
12.
 
Canon M5 116 mm 89 mm 61 mm 427 g 295 n Sep 2016 979ebay.com
13.
 
Canon M3 111 mm 68 mm 44 mm 366 g 250 n Feb 2015 679ebay.com
14.
 
Fujifilm GFX 100 II 152 mm 117 mm 99 mm 1030 g 540 Y Sep 2023 7,499 amazon.com
15.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 amazon.com
16.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499ebay.com
17.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M6 Mark II was launched at a markedly lower price (by 79 percent) than the GFX 50S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon M6 Mark II features an APS-C sensor and the Fujifilm GFX 50S II a medium format sensor. The sensor area in the GFX 50S II is 330 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the M6 Mark II has a native 3:2 aspect ratio, while the one in the GFX 50S II offers a 4:3 aspect.

Canon M6 Mark II and Fujifilm GFX 50S II sensor measures

With 51.1MP, the GFX 50S II offers a higher resolution than the M6 Mark II (32.3MP), but the GFX 50S II nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.23μm for the M6 Mark II) due to its larger sensor. Moreover, the GFX 50S II is a much more recent model (by 2 years) than the M6 Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon M6 Mark II are 34.8 x 23.2 inches or 88.4 x 58.9 cm for good quality, 27.8 x 18.6 inches or 70.7 x 47.1 cm for very good quality, and 23.2 x 15.5 inches or 58.9 x 39.3 cm for excellent quality prints.

The M6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the M6 Mark II, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

M6 Mark II versus GFX 50S II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
# image Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Canon M6 Mark II APS-C 32.3 6960 46404K/30p24.013.5184883
2.
 
Fujifilm GFX 50S II Medium Format 51.1 8256 61921080/30p25.914.83456100
3.
 
Canon R5 Full Frame 44.8 8192 54648K/30p25.314.6304295
4.
 
Canon M50 Mark II APS-C 24.0 6000 40004K/24p24.013.6193983
5.
 
Canon M200 APS-C 24.0 6000 40004k/25p24.013.5183682
6.
 
Canon SL3 APS-C 24.0 6000 40004K/25p23.913.4179182
7.
 
Canon G5 X Mark II 1-inch 20.0 5472 36484K/30p22.212.458365
8.
 
Canon M50 APS-C 24.0 6000 40004K/24p23.813.3168481
9.
 
Canon T7 APS-C 24.0 6000 40001080/30p23.813.3168481
10.
 
Canon T100 APS-C 17.9 5184 34561080/30p21.911.469563
11.
 
Canon M6 APS-C 24.0 6000 40001080/60p23.412.6131778
12.
 
Canon M5 APS-C 24.0 6000 40001080/60p23.412.4126277
13.
 
Canon M3 APS-C 24.0 6000 40001080/30p22.811.8116972
14.
 
Fujifilm GFX 100 II Medium Format 101.8 11648 87368K/30p25.915.03651101
15.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p25.814.73391100
16.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p25.714.4316998
17.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p25.414.1297796
Note: DXO values in italics represent estimates based on sensor size and age.
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Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M6 Mark II provides a higher video resolution than the GFX 50S II. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

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Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 Mark II relies on live view and the rear LCD for framing. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The adjacent table lists some of the other core features of the Canon M6 Mark II and Fujifilm GFX 50S II along with similar information for a selection of comparators.

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Core Features
# image Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Canon M6 Mark IIoptional n3.0 / 1040 tilting Y 1/4000s 14.0/s Y n
2.
 
Fujifilm GFX 50S II3690 Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n Y
3.
 
Canon R55760 Y3.2 / 2100 swivel Y 1/8000s 12.0/s n Y
4.
 
Canon M50 Mark II2360 n3.0 / 1040 swivel Y 1/4000s 10.0/s Y n
5.
 
Canon M200none n3.0 / 1040 tilting Y 1/4000s 6.1/s Y n
6.
 
Canon SL3optical n3.0 / 1040 swivel Y 1/4000s 5.0/s Y n
7.
 
Canon G5 X Mark II2360 n3.0 / 1040 tilting Y 1/2000s 30/s Y Y
8.
 
Canon M502360 n3.0 / 1040 swivel Y 1/4000s 10.0/s Y n
9.
 
Canon T7optical n3.0 / 920 fixed n 1/4000s 3.0/s Y n
10.
 
Canon T100optical n2.7 / 230 fixed n 1/4000s 3.0/s Y n
11.
 
Canon M6optional n3.0 / 1040 tilting Y 1/4000s 9.0/s Y n
12.
 
Canon M52360 n3.2 / 1620 tilting Y 1/4000s 9.0/s Y n
13.
 
Canon M3optional n3.0 / 1040 tilting Y 1/4000s 4.2/s Y n
14.
 
Fujifilm GFX 100 II9440 Y3.2 / 2360 full-flex Y 1/4000s 8.0/s n Y
15.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
16.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0/s n n
17.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
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One difference between the cameras concerns the presence of an on-board flash. The M6 Mark II has one, while the GFX 50S II does not. While the built-in flash of the M6 Mark II is not very powerful, it can at times be useful as a fill-in light.

The M6 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S II does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon M6 Mark II and the Fujifilm GFX 50S II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the M6 Mark II and the GFX 50S II write their files to SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M6 Mark II only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Fujifilm GFX 50S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
# image Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Canon M6 Mark IIYstereo / monoY-micro2.0Y-Y
2.
 
Fujifilm GFX 50S IIYstereo / monoYYmicro3.2Y--
3.
 
Canon R5Ymono / monoYYmicro3.2Y-Y
4.
 
Canon M50 Mark IIYstereo / monoY-micro2.0Y-Y
5.
 
Canon M200-stereo / mono--micro2.0Y-Y
6.
 
Canon SL3Ystereo / monoY-mini2.0Y-Y
7.
 
Canon G5 X Mark II-stereo / mono--micro3.1Y-Y
8.
 
Canon M50Ystereo / monoY-micro2.0Y-Y
9.
 
Canon T7Ymono / mono--mini2.0YY-
10.
 
Canon T100Ymono / mono--mini2.0YY-
11.
 
Canon M6Ystereo / monoY-mini2.0YYY
12.
 
Canon M5Ystereo / monoY-mini2.0YYY
13.
 
Canon M3Ystereo / monoY-mini2.0YY-
14.
 
Fujifilm GFX 100 IIYstereo / monoYYfull3.2Y-Y
15.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
16.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
17.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
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It is notable that the GFX 50S II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M6 Mark II lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the M6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the M6 Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M6 Mark II from Canon. Further information on the features and operation of the M6 Mark II and GFX 50S II can be found, respectively, in the Canon M6 Mark II Manual (free pdf) or the online Fujifilm GFX 50S II Manual.

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Review summary

So what conclusions can be drawn? Is the Canon M6 Mark II better than the Fujifilm GFX 50S II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Canon EOS M6 Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x70mm vs 150x104mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 492g or 55 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in August 2019).

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Arguments in favor of the Fujifilm GFX 50S II:

  • More detail: Has more megapixels (51.1 vs 32.3MP), which boosts linear resolution by 23%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Longer lasting: Gets more shots (440 versus 305) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Reflects 2 years of technical progress since the M6 Mark II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S II is the clear winner of the contest (20 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

M6 Mark II 11:20 GFX 50S II

How about other alternatives? Do the specifications of the Canon M6 Mark II and the Fujifilm GFX 50S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M6 Mark II or the GFX 50S II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
# image  Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon M6 Mark II..+4.5/585/1004/54/5 Aug 2019 849ebay.com
2.
 
Fujifilm GFX 50S II5/5..5/587/100..5/5 Sep 2021 3,999 amazon.com
3.
 
Canon R54.5/5+4/591/1004.5/54.5/5 Jul 2020 3,899 amazon.com
4.
 
Canon M50 Mark II4/5..4/5..4.5/53.5/5 Oct 2020 599ebay.com
5.
 
Canon M200..+3/579/1004/54/5 Sep 2019 549ebay.com
6.
 
Canon SL34/5o4.5/579/1004/54/5 Apr 2019 599 amazon.com
7.
 
Canon G5 X Mark II4/5+4/582/100..4/5 Jul 2019 899ebay.com
8.
 
Canon M50..+4/579/100..3.5/5 Feb 2018 779ebay.com
9.
 
Canon T7..o3.5/5..3.5/53.5/5 Feb 2018 449 amazon.com
10.
 
Canon T100..o3/5..3.5/53.5/5 Feb 2018 399 amazon.com
11.
 
Canon M6......80/1004/54/5 Feb 2017 779ebay.com
12.
 
Canon M54/5+4/582/1004/54/5 Sep 2016 979ebay.com
13.
 
Canon M34/5o..75/1004.5/54/5 Feb 2015 679ebay.com
14.
 
Fujifilm GFX 100 II5/5+5/5....4.5/5 Sep 2023 7,499 amazon.com
15.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 amazon.com
16.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499ebay.com
17.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
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The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Canon M6 Mark II vs Fujifilm GFX 50S II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon M6 Mark II Fujifilm GFX 50S II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Canon EF-M mount lenses Fujifilm G mount lenses
    Launch Date August 2019 September 2021
    Launch Price USD 849 USD 3,999
    Sensor Specs Canon M6 Mark II Fujifilm GFX 50S II
    Sensor Technology CMOS CMOS
    Sensor Format APS-C Sensor Medium Format Sensor
    Sensor Size 22.5 x 15.0 mm 44.0 x 33.0 mm
    Sensor Area 337.5 mm2 1452 mm2
    Sensor Diagonal 27 mm 55 mm
    Crop Factor 1.6x 0.79x
    Sensor Resolution 32.3 Megapixels 51.1 Megapixels
    Image Resolution 6960 x 4640 pixels 8256 x 6192 pixels
    Pixel Pitch 3.23 μm 5.33 μm
    Pixel Density 9.57 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 4K/30p Video 1080/30p Video
    ISO Setting 100 - 25,600 ISO 100 - 12,800 ISO
    ISO Boost 100 - 51,200 ISO 50 - 102,400 ISO
    Image Processor DIGIC 8 X Processor 4
    Screen Specs Canon M6 Mark II Fujifilm GFX 50S II
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.77x
    Viewfinder Resolution 3690k dots
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.2inch
    LCD Resolution 1040k dots 2360k dots
    LCD Attachment Tilting screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon M6 Mark II Fujifilm GFX 50S II
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/4000s
    Continuous Shooting 14 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Built-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Single or Dual Card Slots Single card slot Dual card slots
    UHS card support UHS-II Dual UHS-II
    Connectivity Specs Canon M6 Mark II Fujifilm GFX 50S II
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.2
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Canon M6 Mark II Fujifilm GFX 50S II
    Environmental Sealingnot weather sealedWeathersealed body
    Battery Type Canon LP-E17 Fujifilm NP-W235
    Battery Life (CIPA)305 shots per charge440 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 120 x 70 x 49 mm
    (4.7 x 2.8 x 1.9 in)
    150 x 104 x 87 mm
    (5.9 x 4.1 x 3.4 in)
    Camera Weight 408 g (14.4 oz) 900 g (31.7 oz)
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