Canon M6 Mark II vs Fujifilm GFX 50R
The Canon EOS M6 Mark II and the Fujifilm GFX 50R are two digital cameras that were announced, respectively, in August 2019 and September 2018. Both the M6 Mark II and the GFX 50R are mirrorless interchangeable lens cameras that are based on an APS-C (M6 Mark II) and a medium format (GFX 50R) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M6 Mark II||Fujifilm GFX 50R|
|Mirrorless system camera||Mirrorless system camera|
|Canon EF-M mount lenses||Fujifilm G mount lenses|
|32.3 MP, APS-C Sensor||51.1 MP, Medium Format Sensor|
|4K/30p Video||1080/30p Video|
|ISO 100-25,600 (100 - 51,200)||ISO 100-12,800 (50 - 102,400)|
|Viewfinder optional||Electronic viewfinder (3690k dots)|
|3.0 LCD, 1040k dots||3.2 LCD, 2360k dots|
|Tilting touchscreen||Tilting touchscreen|
|14 shutter flaps per second||3 shutter flaps per second|
|not weather sealed||Weathersealed body|
|305 shots per battery charge||400 shots per battery charge|
|120 x 70 x 49 mm, 408 g||161 x 97 x 66 mm, 775 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M6 Mark II and the Fujifilm GFX 50R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (86 percent) than the Canon M6 Mark II. Moreover, the GFX 50R is substantially heavier (90 percent) than the M6 Mark II. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M6 Mark II gets 305 shots out of its LP-E17 battery, while the GFX 50R can take 400 images on a single charge of its NP-T125 power pack. The power pack in the M6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon M6 Mark II||4.7 in||2.8 in||1.9 in||14.4 oz||305||n||Aug 2019||849|
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Canon T8i||5.2 in||4.1 in||3.0 in||18.2 oz||800||n||Feb 2020||749|
|Canon M200||4.3 in||2.6 in||1.4 in||10.5 oz||315||n||Sep 2019||549|
|Canon SL3||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599|
|Canon G5 X Mark II||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899|
|Canon M50||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779|
|Canon T7||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449|
|Canon T100||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399|
|Canon M6||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779|
|Canon M5||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon M3||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679|
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Hasselblad X1D II||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750|
|Leica Q2||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M6 Mark II was launched at a markedly lower price (by 81 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M6 Mark II features an APS-C sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 330 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the M6 Mark II has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the M6 Mark II (32.3MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.23μm for the M6 Mark II) due to its larger sensor. However, the M6 Mark II is a somewhat more recent model (by 11 months) than the GFX 50R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon M6 Mark II are 34.8 x 23.2 inches or 88.4 x 58.9 cm for good quality, 27.8 x 18.6 inches or 70.7 x 47.1 cm for very good quality, and 23.2 x 15.5 inches or 58.9 x 39.3 cm for excellent quality prints.
The M6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M6 Mark II provides a higher video resolution than the GFX 50R. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 Mark II relies on live view and the rear LCD for framing. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The adjacent table lists some of the other core features of the Canon M6 Mark II and Fujifilm GFX 50R along with similar information for a selection of comparators.
|Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
One difference between the cameras concerns the presence of an on-board flash. The M6 Mark II has one, while the GFX 50R does not. While the built-in flash of the M6 Mark II is not very powerful, it can at times be useful as a fill-in light.The M6 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M6 Mark II and the Fujifilm GFX 50R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M6 Mark II and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the M6 Mark II only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
It is notable that the GFX 50R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M6 Mark II lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the M6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M6 Mark II and the GFX 50R are recent models that are part of the current product line-up. The M6 Mark II replaced the earlier Canon M6, while the GFX 50R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon M6 Mark II and the Fujifilm GFX 50R? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M6 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x70mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 367g or 47 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 11 months after the GFX 50R).
Advantages of the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 32.3MP), which boosts linear resolution by 23%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Longer lasting: Gets more shots (400 versus 305) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M6 Mark II and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the M6 Mark II and the GFX 50R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M6 Mark II||+||85/100||4/5||..||4/5||Aug 2019||849|
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Canon T8i||..||..||..||..||..||Feb 2020||749|
|Canon M200||+||79/100||4/5||..||4/5||Sep 2019||549|
|Canon SL3||o||79/100||4/5||..||4/5||Apr 2019||599|
|Canon G5 X Mark II||+||82/100||..||..||4/5||Jul 2019||899|
|Canon M50||+||79/100||..||4/5||3.5/5||Feb 2018||779|
|Canon T7||o||..||3.5/5||..||3.5/5||Feb 2018||449|
|Canon T100||o||..||3.5/5||..||3.5/5||Feb 2018||399|
|Canon M6||..||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Canon M5||+||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon M3||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Hasselblad X1D II||..||..||4/5||..||4/5||Jun 2019||5,750|
|Leica Q2||..||84/100||4.5/5||..||4/5||Mar 2019||4,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 350D vs Canon M6 Mark II
- Canon G5 X Mark II vs Fujifilm GFX 50R
- Canon M6 Mark II vs Leica M10-R
- Canon M6 Mark II vs Nikon D300
- Canon M6 Mark II vs Nikon D7200
- Canon M6 Mark II vs Nikon D800
- Canon M6 Mark II vs Nikon P7800
- Canon M6 Mark II vs Olympus E-620
- Canon M6 Mark II vs Ricoh GR
- Canon T7i vs Fujifilm GFX 50R
- Fujifilm GFX 50R vs Fujifilm X100T
- Fujifilm GFX 50R vs Panasonic G85
Specifications: Canon M6 Mark II vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M6 Mark II||Fujifilm GFX 50R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm G mount lenses|
|Launch Date||August 2019||September 2018|
|Launch Price||USD 849||USD 4,499|
|Sensor Specs||Canon M6 Mark II||Fujifilm GFX 50R|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.5 x 15.0 mm||44.0 x 33.0 mm|
|Sensor Area||337.5 mm2||1452 mm2|
|Sensor Diagonal||27 mm||55 mm|
|Sensor Resolution||32.3 Megapixels||51.1 Megapixels|
|Image Resolution||6960 x 4640 pixels||8256 x 6192 pixels|
|Pixel Pitch||3.23 μm||5.33 μm|
|Pixel Density||9.57 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X Processor Pro|
|Screen Specs||Canon M6 Mark II||Fujifilm GFX 50R|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon M6 Mark II||Fujifilm GFX 50R|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||14 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||Dual UHS-II|
|Connectivity Specs||Canon M6 Mark II||Fujifilm GFX 50R|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M6 Mark II||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||305 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
120 x 70 x 49 mm
(4.7 x 2.8 x 1.9 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||408 g (14.4 oz)||775 g (27.3 oz)|
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