Canon M50 vs Sony A5100
The Canon EOS M50 and the Sony Alpha A5100 are two digital cameras that were officially introduced, respectively, in February 2018 and August 2014. Both the M50 and the A5100 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M50||Sony A5100|
|Mirrorless system camera||Mirrorless system camera|
|Canon EF-M mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/24p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600|
|Electronic viewfinder (2360k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Tilting touchscreen|
|10 shutter flaps per second||6 shutter flaps per second|
|235 shots per battery charge||400 shots per battery charge|
|116 x 88 x 59 mm, 390 g||110 x 63 x 36 mm, 283 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 and the Sony Alpha A5100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M50 and the Sony A5100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5100 is considerably smaller (32 percent) than the Canon M50. Moreover, the A5100 is markedly lighter (27 percent) than the M50. In this context, it is worth noting that neither the M50 nor the A5100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 gets 235 shots out of its LP-E12 battery, while the A5100 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A5100 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon M50»||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Sony A5100«||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Canon G5 X Mark II« »||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||120 mm||70 mm||49 mm||408 g||305||n||Aug 2019||849||Canon M6 Mark II|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon M6« »||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779||-||Canon M6|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon M5« »||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||Canon M5|
|Canon G5 X« »||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||-||Canon G5 X|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||-||Canon M3|
|Fujifilm X-E3« »||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||Fujifilm X-T20|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5000« »||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||-||Sony A5000|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Sony NEX-3N« »||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony RX100« »||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649||-||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A5100 was launched at a markedly lower price (by 30 percent) than the M50, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A5100 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M50) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Even though the A5100 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A5100 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the M50), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M50 is much more recent (by 3 years and 6 months) than the A5100, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Canon EOS M50 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A5100 are ISO 100 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon M50»||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Sony A5100«||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon M6 Mark II« »||APS-C||32.3||6960||4640||4K/30p||-||-||-||-||Canon M6 Mark II|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5000« »||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony RX100« »||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M50 provides a higher video resolution than the A5100. It can shoot video footage at 4K/24p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the M50 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5100 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M50 and Sony A5100 in connection with corresponding information for a sample of similar cameras.
|Canon M50»||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Sony A5100«||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon M6 Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n||Canon M6 Mark II|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5000« »||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony RX100« »||-||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
The M50 writes its imaging data to SDXC cards, while the A5100 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 and Sony Alpha A5100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M50»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Sony A5100«||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon M6 Mark II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon M6 Mark II|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Fujifilm X-E3« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5000« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony RX100« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the M50 has a hotshoe, while the A5100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the M50 and the A5100 are recent models that are part of the current product line-up. The A5100 replaced the earlier Sony A5000, while the M50 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon M50 or the Sony A5100 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS M50:
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years and 6 months of technical progress since the A5100 launch.
Advantages of the Sony Alpha A5100:
- More compact: Is smaller (110x63mm vs 116x88mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 107g or 27 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (400 versus 235) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the M50 is the clear winner of the match-up (9 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 and the Sony A5100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M50 or the A5100 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M50»||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Sony A5100«||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||-||-||-||-||-||Aug 2019||849||Canon M6 Mark II|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Fujifilm X-E3« »||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||+ +||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5000« »||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony RX100« »||+ +||78/100||4/5||5/5||5/5||Jun 2012||649||-||Sony RX100|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 350D vs Sony A5100
- Canon 5D Mark IV vs Canon M50
- Canon 750D vs Sony A5100
- Canon M50 vs Fujifilm X-T20
- Canon M50 vs Fujifilm X100T
- Canon M50 vs Leica M Typ 240
- Canon M50 vs Olympus E-30
- Canon M50 vs Samsung NX1
- Canon SX740 vs Sony A5100
- Leitz Ur-Leica vs Sony A5100
- Nikon Z7 vs Sony A5100
- Sony A5100 vs Zeiss ZX1
Specifications: Canon M50 vs Sony A5100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50||Sony A5100|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Sony E mount lenses|
|Launch Date||February 2018||August 2014|
|Launch Price||USD 779||USD 549|
|Sensor Specs||Canon M50||Sony A5100|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.91 μm|
|Pixel Density||7.22 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||DIGIC 8||BIONZ X|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||12.7|
|DXO Low Light (ISO)||..||1347|
|Screen Specs||Canon M50||Sony A5100|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon M50||Sony A5100|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M50||Sony A5100|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50||Sony A5100|
|Battery Life (CIPA)||235 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||390 g (13.8 oz)||283 g (10.0 oz)|
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