Canon M50 vs Panasonic GX80
The Canon EOS M50 and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2018 and April 2016. Both the M50 and the GX80 are mirrorless interchangeable lens cameras that are based on an APS-C (M50) and a Four Thirds (GX80) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M50||Panasonic GX80|
|Mirrorless system camera||Mirrorless system camera|
|Canon EF-M mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||15.8 MP, Four Thirds Sensor|
|4K/24p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2765k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Tilting touchscreen|
|10 shutter flaps per second||8 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|235 shots per battery charge||290 shots per battery charge|
|116 x 88 x 59 mm, 390 g||122 x 71 x 44 mm, 426 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 and the Panasonic Lumix DMC-GX80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M50 and the Panasonic GX80 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the GX80 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is notably smaller (15 percent) than the Canon M50. However, the GX80 is markedly heavier (9 percent) than the M50. In this context, it is worth noting that neither the M50 nor the GX80 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon M50»||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Panasonic GX80«||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||4.7 in||2.8 in||1.9 in||14.4 oz||305||n||Aug 2019||849||Canon M6 Mark II|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||Canon M6|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||Canon M3|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||Olympus E-M10|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic G80« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G80|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M50 was somewhat cheaper (by 3 percent) than the GX80 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M50 features an APS-C sensor and the Panasonic GX80 a Four Thirds sensor. The sensor area in the GX80 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the M50 has a native 3:2 aspect ratio, while the one in the GX80 offers a 4:3 aspect.
With 24MP, the M50 offers a higher resolution than the GX80 (15.8MP), but the M50 has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the GX80). However, the M50 is a somewhat more recent model (by 1 year and 10 months) than the GX80, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX80 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon M50||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon M50|
|Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Canon SL3||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon SL3|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G5 X Mark II|
|Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon M6 Mark II|
|Canon T7||APS-C||24.0||6000||4000||1080/30p||..||..||..||..||Canon T7|
|Canon M6||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon M6|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon T7i|
|Canon M5||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon M3||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic GX9|
|Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX80 provides a faster frame rate than the M50. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a higher resolution than the one in the M50 (2765k vs 2360k dots). The table below summarizes some of the other core capabilities of the Canon M50 and Panasonic GX80 in connection with corresponding information for a sample of similar cameras.
|Canon M50||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Panasonic GX80||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX80|
|Canon SL3||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n||Canon M6 Mark II|
|Canon T7||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon M6||optional||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon M3||optional||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Panasonic GX9||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic G80||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G80|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
One feature that differentiates the GX80 and the M50 is in-body image stabilization (IBIS). The GX80 reduces the risk of handshake-induced blur with all attached lenses, while the M50 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The M50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX80 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX80 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 and the GX80 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 and Panasonic Lumix DMC-GX80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M50||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Panasonic GX80||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Canon SL3||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon M6 Mark II|
|Canon T7||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon M6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon M3||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Panasonic GX9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic G80||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
It is notable that the M50 has a microphone port, which is missing on the GX80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the M50 and the GX80 are recent models that are part of the current product line-up. The GX80 replaced the earlier Panasonic GX7, while the M50 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon M50 and the Panasonic GX80? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M50:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 1 year and 10 months after the GX80).
Arguments in favor of the Panasonic Lumix DMC-GX80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 2360k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x71mm vs 116x88mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (290 versus 235) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in April 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the M50 is the clear winner of the match-up (14 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 and the Panasonic GX80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M50 or the GX80. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Canon M50
- Canon 60D vs Panasonic GX80
- Canon M50 vs Canon T7i
- Canon M50 vs Olympus E-PL3
- Canon M50 vs Olympus E-PL5
- Canon M50 vs Panasonic G6
- Canon M50 vs Panasonic GH3
- Canon M50 vs Panasonic LF1
- Canon M50 vs Panasonic LX10
- Leica S-E Typ 006 vs Panasonic GX80
- Nikon D3100 vs Panasonic GX80
- Panasonic GX80 vs Panasonic GX800
Specifications: Canon M50 vs Panasonic GX80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50||Panasonic GX80|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2018||April 2016|
|Launch Price||USD 779||USD 799|
|Sensor Specs||Canon M50||Panasonic GX80|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.72 μm||3.77 μm|
|Pixel Density||7.22 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/24p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||100-51200 ISO||100-25600 ISO|
|Image Processor||DIGIC 8||Venus|
|DXO Sensor Quality (score)||..||71|
|DXO Color Depth (bits)||..||22.9|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||662|
|Screen Specs||Canon M50||Panasonic GX80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2765k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon M50||Panasonic GX80|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M50||Panasonic GX80|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50||Panasonic GX80|
|Battery Life (CIPA)||235 shots per charge||290 shots per charge|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
|Camera Weight||390 g (13.8 oz)||426 g (15.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.