Canon M50 vs Fujifilm GFX 50R
The Canon EOS M50 and the Fujifilm GFX 50R are two digital cameras that were officially introduced, respectively, in February 2018 and September 2018. Both the M50 and the GFX 50R are mirrorless interchangeable lens cameras that are based on an APS-C (M50) and a medium format (GFX 50R) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon M50 and the Fujifilm GFX 50R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the GFX 50R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (53 percent) than the Canon M50. Moreover, the GFX 50R is substantially heavier (99 percent) than the M50. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the M50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 gets 235 shots out of its Canon LP-E12 battery, while the GFX 50R can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
2. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
3. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
4. | Canon SL3 | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
5. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | 849 | ebay.com | |
6. | Canon T7 | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
7. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
8. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
9. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
10. | Canon T7i | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
11. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | 979 | ebay.com | |
12. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
13. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
14. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
15. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
16. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
17. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M50 was launched at a markedly lower price (by 83 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M50 features an APS-C sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the M50 has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the M50 (24MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the M50) due to its larger sensor. Moreover, the GFX 50R is a somewhat more recent model (by 6 months) than the M50, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon M50 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
2. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
3. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
4. | Canon SL3 | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
5. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
6. | Canon T7 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 23.8 | 13.3 | 1684 | 81 | |
7. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
8. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
9. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
10. | Canon T7i | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
11. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
12. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
13. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
14. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
15. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
16. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
17. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M50 provides a higher video resolution than the GFX 50R. It can shoot video footage at 4K/24p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the M50 (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon M50, the Fujifilm GFX 50R, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
2. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
4. | Canon SL3 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
5. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
6. | Canon T7 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
7. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
8. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
9. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Canon T7i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
11. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
12. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
13. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
14. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
15. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
16. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
17. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The M50 has one, while the GFX 50R does not. While the built-in flash of the M50 is not very powerful, it can at times be useful as a fill-in light.
The M50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 and the Fujifilm GFX 50R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the M50 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the M50 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
3. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
4. | Canon SL3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
5. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
6. | Canon T7 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
8. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
9. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
10. | Canon T7i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
11. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
12. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
13. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
14. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
15. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
16. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
17. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y |
It is notable that the GFX 50R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M50 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the M50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M50 and the GFX 50R have been discontinued, but can regularly be found used on ebay. The M50 was replaced by the Canon M50 Mark II, while the GFX 50R does not have a direct successor. Further information on the features and operation of the M50 and GFX 50R can be found, respectively, in the Canon M50 Manual (free pdf) or the online Fujifilm GFX 50R Manual.
Review summary
So what is the bottom line? Is the Canon M50 better than the Fujifilm GFX 50R or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M50:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (116x88mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 385g or 50 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2018).
Reasons to prefer the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (400 versus 235) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (18 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M50 or the GFX 50R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
2. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
3. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
4. | Canon SL3 | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
5. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | 849 | ebay.com | |
6. | Canon T7 | .. | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
7. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
8. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
9. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
10. | Canon T7i | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
11. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | 979 | ebay.com | |
12. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
13. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
14. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
15. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
16. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
17. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Canon M50
- Canon 1Ds Mark III vs Fujifilm GFX 50R
- Canon G1 X vs Fujifilm GFX 50R
- Canon M50 vs Canon R6 Mark II
- Canon M50 vs Canon XTi
- Canon M50 vs Panasonic GX1
- Canon M50 vs Pentax K-S1
- Canon M50 vs Pentax MX-1
- Canon T6 vs Fujifilm GFX 50R
- Fujifilm GFX 50R vs Fujifilm X100
- Fujifilm GFX 50R vs Panasonic FZ80
- Fujifilm GFX 50R vs Panasonic G7
Specifications: Canon M50 vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon M50 | Fujifilm GFX 50R |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Canon EF-M mount lenses | Fujifilm G mount lenses |
Launch Date | February 2018 | September 2018 |
Launch Price | USD 779 | USD 4,499 |
Sensor Specs | Canon M50 | Fujifilm GFX 50R |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 22.3 x 14.9 mm | 44.0 x 33.0 mm |
Sensor Area | 332.27 mm2 | 1452 mm2 |
Sensor Diagonal | 26.8 mm | 55 mm |
Crop Factor | 1.6x | 0.79x |
Sensor Resolution | 24 Megapixels | 51.1 Megapixels |
Image Resolution | 6000 x 4000 pixels | 8256 x 6192 pixels |
Pixel Pitch | 3.72 μm | 5.33 μm |
Pixel Density | 7.22 MP/cm2 | 3.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/24p Video | 1080/30p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 51,200 ISO | 50 - 102,400 ISO |
Image Processor | DIGIC 8 | X Processor Pro |
Screen Specs | Canon M50 | Fujifilm GFX 50R |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.77x | |
Viewfinder Resolution | 2360k dots | 3690k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 2360k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon M50 | Fujifilm GFX 50R |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Canon M50 | Fujifilm GFX 50R |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon M50 | Fujifilm GFX 50R |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E12 | Fujifilm NP-T125 |
Battery Life (CIPA) | 235 shots per charge | 400 shots per charge |
Body Dimensions |
116 x 88 x 59 mm (4.6 x 3.5 x 2.3 in) |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
Camera Weight | 390 g (13.8 oz) | 775 g (27.3 oz) |
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