Canon M50 Mark II vs Sony NEX-5T
The Canon EOS M50 Mark II and the Sony Alpha NEX-5T are two digital cameras that were announced, respectively, in October 2020 and August 2013. Both the M50 Mark II and the NEX-5T are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon M50 Mark II and the Sony NEX-5T. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the NEX-5T is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is considerably smaller (36 percent) than the Canon M50 Mark II. Moreover, the NEX-5T is markedly lighter (29 percent) than the M50 Mark II. In this context, it is worth noting that neither the M50 Mark II nor the NEX-5T are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 Mark II gets 305 shots out of its Canon LP-E12 battery, while the NEX-5T can take 330 images on a single charge of its Sony NP-FW50 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
2. | Sony NEX-5T | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2013 | 699 | ebay.com | |
3. | Canon 200D | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
4. | Canon 250D | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
5. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | 899 | ebay.com | |
6. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
7. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
8. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | 849 | ebay.com | |
9. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
10. | Canon M200 | 108 mm | 67 mm | 35 mm | 299 g | 315 | n | Sep 2019 | 549 | ebay.com | |
11. | Fujifilm X-A7 | 119 mm | 68 mm | 41 mm | 320 g | 440 | n | Sep 2019 | 499 | ebay.com | |
12. | Fujifilm X-T200 | 121 mm | 84 mm | 55 mm | 370 g | 270 | n | Jan 2020 | 699 | ebay.com | |
13. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
14. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
15. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
16. | Sony NEX-5R | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2012 | 749 | ebay.com | |
17. | Sony NEX-F3 | 117 mm | 67 mm | 42 mm | 314 g | 470 | n | May 2012 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M50 Mark II was launched at a somewhat lower price (by 14 percent) than the NEX-5T, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-5T is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M50 Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon M50 Mark II offers a higher resolution of 24 megapixels, compared with 16 MP of the Sony NEX-5T. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 4.78μm for the NEX-5T). However, it should be noted that the M50 Mark II is much more recent (by 7 years and 1 month) than the NEX-5T, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon M50 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony NEX-5T are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
2. | Sony NEX-5T | APS-C | 16.0 | 4912 | 3264 | 1080/60p | 23.6 | 13.0 | 1015 | 78 | |
3. | Canon 200D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
4. | Canon 250D | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
5. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
6. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
7. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
8. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
9. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
10. | Canon M200 | APS-C | 24.0 | 6000 | 4000 | 4k/25p | 24.0 | 13.5 | 1836 | 82 | |
11. | Fujifilm X-A7 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1955 | 84 | |
12. | Fujifilm X-T200 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1991 | 84 | |
13. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
14. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
15. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
16. | Sony NEX-5R | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 910 | 78 | |
17. | Sony NEX-F3 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.7 | 12.3 | 1114 | 73 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M50 Mark II provides a higher video resolution than the NEX-5T. It can shoot video footage at 4K/24p, while the Sony is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the M50 Mark II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5T relies on live view and the rear LCD for framing. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Canon M50 Mark II and Sony NEX-5T in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
2. | Sony NEX-5T | optional | n | 3.0 / 922 | tilting | Y | 1/4000s | 10.0/s | n | n | |
3. | Canon 200D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
4. | Canon 250D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
5. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
6. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
7. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
8. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
9. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
10. | Canon M200 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
11. | Fujifilm X-A7 | none | n | 3.5 / 2760 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
12. | Fujifilm X-T200 | 2360 | n | 3.5 / 2780 | swivel | Y | 1/4000s | 8.0/s | Y | n | |
13. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
14. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
15. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
16. | Sony NEX-5R | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
17. | Sony NEX-F3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the NEX-5T does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the M50 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M50 Mark II writes its imaging data to SDXC cards, while the NEX-5T uses SDXC or Memory Stick PRO Duo cards. The M50 Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5T cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Sony NEX-5T | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
3. | Canon 200D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 250D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
5. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
6. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
8. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Canon M200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
11. | Fujifilm X-A7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Fujifilm X-T200 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
13. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Sony NEX-5R | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
17. | Sony NEX-F3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the M50 Mark II has a microphone port, which is missing on the NEX-5T. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the M50 Mark II and the NEX-5T have been discontinued, but can regularly be found used on ebay. The NEX-5T was replaced by the Sony A5100, while the M50 Mark II does not have a direct successor. Further information on the features and operation of the M50 Mark II and NEX-5T can be found, respectively, in the Canon M50 Mark II Manual (free pdf) or the online Sony NEX-5T Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Canon M50 Mark II and the Sony NEX-5T? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS M50 Mark II:
- More detail: Offers more megapixels (24 vs 16MP) with a 22% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 7 years and 1 month of technical progress since the NEX-5T launch.
Advantages of the Sony Alpha NEX-5T:
- More compact: Is smaller (111x59mm vs 116x88mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 111g or 29 percent) and is thus easier to take along.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the M50 Mark II is the clear winner of the match-up (14 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the M50 Mark II and the NEX-5T in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
2. | Sony NEX-5T | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 699 | ebay.com | |
3. | Canon 200D | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
4. | Canon 250D | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
5. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | 899 | ebay.com | |
6. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
7. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
8. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | 849 | ebay.com | |
9. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
10. | Canon M200 | .. | + | 3/5 | 79/100 | 4/5 | 4/5 | Sep 2019 | 549 | ebay.com | |
11. | Fujifilm X-A7 | 3/5 | .. | 3.5/5 | 81/100 | 4/5 | 3.5/5 | Sep 2019 | 499 | ebay.com | |
12. | Fujifilm X-T200 | 3.5/5 | .. | 4/5 | 82/100 | 4/5 | 4.5/5 | Jan 2020 | 699 | ebay.com | |
13. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
14. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
15. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
16. | Sony NEX-5R | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2012 | 749 | ebay.com | |
17. | Sony NEX-F3 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | May 2012 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G15 vs Canon M50 Mark II
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- Canon M50 Mark II vs Canon SX400
- Canon M50 Mark II vs Canon XS
- Canon M50 Mark II vs Nikon D3100
- Canon M50 Mark II vs Sony RX10 II
- Fujifilm XP130 vs Sony NEX-5T
- Leica X-U Typ 113 vs Sony NEX-5T
- Olympus E-P1 vs Sony NEX-5T
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- Sony H300 vs Sony NEX-5T
- Sony NEX-5N vs Sony NEX-5T
Specifications: Canon M50 Mark II vs Sony NEX-5T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon M50 Mark II | Sony NEX-5T |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Canon EF-M mount lenses | Sony E mount lenses |
Launch Date | October 2020 | August 2013 |
Launch Price | USD 599 | USD 699 |
Sensor Specs | Canon M50 Mark II | Sony NEX-5T |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 22.3 x 14.9 mm | 23.4 x 15.6 mm |
Sensor Area | 332.27 mm2 | 365.04 mm2 |
Sensor Diagonal | 26.8 mm | 28.1 mm |
Crop Factor | 1.6x | 1.5x |
Sensor Resolution | 24 Megapixels | 16 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4912 x 3264 pixels |
Pixel Pitch | 3.72 μm | 4.78 μm |
Pixel Density | 7.22 MP/cm2 | 4.39 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/24p Video | 1080/60p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Image Processor | DIGIC 8 | BIONZ |
DXO Sensor Quality (score) | .. | 78 |
DXO Color Depth (bits) | .. | 23.6 |
DXO Dynamic Range (EV) | .. | 13.0 |
DXO Low Light (ISO) | .. | 1015 |
Screen Specs | Canon M50 Mark II | Sony NEX-5T |
Viewfinder Type | Electronic viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 922k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon M50 Mark II | Sony NEX-5T |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | YES | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Canon M50 Mark II | Sony NEX-5T |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon M50 Mark II | Sony NEX-5T |
Battery Type | Canon LP-E12 | Sony NP-FW50 |
Battery Life (CIPA) | 305 shots per charge | 330 shots per charge |
Body Dimensions |
116 x 88 x 59 mm (4.6 x 3.5 x 2.3 in) |
111 x 59 x 39 mm (4.4 x 2.3 x 1.5 in) |
Camera Weight | 387 g (13.7 oz) | 276 g (9.7 oz) |
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