Canon M50 Mark II vs Sony A7C
The Canon EOS M50 Mark II and the Sony Alpha A7C are two digital cameras that were officially introduced, respectively, in October 2020 and September 2020. Both the M50 Mark II and the A7C are mirrorless interchangeable lens cameras that are based on an APS-C (M50 Mark II) and a full frame (A7C) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M50 Mark II and the Sony A7C are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the A7C is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably smaller (14 percent) than the Canon M50 Mark II. However, the A7C is markedly heavier (32 percent) than the M50 Mark II. It is noteworthy in this context that the A7C is splash and dust-proof, while the M50 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon M50 Mark II||4.6 in||3.5 in||2.3 in||13.7 oz||305||n||Oct 2020||599|
|Sony A7C||4.9 in||2.8 in||2.4 in||18.0 oz||740||Y||Sep 2020||1,799|
|Canon M200||4.3 in||2.6 in||1.4 in||10.5 oz||315||n||Sep 2019||549|
|Canon SL3||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599|
|Canon G5 X Mark II||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899|
|Canon M6 Mark II||4.7 in||2.8 in||1.9 in||14.4 oz||305||n||Aug 2019||849|
|Canon M50||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779|
|Canon M6||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779|
|Canon M100||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499|
|Canon SL2||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549|
|Canon M5||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Canon M3||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679|
|Sony A9 II||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A9||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Sony A7||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M50 Mark II was launched at a markedly lower price (by 67 percent) than the A7C, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M50 Mark II features an APS-C sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 155 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A7C has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7C has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.72μm for the M50 Mark II), which gives it a potential advantage in terms of light gathering capacity. The two cameras were released in close succession, so that their sensors are from the same technological generation.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|Sony A7C||Full Frame||24.0||6000||4000||4K/30p||..||..||..||..|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7C provides a faster frame rate than the M50 Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The M50 Mark II and the A7C are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Canon M50 Mark II and Sony A7C in connection with corresponding information for a sample of similar cameras.
|Canon M50 Mark II||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the A7C does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II and the Sony A7C both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M50 Mark II writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. The A7C supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the M50 Mark II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon M50 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7C has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M50 Mark II lacks such a headphone port.
Both the M50 Mark II and the A7C are recent models that are part of the current product line-up. The M50 Mark II replaced the earlier Canon M50, while the A7C does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon M50 Mark II and the Sony A7C? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M50 Mark II:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Less heavy: Is lighter (by 122g or 24 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
Reasons to prefer the Sony Alpha A7C:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More compact: Is smaller (124x71mm vs 116x88mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (740 versus 305) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (14 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M50 Mark II or the A7C perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M50 Mark II||..||..||..||..||..||Oct 2020||599|
|Sony A7C||..||86/100||..||..||4/5||Sep 2020||1,799|
|Canon M200||+||79/100||4/5||..||4/5||Sep 2019||549|
|Canon SL3||o||79/100||4/5||..||4/5||Apr 2019||599|
|Canon G5 X Mark II||+||82/100||..||..||4/5||Jul 2019||899|
|Canon M6 Mark II||+||85/100||4/5||..||4/5||Aug 2019||849|
|Canon M50||+||79/100||..||4/5||3.5/5||Feb 2018||779|
|Canon M6||..||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Canon M100||+||..||4/5||..||3.5/5||Aug 2017||499|
|Canon SL2||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549|
|Canon M5||+||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Canon M3||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679|
|Sony A9 II||..||90/100||5/5||..||5/5||Oct 2019||4,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A7||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 800D vs Canon M50 Mark II
- Canon G9 X Mark II vs Sony A7C
- Canon M50 Mark II vs Fujifilm X-H1
- Canon M50 Mark II vs Nikon W150
- Canon M50 Mark II vs Nikon Z6
- Canon M50 Mark II vs Panasonic G80
- Canon M50 Mark II vs Panasonic G95
- Canon M50 vs Sony A7C
- Canon SX70 vs Sony A7C
- Nikon Z6 vs Sony A7C
- Olympus E-PL10 vs Sony A7C
- Panasonic GH5s vs Sony A7C
Specifications: Canon M50 Mark II vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50 Mark II||Sony A7C|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Sony E mount lenses|
|Launch Date||October 2020||September 2020|
|Launch Price||USD 599||USD 1,799|
|Sensor Specs||Canon M50 Mark II||Sony A7C|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.6 x 23.8 mm|
|Sensor Area||332.27 mm2||847.28 mm2|
|Sensor Diagonal||26.8 mm||42.8 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||5.94 μm|
|Pixel Density||7.22 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|Screen Specs||Canon M50 Mark II||Sony A7C|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon M50 Mark II||Sony A7C|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||YES||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon M50 Mark II||Sony A7C|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M50 Mark II||Sony A7C|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||305 shots per charge||740 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
124 x 71 x 60 mm
(4.9 x 2.8 x 2.4 in)
|Camera Weight||387 g (13.7 oz)||509 g (18.0 oz)|
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